Racine's Roman tragedies: essays on "Britannicus" and "Bérénice"
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | French English |
| Veröffentlicht: |
Leiden ; Boston
Brill
[2022]
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| Schriftenreihe: | Faux titre
volume 456 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XIV, 395 Seiten Illustration |
| ISBN: | 9789004504806 |
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Datensatz im Suchindex
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| adam_text | Contents Notes on Contributors xi Introduction: Racine’s Imagined Rome і Nicholas Hammond and Paul Hammond PART 1 Defining Tragedy 1 Brltannicus et Bérénice : tragédies aristotéliciennes ? Tristan Alonge π 2 Brltannicus, the Tragic Family, and the Problem of the Hero John D. Lyons 3 Stones Wrapped in String: The Paths Not Taken in Racine’s Bérénice 30 56 Paul Hammond PART 2 Sound, Metatheatre, and Theatrical Space 4 ‘Mille bruits’: Listening to Brltannicus 83 Nicholas Hammond 5 Noises Off? Berenice’s Echo Chamber 99 Joseph Harris 6 Le public fragmenté de Titus : la métaphore théâtrale dans Bérénice Delphine Calle 7 Bérénice: Disoriented in Rome John D. Lyons 8 Staging Britannicus and Bérénice·. Problems in Spatial Dynamics Michael Hawcroft 136 154 119
CONTENT^ VIII PART З Ambiguity, Concealment, and Duplicity 9 Naissance des monstres : le mal et ses doubles dans Britannicus Tony Gheeraert 10 Mendacity in Racine s Britannicus Emilia Wilton-Godberfforde n ‘D’un voile d’amitié j’ai couvert mon amour’: Homoerotic Subtexts in Racine s Bérénice 218 Paul Scott 185 203 PART 4 Racine and His Rivak 12 Bérénice: Racine between Corneille and Barthes Michael Moriarty 243 13 La Bataille des Bérénice : une concurrence repensée Hélène Bilis 14 Pradon and the ‘Parodie de Bérénice’ Jan Clarke 263 279 PART 5 Sources and Translations 15 Painting and Silence: Racine and His Classical Sources for Britannicus and Bérénice 313 Susan Reynolds 16 ‘If Neither Faith nor Tears nor Means Can Move’: Translating Emotion from Racine’s Bérénice (1670) to Otway’s Titus and Berenice (1676) 329 SuzanneJones
CONTENTS 17 The Place of Breath in Alan Hollinghurst’s Berenice Denis Flannery Bibliography 367 Index of Names 387 Index of Themes 393 IX 348
In two of his most famous plays, Britanniens and Bérénice, Racine depicts the tragedies of characters trapped by the ideals, desires, and cruelties of ancient Rome. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts. For Racine, Rome is more than a location, it is a set of values and traditions, a space of opportunity and oppression. The contributors to this volume examine Racine’s stagecraft, his exploration of time and space, sound and silence, and the ways in which he develops his own distinctive understanding of tragedy. The reception of his plays by contemporaries and subsequent generations also features. In Racine’s hands, Rome becomes a state of mind, haunted by both past and future. Nicholas Hammond (DPhil Oxford 1992) is Professor of early modern French Literature and Culture at the University of Cambridge. He has published widely, including on Pascal, Port-Royal, and gossip, and has edited several books. His most recent book is The Powers of Sound and Song in early modern Paris (2019). Paul Hammond (LittD Cambridge 1996) is Professor of Seventeenth- Century English Literature at the University of Leeds, and a Fellow of the British Academy. His books include The Strangeness of Tragedy (2009) and Tragic Agency in Classical Drama from Aeschylus to Voltaire (2021 ).
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| adam_txt |
Contents Notes on Contributors xi Introduction: Racine’s Imagined Rome і Nicholas Hammond and Paul Hammond PART 1 Defining Tragedy 1 Brltannicus et Bérénice : tragédies aristotéliciennes ? Tristan Alonge π 2 Brltannicus, the Tragic Family, and the Problem of the Hero John D. Lyons 3 Stones Wrapped in String: The Paths Not Taken in Racine’s Bérénice 30 56 Paul Hammond PART 2 Sound, Metatheatre, and Theatrical Space 4 ‘Mille bruits’: Listening to Brltannicus 83 Nicholas Hammond 5 Noises Off? Berenice’s Echo Chamber 99 Joseph Harris 6 Le public fragmenté de Titus : la métaphore théâtrale dans Bérénice Delphine Calle 7 Bérénice: Disoriented in Rome John D. Lyons 8 Staging Britannicus and Bérénice·. Problems in Spatial Dynamics Michael Hawcroft 136 154 119
CONTENT^ VIII PART З Ambiguity, Concealment, and Duplicity 9 Naissance des monstres : le mal et ses doubles dans Britannicus Tony Gheeraert 10 Mendacity in Racine's Britannicus Emilia Wilton-Godberfforde n ‘D’un voile d’amitié j’ai couvert mon amour’: Homoerotic Subtexts in Racine's Bérénice 218 Paul Scott 185 203 PART 4 Racine and His Rivak 12 Bérénice: Racine between Corneille and Barthes Michael Moriarty 243 13 La Bataille des Bérénice : une concurrence repensée Hélène Bilis 14 Pradon and the ‘Parodie de Bérénice’ Jan Clarke 263 279 PART 5 Sources and Translations 15 Painting and Silence: Racine and His Classical Sources for Britannicus and Bérénice 313 Susan Reynolds 16 ‘If Neither Faith nor Tears nor Means Can Move’: Translating Emotion from Racine’s Bérénice (1670) to Otway’s Titus and Berenice (1676) 329 SuzanneJones
CONTENTS 17 The Place of Breath in Alan Hollinghurst’s Berenice Denis Flannery Bibliography 367 Index of Names 387 Index of Themes 393 IX 348
In two of his most famous plays, Britanniens and Bérénice, Racine depicts the tragedies of characters trapped by the ideals, desires, and cruelties of ancient Rome. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts. For Racine, Rome is more than a location, it is a set of values and traditions, a space of opportunity and oppression. The contributors to this volume examine Racine’s stagecraft, his exploration of time and space, sound and silence, and the ways in which he develops his own distinctive understanding of tragedy. The reception of his plays by contemporaries and subsequent generations also features. In Racine’s hands, Rome becomes a state of mind, haunted by both past and future. Nicholas Hammond (DPhil Oxford 1992) is Professor of early modern French Literature and Culture at the University of Cambridge. He has published widely, including on Pascal, Port-Royal, and gossip, and has edited several books. His most recent book is The Powers of Sound and Song in early modern Paris (2019). Paul Hammond (LittD Cambridge 1996) is Professor of Seventeenth- Century English Literature at the University of Leeds, and a Fellow of the British Academy. His books include The Strangeness of Tragedy (2009) and Tragic Agency in Classical Drama from Aeschylus to Voltaire (2021 ). |
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| title | Racine's Roman tragedies essays on "Britannicus" and "Bérénice" |
| title_auth | Racine's Roman tragedies essays on "Britannicus" and "Bérénice" |
| title_exact_search | Racine's Roman tragedies essays on "Britannicus" and "Bérénice" |
| title_exact_search_txtP | Racine's Roman tragedies essays on "Britannicus" and "Bérénice" |
| title_full | Racine's Roman tragedies essays on "Britannicus" and "Bérénice" edited by Nicholas Hammond, Paul Hammond |
| title_fullStr | Racine's Roman tragedies essays on "Britannicus" and "Bérénice" edited by Nicholas Hammond, Paul Hammond |
| title_full_unstemmed | Racine's Roman tragedies essays on "Britannicus" and "Bérénice" edited by Nicholas Hammond, Paul Hammond |
| title_short | Racine's Roman tragedies |
| title_sort | racine s roman tragedies essays on britannicus and berenice |
| title_sub | essays on "Britannicus" and "Bérénice" |
| topic | Racine, Jean 1639-1699 Bérénice (DE-588)4264371-5 gnd Racine, Jean 1639-1699 Britannicus (DE-588)4233499-8 gnd |
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