The impossible art: adventures in opera
"User's guide to opera--Matthew Aucoin, "the most promising operatic talent in a generation" (New York Times Magazine), describes the creation of his groundbreaking new work, Eurydice, and shares his reflections on the past, present, and future of opera"--
Gespeichert in:
1. Verfasser: | |
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Format: | Partitur Buch |
Sprache: | English |
Veröffentlicht: |
New York
Farrar, Straus and Giroux
2021
|
Ausgabe: | First edition |
Schlagworte: | |
Zusammenfassung: | "User's guide to opera--Matthew Aucoin, "the most promising operatic talent in a generation" (New York Times Magazine), describes the creation of his groundbreaking new work, Eurydice, and shares his reflections on the past, present, and future of opera"-- "From its beginning, opera has been an impossible art. Its first practitioners, in seventeenth-century Florence, set themselves the unreachable goal of reproducing the wonders of ancient Greek drama, which no one can be sure was sung in the first place. Opera's greatest artists have striven to fuse multiple art forms--music, drama, poetry, dance--into a unified synesthetic experience. The composer Matthew Aucoin posits that it is this impossibility that gives opera its exceptional power and serves as its lifeblood. The virtuosity required of its performers, the bizarre and often spectacular nature of its stage productions, the creation of a whole world whose basic fabric is music--opera assumes its true form when it pursues impossible goals. The Impossible Art is a passionate defense of what is best about opera, a love letter to the form, written in the midst of a global pandemic during which operatic performance was (literally) impossible. Aucoin writes of the rare works--ranging from classics by Mozart and Verdi to contemporary offerings of Thomas Adès and Chaya Czernowin--that capture something essential about human experience. He illuminates the symbiotic relationship between composers and librettists, between opera's greatest figures and those of literature. Aucoin also tells the story of his new opera, Eurydice, from its inception to its production on the Metropolitan Opera's iconic stage. The Impossible Art opens the theater door and invites the reader into this extraordinary world. |
Beschreibung: | XVI, 299 Seiten Notenbeispiele |
ISBN: | 9780374175382 |
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505 | 8 | |a A Field Guide to the Impossible -- Primal Loss : Orpheus and Eurydice in Opera -- The Firewood and the Fire : Words, Music, and Stravinsky's The Rake's Progress -- Verdi's Shakespeare Operas : MacBeth, Otello, Falstaff -- Walt Whitman's Impossible Optimism -- Inner Rooms : Two Recent Impossibilities -- Finding Eurydice -- Music as Forgiveness : Mozart's Le Nozze di Figaro | |
520 | 3 | |a "User's guide to opera--Matthew Aucoin, "the most promising operatic talent in a generation" (New York Times Magazine), describes the creation of his groundbreaking new work, Eurydice, and shares his reflections on the past, present, and future of opera"-- | |
520 | 3 | |a "From its beginning, opera has been an impossible art. Its first practitioners, in seventeenth-century Florence, set themselves the unreachable goal of reproducing the wonders of ancient Greek drama, which no one can be sure was sung in the first place. Opera's greatest artists have striven to fuse multiple art forms--music, drama, poetry, dance--into a unified synesthetic experience. The composer Matthew Aucoin posits that it is this impossibility that gives opera its exceptional power and serves as its lifeblood. The virtuosity required of its performers, the bizarre and often spectacular nature of its stage productions, the creation of a whole world whose basic fabric is music--opera assumes its true form when it pursues impossible goals. The Impossible Art is a passionate defense of what is best about opera, a love letter to the form, written in the midst of a global pandemic during which operatic performance was (literally) impossible. Aucoin writes of the rare works--ranging from classics by Mozart and Verdi to contemporary offerings of Thomas Adès and Chaya Czernowin--that capture something essential about human experience. He illuminates the symbiotic relationship between composers and librettists, between opera's greatest figures and those of literature. Aucoin also tells the story of his new opera, Eurydice, from its inception to its production on the Metropolitan Opera's iconic stage. The Impossible Art opens the theater door and invites the reader into this extraordinary world. | |
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Datensatz im Suchindex
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author | Aucoin, Matthew 1990- |
author_GND | (DE-588)1160334854 |
author_facet | Aucoin, Matthew 1990- |
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author_sort | Aucoin, Matthew 1990- |
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building | Verbundindex |
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classification_rvk | LR 54170 |
contents | A Field Guide to the Impossible -- Primal Loss : Orpheus and Eurydice in Opera -- The Firewood and the Fire : Words, Music, and Stravinsky's The Rake's Progress -- Verdi's Shakespeare Operas : MacBeth, Otello, Falstaff -- Walt Whitman's Impossible Optimism -- Inner Rooms : Two Recent Impossibilities -- Finding Eurydice -- Music as Forgiveness : Mozart's Le Nozze di Figaro |
ctrlnum | (OCoLC)1319620876 (DE-599)BVBBV047816888 |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
edition | First edition |
era | Geschichte gnd |
era_facet | Geschichte |
format | Musical Score Book |
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spelling | Aucoin, Matthew 1990- (DE-588)1160334854 cmp The impossible art adventures in opera Matthew Aucoin Adventures in opera First edition New York Farrar, Straus and Giroux 2021 XVI, 299 Seiten Notenbeispiele txt rdacontent ntm rdacontent n rdamedia nc rdacarrier A Field Guide to the Impossible -- Primal Loss : Orpheus and Eurydice in Opera -- The Firewood and the Fire : Words, Music, and Stravinsky's The Rake's Progress -- Verdi's Shakespeare Operas : MacBeth, Otello, Falstaff -- Walt Whitman's Impossible Optimism -- Inner Rooms : Two Recent Impossibilities -- Finding Eurydice -- Music as Forgiveness : Mozart's Le Nozze di Figaro "User's guide to opera--Matthew Aucoin, "the most promising operatic talent in a generation" (New York Times Magazine), describes the creation of his groundbreaking new work, Eurydice, and shares his reflections on the past, present, and future of opera"-- "From its beginning, opera has been an impossible art. Its first practitioners, in seventeenth-century Florence, set themselves the unreachable goal of reproducing the wonders of ancient Greek drama, which no one can be sure was sung in the first place. Opera's greatest artists have striven to fuse multiple art forms--music, drama, poetry, dance--into a unified synesthetic experience. The composer Matthew Aucoin posits that it is this impossibility that gives opera its exceptional power and serves as its lifeblood. The virtuosity required of its performers, the bizarre and often spectacular nature of its stage productions, the creation of a whole world whose basic fabric is music--opera assumes its true form when it pursues impossible goals. The Impossible Art is a passionate defense of what is best about opera, a love letter to the form, written in the midst of a global pandemic during which operatic performance was (literally) impossible. Aucoin writes of the rare works--ranging from classics by Mozart and Verdi to contemporary offerings of Thomas Adès and Chaya Czernowin--that capture something essential about human experience. He illuminates the symbiotic relationship between composers and librettists, between opera's greatest figures and those of literature. Aucoin also tells the story of his new opera, Eurydice, from its inception to its production on the Metropolitan Opera's iconic stage. The Impossible Art opens the theater door and invites the reader into this extraordinary world. Geschichte gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Opera Operas / Analysis, appreciation Aucoin, Matthew / 1990- / Eurydice MUSIC / History & Criticism Oper (DE-588)4043582-9 s Geschichte z DE-604 |
spellingShingle | Aucoin, Matthew 1990- The impossible art adventures in opera A Field Guide to the Impossible -- Primal Loss : Orpheus and Eurydice in Opera -- The Firewood and the Fire : Words, Music, and Stravinsky's The Rake's Progress -- Verdi's Shakespeare Operas : MacBeth, Otello, Falstaff -- Walt Whitman's Impossible Optimism -- Inner Rooms : Two Recent Impossibilities -- Finding Eurydice -- Music as Forgiveness : Mozart's Le Nozze di Figaro Oper (DE-588)4043582-9 gnd |
subject_GND | (DE-588)4043582-9 |
title | The impossible art adventures in opera |
title_alt | Adventures in opera |
title_auth | The impossible art adventures in opera |
title_exact_search | The impossible art adventures in opera |
title_exact_search_txtP | The impossible art adventures in opera |
title_full | The impossible art adventures in opera Matthew Aucoin |
title_fullStr | The impossible art adventures in opera Matthew Aucoin |
title_full_unstemmed | The impossible art adventures in opera Matthew Aucoin |
title_short | The impossible art |
title_sort | the impossible art adventures in opera |
title_sub | adventures in opera |
topic | Oper (DE-588)4043582-9 gnd |
topic_facet | Oper |
work_keys_str_mv | AT aucoinmatthew theimpossibleartadventuresinopera AT aucoinmatthew adventuresinopera |