Theorizing colonial cinema: reframing production, circulation, and consumption of film in Asia
"Theorizing Colonial Cinema is a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia. The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideo...
Gespeichert in:
Weitere Verfasser: | , , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Bloomington, Indiana
Indiana University Press
[2022]
|
Ausgabe: | First printing |
Schriftenreihe: | New directions in national cinemas
|
Schlagworte: | |
Zusammenfassung: | "Theorizing Colonial Cinema is a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia. The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideology may be challenged by centering the colonial question rather than relegating it to the periphery. To that end, contributors begin by excavating little-known archives and perspectives from the colonies as a departure from a prevailing focus on Europe's imperial histories and archives about the colonies. The collection pinpoints various forms of devaluation and misrecognition both in and beyond the region that continue to relegate local voices to the margins. This pathbreaking study on global film history advances prior scholarship by bringing together an array of established and new interdisciplinary voices from film studies, Asian studies, and postcolonial studies to consider how the present is continually haunted by the colonial past"-- |
Beschreibung: | ix, 291 Seiten Illustrationen 23 cm |
ISBN: | 9780253059758 9780253059741 |
Internformat
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505 | 8 | |a On romanization, naming, and translation -- Time, race, and the asynchronous in the colonial documentaries of Malaya / Nadine Chan -- Facing malcontent colonial Korean comrades : a typology of colonial cinema in Asia's socialist alliances / Moonim Baek -- Colonial-era film theory, spectatorship, and the problem of internalization / Aaron Gerow -- Chinese cinema's other : wrangling over "China-humiliating" films (ruHua pian) / Yiman Wang -- World export : melodramas of colonial conquest / Jane M. Gaines -- Tarzan/Taishan and other orphans : Taiwan's melodrama of decolonization / Zhang Zhen -- What is an auteur? Hŏ Yŏng/Hinatsu Eitarō/Huyung between (post)colonial Indonesia, Japan, and Korea / Thomas Barker and Nikki J. Y. Lee -- Cinema's coloniality / Takushi Odagiri -- A hallucinatory history of the Philippine-American War : Khavn's Balangiga : howling wilderness / José B. Capino -- Millennial vengeance : Park Chan-Wook's Agassi (The Handmaiden) and the return of postcolonial Japonisme / Nayoung Aimee Kwon | |
520 | 3 | |a "Theorizing Colonial Cinema is a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia. The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideology may be challenged by centering the colonial question rather than relegating it to the periphery. To that end, contributors begin by excavating little-known archives and perspectives from the colonies as a departure from a prevailing focus on Europe's imperial histories and archives about the colonies. The collection pinpoints various forms of devaluation and misrecognition both in and beyond the region that continue to relegate local voices to the margins. This pathbreaking study on global film history advances prior scholarship by bringing together an array of established and new interdisciplinary voices from film studies, Asian studies, and postcolonial studies to consider how the present is continually haunted by the colonial past"-- | |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Kwon, Nayoung Aimee Odagiri, Takushi Baek, Moonim |
author2_role | edt edt edt |
author2_variant | n a k na nak t o to m b mb |
author_GND | (DE-588)1075292026 (DE-588)1252841531 (DE-588)125284168X |
author_facet | Kwon, Nayoung Aimee Odagiri, Takushi Baek, Moonim |
building | Verbundindex |
bvnumber | BV047816332 |
contents | On romanization, naming, and translation -- Time, race, and the asynchronous in the colonial documentaries of Malaya / Nadine Chan -- Facing malcontent colonial Korean comrades : a typology of colonial cinema in Asia's socialist alliances / Moonim Baek -- Colonial-era film theory, spectatorship, and the problem of internalization / Aaron Gerow -- Chinese cinema's other : wrangling over "China-humiliating" films (ruHua pian) / Yiman Wang -- World export : melodramas of colonial conquest / Jane M. Gaines -- Tarzan/Taishan and other orphans : Taiwan's melodrama of decolonization / Zhang Zhen -- What is an auteur? Hŏ Yŏng/Hinatsu Eitarō/Huyung between (post)colonial Indonesia, Japan, and Korea / Thomas Barker and Nikki J. Y. Lee -- Cinema's coloniality / Takushi Odagiri -- A hallucinatory history of the Philippine-American War : Khavn's Balangiga : howling wilderness / José B. Capino -- Millennial vengeance : Park Chan-Wook's Agassi (The Handmaiden) and the return of postcolonial Japonisme / Nayoung Aimee Kwon |
ctrlnum | (OCoLC)1287024738 (DE-599)BVBBV047816332 |
edition | First printing |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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genre_facet | Aufsatzsammlung |
geographic | Südostasien (DE-588)4058448-3 gnd Ostasien (DE-588)4075727-4 gnd |
geographic_facet | Südostasien Ostasien |
id | DE-604.BV047816332 |
illustrated | Illustrated |
index_date | 2024-07-03T19:06:51Z |
indexdate | 2024-07-10T09:22:08Z |
institution | BVB |
isbn | 9780253059758 9780253059741 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033199726 |
oclc_num | 1287024738 |
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owner | DE-12 DE-M472 |
owner_facet | DE-12 DE-M472 |
physical | ix, 291 Seiten Illustrationen 23 cm |
psigel | BSB_NED_20220502 |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Indiana University Press |
record_format | marc |
series2 | New directions in national cinemas |
spelling | Theorizing colonial cinema reframing production, circulation, and consumption of film in Asia edited by Nayoung Aimee Kwon, Takushi Odagiri, and Moonim Baek First printing Bloomington, Indiana Indiana University Press [2022] ix, 291 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier New directions in national cinemas On romanization, naming, and translation -- Time, race, and the asynchronous in the colonial documentaries of Malaya / Nadine Chan -- Facing malcontent colonial Korean comrades : a typology of colonial cinema in Asia's socialist alliances / Moonim Baek -- Colonial-era film theory, spectatorship, and the problem of internalization / Aaron Gerow -- Chinese cinema's other : wrangling over "China-humiliating" films (ruHua pian) / Yiman Wang -- World export : melodramas of colonial conquest / Jane M. Gaines -- Tarzan/Taishan and other orphans : Taiwan's melodrama of decolonization / Zhang Zhen -- What is an auteur? Hŏ Yŏng/Hinatsu Eitarō/Huyung between (post)colonial Indonesia, Japan, and Korea / Thomas Barker and Nikki J. Y. Lee -- Cinema's coloniality / Takushi Odagiri -- A hallucinatory history of the Philippine-American War : Khavn's Balangiga : howling wilderness / José B. Capino -- Millennial vengeance : Park Chan-Wook's Agassi (The Handmaiden) and the return of postcolonial Japonisme / Nayoung Aimee Kwon "Theorizing Colonial Cinema is a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia. The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideology may be challenged by centering the colonial question rather than relegating it to the periphery. To that end, contributors begin by excavating little-known archives and perspectives from the colonies as a departure from a prevailing focus on Europe's imperial histories and archives about the colonies. The collection pinpoints various forms of devaluation and misrecognition both in and beyond the region that continue to relegate local voices to the margins. This pathbreaking study on global film history advances prior scholarship by bringing together an array of established and new interdisciplinary voices from film studies, Asian studies, and postcolonial studies to consider how the present is continually haunted by the colonial past"-- Geschichte gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Kolonialismus (DE-588)4073624-6 gnd rswk-swf Südostasien (DE-588)4058448-3 gnd rswk-swf Ostasien (DE-588)4075727-4 gnd rswk-swf Motion pictures / Asia / History Imperialism in motion pictures Colonies / Asia / Civilization Colonies / Civilization Motion pictures Asia History (DE-588)4143413-4 Aufsatzsammlung gnd-content Ostasien (DE-588)4075727-4 g Südostasien (DE-588)4058448-3 g Film (DE-588)4017102-4 s Kolonialismus (DE-588)4073624-6 s Geschichte z DE-604 Kwon, Nayoung Aimee (DE-588)1075292026 edt Odagiri, Takushi (DE-588)1252841531 edt Baek, Moonim (DE-588)125284168X edt Erscheint auch als Online-Ausgabe, PDF 978-0-253-05976-5 |
spellingShingle | Theorizing colonial cinema reframing production, circulation, and consumption of film in Asia On romanization, naming, and translation -- Time, race, and the asynchronous in the colonial documentaries of Malaya / Nadine Chan -- Facing malcontent colonial Korean comrades : a typology of colonial cinema in Asia's socialist alliances / Moonim Baek -- Colonial-era film theory, spectatorship, and the problem of internalization / Aaron Gerow -- Chinese cinema's other : wrangling over "China-humiliating" films (ruHua pian) / Yiman Wang -- World export : melodramas of colonial conquest / Jane M. Gaines -- Tarzan/Taishan and other orphans : Taiwan's melodrama of decolonization / Zhang Zhen -- What is an auteur? Hŏ Yŏng/Hinatsu Eitarō/Huyung between (post)colonial Indonesia, Japan, and Korea / Thomas Barker and Nikki J. Y. Lee -- Cinema's coloniality / Takushi Odagiri -- A hallucinatory history of the Philippine-American War : Khavn's Balangiga : howling wilderness / José B. Capino -- Millennial vengeance : Park Chan-Wook's Agassi (The Handmaiden) and the return of postcolonial Japonisme / Nayoung Aimee Kwon Film (DE-588)4017102-4 gnd Kolonialismus (DE-588)4073624-6 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)4073624-6 (DE-588)4058448-3 (DE-588)4075727-4 (DE-588)4143413-4 |
title | Theorizing colonial cinema reframing production, circulation, and consumption of film in Asia |
title_auth | Theorizing colonial cinema reframing production, circulation, and consumption of film in Asia |
title_exact_search | Theorizing colonial cinema reframing production, circulation, and consumption of film in Asia |
title_exact_search_txtP | Theorizing colonial cinema reframing production, circulation, and consumption of film in Asia |
title_full | Theorizing colonial cinema reframing production, circulation, and consumption of film in Asia edited by Nayoung Aimee Kwon, Takushi Odagiri, and Moonim Baek |
title_fullStr | Theorizing colonial cinema reframing production, circulation, and consumption of film in Asia edited by Nayoung Aimee Kwon, Takushi Odagiri, and Moonim Baek |
title_full_unstemmed | Theorizing colonial cinema reframing production, circulation, and consumption of film in Asia edited by Nayoung Aimee Kwon, Takushi Odagiri, and Moonim Baek |
title_short | Theorizing colonial cinema |
title_sort | theorizing colonial cinema reframing production circulation and consumption of film in asia |
title_sub | reframing production, circulation, and consumption of film in Asia |
topic | Film (DE-588)4017102-4 gnd Kolonialismus (DE-588)4073624-6 gnd |
topic_facet | Film Kolonialismus Südostasien Ostasien Aufsatzsammlung |
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