A true American: William Walcutt, nativism, and nineteenth-century art
"This book argues that nativism, the hostility especially to Catholic immigrants that led to the organization of political parties like the Know-Nothings, affected the meaning of nineteenthcentury American art in ways that have gone unrecognized. In an era of industrialization, nativism's...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Fordham University Press
2022
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Zusammenfassung: | "This book argues that nativism, the hostility especially to Catholic immigrants that led to the organization of political parties like the Know-Nothings, affected the meaning of nineteenthcentury American art in ways that have gone unrecognized. In an era of industrialization, nativism's erection of barriers to immigration appealed to artisans, a category that included most male artists at some stage in their careers. But as importantly, its patriotic message about the nature of the American republic also overlapped with widely shared convictions about the necessity of democratic reform. Movements directed toward improving the human condition, including anti-slavery and temperance, often consigned Catholicism, along with monarchies and slavery, to a repressive past, not the republican American future. To demonstrate the impact of this political effort by humanitarian reformers and nativists to define a Protestant character for the country, this book tracks the work and practice of artist William Walcutt. Though he is little known today, in his own time his efforts as a painter, illustrator and sculptor were acclaimed as masterly, and his art is worth reconsidering in its own right. But this book examines him as a case study of an artist whose economic and personal ties to artisanal print culture and cultural nationalists ensured that he was surrounded by and contributed to anti-Catholic publications and organizations. Walcutt was not anti immigrant himself, nor a member of a nativist party, but his kin, friends, and patrons publicly expressed warnings about Catholic and foreign political influence. And that has implications for better-known nineteenth-century historical and narrative art. Precisely because Walcutt's profile and milieu were so typical for artists in this period, this book is able to demonstrate how central this supposedly fringe movement was to viewers and makers of American art"-- |
| Beschreibung: | xvii, 226 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780823298570 0823298574 9780823298563 0823298566 |
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| 505 | 8 | |a A Native-Born Artist -- A Cooperative Model for Art -- Native Americans and the West -- Fairies, Allegory, and the Spiritualists -- The Young Americans at Home and Abroad -- More Lasting Monuments -- Conclusion: Walcutt's Revival | |
| 520 | 3 | |a "This book argues that nativism, the hostility especially to Catholic immigrants that led to the organization of political parties like the Know-Nothings, affected the meaning of nineteenthcentury American art in ways that have gone unrecognized. In an era of industrialization, nativism's erection of barriers to immigration appealed to artisans, a category that included most male artists at some stage in their careers. But as importantly, its patriotic message about the nature of the American republic also overlapped with widely shared convictions about the necessity of democratic reform. Movements directed toward improving the human condition, including anti-slavery and temperance, often consigned Catholicism, along with monarchies and slavery, to a repressive past, not the republican American future. To demonstrate the impact of this political effort by humanitarian reformers and nativists to define a Protestant character for the country, this book tracks the work and practice of artist William Walcutt. Though he is little known today, in his own time his efforts as a painter, illustrator and sculptor were acclaimed as masterly, and his art is worth reconsidering in its own right. But this book examines him as a case study of an artist whose economic and personal ties to artisanal print culture and cultural nationalists ensured that he was surrounded by and contributed to anti-Catholic publications and organizations. Walcutt was not anti immigrant himself, nor a member of a nativist party, but his kin, friends, and patrons publicly expressed warnings about Catholic and foreign political influence. And that has implications for better-known nineteenth-century historical and narrative art. Precisely because Walcutt's profile and milieu were so typical for artists in this period, this book is able to demonstrate how central this supposedly fringe movement was to viewers and makers of American art"-- | |
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Datensatz im Suchindex
| _version_ | 1804183352388878336 |
|---|---|
| adam_txt | |
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| author | Katz, Wendy Jean |
| author_GND | (DE-588)1213316529 |
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| author_role | aut |
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| building | Verbundindex |
| bvnumber | BV047814158 |
| contents | A Native-Born Artist -- A Cooperative Model for Art -- Native Americans and the West -- Fairies, Allegory, and the Spiritualists -- The Young Americans at Home and Abroad -- More Lasting Monuments -- Conclusion: Walcutt's Revival |
| ctrlnum | (OCoLC)1296359180 (DE-599)BVBBV047814158 |
| dewey-full | 709.2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.2 |
| dewey-search | 709.2 |
| dewey-sort | 3709.2 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
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| edition | First edition |
| era | Geschichte 1800-1900 gnd |
| era_facet | Geschichte 1800-1900 |
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| id | DE-604.BV047814158 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:06:06Z |
| indexdate | 2024-07-10T09:22:05Z |
| institution | BVB |
| isbn | 9780823298570 0823298574 9780823298563 0823298566 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033197590 |
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| physical | xvii, 226 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Fordham University Press |
| record_format | marc |
| spelling | Katz, Wendy Jean Verfasser (DE-588)1213316529 aut A true American William Walcutt, nativism, and nineteenth-century art Wendy Jean Katz First edition New York Fordham University Press 2022 xvii, 226 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier A Native-Born Artist -- A Cooperative Model for Art -- Native Americans and the West -- Fairies, Allegory, and the Spiritualists -- The Young Americans at Home and Abroad -- More Lasting Monuments -- Conclusion: Walcutt's Revival "This book argues that nativism, the hostility especially to Catholic immigrants that led to the organization of political parties like the Know-Nothings, affected the meaning of nineteenthcentury American art in ways that have gone unrecognized. In an era of industrialization, nativism's erection of barriers to immigration appealed to artisans, a category that included most male artists at some stage in their careers. But as importantly, its patriotic message about the nature of the American republic also overlapped with widely shared convictions about the necessity of democratic reform. Movements directed toward improving the human condition, including anti-slavery and temperance, often consigned Catholicism, along with monarchies and slavery, to a repressive past, not the republican American future. To demonstrate the impact of this political effort by humanitarian reformers and nativists to define a Protestant character for the country, this book tracks the work and practice of artist William Walcutt. Though he is little known today, in his own time his efforts as a painter, illustrator and sculptor were acclaimed as masterly, and his art is worth reconsidering in its own right. But this book examines him as a case study of an artist whose economic and personal ties to artisanal print culture and cultural nationalists ensured that he was surrounded by and contributed to anti-Catholic publications and organizations. Walcutt was not anti immigrant himself, nor a member of a nativist party, but his kin, friends, and patrons publicly expressed warnings about Catholic and foreign political influence. And that has implications for better-known nineteenth-century historical and narrative art. Precisely because Walcutt's profile and milieu were so typical for artists in this period, this book is able to demonstrate how central this supposedly fringe movement was to viewers and makers of American art"-- Walcutt, William 1819-1882 (DE-588)1263701140 gnd rswk-swf Geschichte 1800-1900 gnd rswk-swf Indigenes Volk (DE-588)4187207-1 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Denkmal (DE-588)4011453-3 gnd rswk-swf Religion (DE-588)4049396-9 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Sklaverei (DE-588)4055260-3 gnd rswk-swf Ikonographie (DE-588)4026535-3 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Walcutt, William / 1819-1882 / Criticism and interpretation Art and society / United States / History / 19th century Nativism / Case studies Art and society Nativism United States 1800-1899 Case studies Criticism, interpretation, etc History (DE-588)4006804-3 Biografie gnd-content Walcutt, William 1819-1882 (DE-588)1263701140 p Malerei (DE-588)4037220-0 s Plastik (DE-588)4046277-8 s Denkmal (DE-588)4011453-3 s DE-604 USA (DE-588)4078704-7 g Indigenes Volk (DE-588)4187207-1 s Religion (DE-588)4049396-9 s Gesellschaft (DE-588)4020588-5 s Sklaverei (DE-588)4055260-3 s Kunst (DE-588)4114333-4 s Ikonographie (DE-588)4026535-3 s Geschichte 1800-1900 z Erscheint auch als Online-Ausgabe 978-0-8232-9859-4 Erscheint auch als Online-Ausgabe, EPUB 978-0-8232-9858-7 |
| spellingShingle | Katz, Wendy Jean A true American William Walcutt, nativism, and nineteenth-century art A Native-Born Artist -- A Cooperative Model for Art -- Native Americans and the West -- Fairies, Allegory, and the Spiritualists -- The Young Americans at Home and Abroad -- More Lasting Monuments -- Conclusion: Walcutt's Revival Walcutt, William 1819-1882 (DE-588)1263701140 gnd Indigenes Volk (DE-588)4187207-1 gnd Gesellschaft (DE-588)4020588-5 gnd Kunst (DE-588)4114333-4 gnd Plastik (DE-588)4046277-8 gnd Denkmal (DE-588)4011453-3 gnd Religion (DE-588)4049396-9 gnd Malerei (DE-588)4037220-0 gnd Sklaverei (DE-588)4055260-3 gnd Ikonographie (DE-588)4026535-3 gnd |
| subject_GND | (DE-588)1263701140 (DE-588)4187207-1 (DE-588)4020588-5 (DE-588)4114333-4 (DE-588)4046277-8 (DE-588)4011453-3 (DE-588)4049396-9 (DE-588)4037220-0 (DE-588)4055260-3 (DE-588)4026535-3 (DE-588)4078704-7 (DE-588)4006804-3 |
| title | A true American William Walcutt, nativism, and nineteenth-century art |
| title_auth | A true American William Walcutt, nativism, and nineteenth-century art |
| title_exact_search | A true American William Walcutt, nativism, and nineteenth-century art |
| title_exact_search_txtP | A true American William Walcutt, nativism, and nineteenth-century art |
| title_full | A true American William Walcutt, nativism, and nineteenth-century art Wendy Jean Katz |
| title_fullStr | A true American William Walcutt, nativism, and nineteenth-century art Wendy Jean Katz |
| title_full_unstemmed | A true American William Walcutt, nativism, and nineteenth-century art Wendy Jean Katz |
| title_short | A true American |
| title_sort | a true american william walcutt nativism and nineteenth century art |
| title_sub | William Walcutt, nativism, and nineteenth-century art |
| topic | Walcutt, William 1819-1882 (DE-588)1263701140 gnd Indigenes Volk (DE-588)4187207-1 gnd Gesellschaft (DE-588)4020588-5 gnd Kunst (DE-588)4114333-4 gnd Plastik (DE-588)4046277-8 gnd Denkmal (DE-588)4011453-3 gnd Religion (DE-588)4049396-9 gnd Malerei (DE-588)4037220-0 gnd Sklaverei (DE-588)4055260-3 gnd Ikonographie (DE-588)4026535-3 gnd |
| topic_facet | Walcutt, William 1819-1882 Indigenes Volk Gesellschaft Kunst Plastik Denkmal Religion Malerei Sklaverei Ikonographie USA Biografie |
| work_keys_str_mv | AT katzwendyjean atrueamericanwilliamwalcuttnativismandnineteenthcenturyart |