The shape of motion: cinema and the aesthetics of movement
"Cinematic motion has long been celebrated as an emblem of change and fluidity or claimed as the source of cinema's impression of reality. But such general claims undermine the sheer variety of forms that motion can take onscreen-the sweep of a gesture, the rush of a camera movement, the s...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Cinematic motion has long been celebrated as an emblem of change and fluidity or claimed as the source of cinema's impression of reality. But such general claims undermine the sheer variety of forms that motion can take onscreen-the sweep of a gesture, the rush of a camera movement, the slow transformations of a natural landscape. What might we learn about the moving image when we begin to account for the many ways that movements move? In The Shape of Motion: Cinema and the Aesthetics of Movement, Jordan Schonig provides a new way of theorizing cinematic motion by examining cinema's "motion forms:" structures, patterns, or shapes of movement unique to the moving image. From the wild and unpredictable motion of flickering leaves and swirling dust that captivated early spectators, to the pulsing abstractions that emerge from rapid lateral tracking shots, to the bleeding pixel-formations caused by the glitches of digital video compression, each motion form opens up the aesthetics of movement to film theoretical inquiry. By pairing close analyses of onscreen movement in narrative and experimental films with concepts from Maurice Merleau-Ponty, Henri Bergson, and Immanuel Kant, Schonig rethinks longstanding assumptions within film studies, such as indexical accounts of photographic images and analogies between the camera and the human eye. Arguing against the intuition that cinema reproduces our natural perception of motion, The Shape of Motion shows how cinema's motion forms do not merely transpose the movements of the world in front of the camera; they transform them"-- |
| Beschreibung: | xi, 249 Seiten Illustrationen (schwarz-weiß) |
| ISBN: | 9780190093884 9780190093891 |
Internformat
MARC
| LEADER | 00000nam a22000001c 4500 | ||
|---|---|---|---|
| 001 | BV047812565 | ||
| 003 | DE-604 | ||
| 005 | 20220805 | ||
| 007 | t | ||
| 008 | 220203s2022 xxua||| |||| 00||| eng d | ||
| 020 | |a 9780190093884 |c hardback |9 978-0-19-009388-4 | ||
| 020 | |a 9780190093891 |c paperback |9 978-0-19-009389-1 | ||
| 035 | |a (OCoLC)1287023572 | ||
| 035 | |a (DE-599)KXP1772459291 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c XD-US | ||
| 049 | |a DE-703 |a DE-12 |a DE-355 | ||
| 050 | 0 | |a PN1995.9.M685 | |
| 082 | 0 | |a 791.4301 | |
| 084 | |a MEDIEN |q DE-15 |2 fid | ||
| 084 | |a AP 45400 |0 (DE-625)7522: |2 rvk | ||
| 100 | 1 | |a Schonig, Jordan |e Verfasser |0 (DE-588)1237773725 |4 aut | |
| 245 | 1 | 0 | |a The shape of motion |b cinema and the aesthetics of movement |c Jordan Schonig |
| 264 | 1 | |a New York |b Oxford University Press |c [2022] | |
| 264 | 4 | |c © 2022 | |
| 300 | |a xi, 249 Seiten |b Illustrationen (schwarz-weiß) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a "Cinematic motion has long been celebrated as an emblem of change and fluidity or claimed as the source of cinema's impression of reality. But such general claims undermine the sheer variety of forms that motion can take onscreen-the sweep of a gesture, the rush of a camera movement, the slow transformations of a natural landscape. What might we learn about the moving image when we begin to account for the many ways that movements move? In The Shape of Motion: Cinema and the Aesthetics of Movement, Jordan Schonig provides a new way of theorizing cinematic motion by examining cinema's "motion forms:" structures, patterns, or shapes of movement unique to the moving image. From the wild and unpredictable motion of flickering leaves and swirling dust that captivated early spectators, to the pulsing abstractions that emerge from rapid lateral tracking shots, to the bleeding pixel-formations caused by the glitches of digital video compression, each motion form opens up the aesthetics of movement to film theoretical inquiry. By pairing close analyses of onscreen movement in narrative and experimental films with concepts from Maurice Merleau-Ponty, Henri Bergson, and Immanuel Kant, Schonig rethinks longstanding assumptions within film studies, such as indexical accounts of photographic images and analogies between the camera and the human eye. Arguing against the intuition that cinema reproduces our natural perception of motion, The Shape of Motion shows how cinema's motion forms do not merely transpose the movements of the world in front of the camera; they transform them"-- | |
| 650 | 0 | 7 | |a Filmästhetik |0 (DE-588)4140881-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Bewegung |0 (DE-588)4006311-2 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Movement, Aesthetics of, in motion pictures | |
| 653 | 0 | |a Motion pictures / Aesthetics | |
| 689 | 0 | 0 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 1 | |a Bewegung |0 (DE-588)4006311-2 |D s |
| 689 | 0 | 2 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Bewegung |0 (DE-588)4006311-2 |D s |
| 689 | 1 | 1 | |a Filmästhetik |0 (DE-588)4140881-0 |D s |
| 689 | 1 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-0-19-009391-4 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033196046&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20220805 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033196046 | ||
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |
Datensatz im Suchindex
| _version_ | 1804183349674115072 |
|---|---|
| adam_text | Contents Acknowledgments About the Companion Website Introduction: Movingtoward Form The Problem of “Movement” Perceiving Form The Strangeness of Cinematic Motion Describing Motion Cinema’s Motion Forms ix xiii 1 1 5 10 14 16 1. Contingent Motion Contingent Motion and the Impression of Causality Aesthetic Beholding and Kant’s Beautiful Views Early Cinema’s Water-Effects Films CGI’S Fuzzy Objects From the Novelty of Motion to Forms of Motion 19 22 2. Habitual Gestures Ways of Moving Ways of Moving Differently The Cultivation of Habit 43 46 52 59 69 Capturing the In-Between 3. Durational Metamorphosis Cinematic Slowness and Duration Duration Made Visible From Natural to Supernatural Metamorphosis: Silent Light From Sleeping to Seeing 24 28 32 40 74 78 82 90 95 4. Spatial Unfurling From Moving to Unfurling The Perceptual Aesthetics of Lateral Camera Movement Seeing Double Seeing Aspects of the Moving Camera 99 101 105 113 119 5. Trajective Locomotion Approaching Trajectivity A World of Trajectivities Exploring Exceptions The Ethics of the Moving Camera 125 128 135 140 146
viii Contents 6. Bleeding Pixels 149 Movement-Sensitive Spectatorship A Pedagogy of Moti on Perception Seeing Movement Move 152 162 Conclusion: Movement as Excess 179 Notes Index 176 189 237
|
| adam_txt |
Contents Acknowledgments About the Companion Website Introduction: Movingtoward Form The Problem of “Movement” Perceiving Form The Strangeness of Cinematic Motion Describing Motion Cinema’s Motion Forms ix xiii 1 1 5 10 14 16 1. Contingent Motion Contingent Motion and the Impression of Causality Aesthetic Beholding and Kant’s Beautiful Views Early Cinema’s Water-Effects Films CGI’S Fuzzy Objects From the Novelty of Motion to Forms of Motion 19 22 2. Habitual Gestures Ways of Moving Ways of Moving Differently The Cultivation of Habit 43 46 52 59 69 Capturing the In-Between 3. Durational Metamorphosis Cinematic Slowness and Duration Duration Made Visible From Natural to Supernatural Metamorphosis: Silent Light From Sleeping to Seeing 24 28 32 40 74 78 82 90 95 4. Spatial Unfurling From Moving to Unfurling The Perceptual Aesthetics of Lateral Camera Movement Seeing Double Seeing Aspects of the Moving Camera 99 101 105 113 119 5. Trajective Locomotion Approaching Trajectivity A World of Trajectivities Exploring Exceptions The Ethics of the Moving Camera 125 128 135 140 146
viii Contents 6. Bleeding Pixels 149 Movement-Sensitive Spectatorship A Pedagogy of Moti on Perception Seeing Movement Move 152 162 Conclusion: Movement as Excess 179 Notes Index 176 189 237 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Schonig, Jordan |
| author_GND | (DE-588)1237773725 |
| author_facet | Schonig, Jordan |
| author_role | aut |
| author_sort | Schonig, Jordan |
| author_variant | j s js |
| building | Verbundindex |
| bvnumber | BV047812565 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.M685 |
| callnumber-search | PN1995.9.M685 |
| callnumber-sort | PN 41995.9 M685 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 45400 |
| ctrlnum | (OCoLC)1287023572 (DE-599)KXP1772459291 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03722nam a22005531c 4500</leader><controlfield tag="001">BV047812565</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220805 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220203s2022 xxua||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780190093884</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-19-009388-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780190093891</subfield><subfield code="c">paperback</subfield><subfield code="9">978-0-19-009389-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1287023572</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1772459291</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">XD-US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-355</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1995.9.M685</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4301</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MEDIEN</subfield><subfield code="q">DE-15</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 45400</subfield><subfield code="0">(DE-625)7522:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Schonig, Jordan</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1237773725</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The shape of motion</subfield><subfield code="b">cinema and the aesthetics of movement</subfield><subfield code="c">Jordan Schonig</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 249 Seiten</subfield><subfield code="b">Illustrationen (schwarz-weiß)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Cinematic motion has long been celebrated as an emblem of change and fluidity or claimed as the source of cinema's impression of reality. But such general claims undermine the sheer variety of forms that motion can take onscreen-the sweep of a gesture, the rush of a camera movement, the slow transformations of a natural landscape. What might we learn about the moving image when we begin to account for the many ways that movements move? In The Shape of Motion: Cinema and the Aesthetics of Movement, Jordan Schonig provides a new way of theorizing cinematic motion by examining cinema's "motion forms:" structures, patterns, or shapes of movement unique to the moving image. From the wild and unpredictable motion of flickering leaves and swirling dust that captivated early spectators, to the pulsing abstractions that emerge from rapid lateral tracking shots, to the bleeding pixel-formations caused by the glitches of digital video compression, each motion form opens up the aesthetics of movement to film theoretical inquiry. By pairing close analyses of onscreen movement in narrative and experimental films with concepts from Maurice Merleau-Ponty, Henri Bergson, and Immanuel Kant, Schonig rethinks longstanding assumptions within film studies, such as indexical accounts of photographic images and analogies between the camera and the human eye. Arguing against the intuition that cinema reproduces our natural perception of motion, The Shape of Motion shows how cinema's motion forms do not merely transpose the movements of the world in front of the camera; they transform them"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmästhetik</subfield><subfield code="0">(DE-588)4140881-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bewegung</subfield><subfield code="0">(DE-588)4006311-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Movement, Aesthetics of, in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / Aesthetics</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Bewegung</subfield><subfield code="0">(DE-588)4006311-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Bewegung</subfield><subfield code="0">(DE-588)4006311-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Filmästhetik</subfield><subfield code="0">(DE-588)4140881-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-0-19-009391-4</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033196046&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20220805</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033196046</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield></datafield></record></collection> |
| id | DE-604.BV047812565 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:05:33Z |
| indexdate | 2024-07-10T09:22:02Z |
| institution | BVB |
| isbn | 9780190093884 9780190093891 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033196046 |
| oclc_num | 1287023572 |
| open_access_boolean | |
| owner | DE-703 DE-12 DE-355 DE-BY-UBR |
| owner_facet | DE-703 DE-12 DE-355 DE-BY-UBR |
| physical | xi, 249 Seiten Illustrationen (schwarz-weiß) |
| psigel | BSB_NED_20220805 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Schonig, Jordan Verfasser (DE-588)1237773725 aut The shape of motion cinema and the aesthetics of movement Jordan Schonig New York Oxford University Press [2022] © 2022 xi, 249 Seiten Illustrationen (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier "Cinematic motion has long been celebrated as an emblem of change and fluidity or claimed as the source of cinema's impression of reality. But such general claims undermine the sheer variety of forms that motion can take onscreen-the sweep of a gesture, the rush of a camera movement, the slow transformations of a natural landscape. What might we learn about the moving image when we begin to account for the many ways that movements move? In The Shape of Motion: Cinema and the Aesthetics of Movement, Jordan Schonig provides a new way of theorizing cinematic motion by examining cinema's "motion forms:" structures, patterns, or shapes of movement unique to the moving image. From the wild and unpredictable motion of flickering leaves and swirling dust that captivated early spectators, to the pulsing abstractions that emerge from rapid lateral tracking shots, to the bleeding pixel-formations caused by the glitches of digital video compression, each motion form opens up the aesthetics of movement to film theoretical inquiry. By pairing close analyses of onscreen movement in narrative and experimental films with concepts from Maurice Merleau-Ponty, Henri Bergson, and Immanuel Kant, Schonig rethinks longstanding assumptions within film studies, such as indexical accounts of photographic images and analogies between the camera and the human eye. Arguing against the intuition that cinema reproduces our natural perception of motion, The Shape of Motion shows how cinema's motion forms do not merely transpose the movements of the world in front of the camera; they transform them"-- Filmästhetik (DE-588)4140881-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Bewegung (DE-588)4006311-2 gnd rswk-swf Movement, Aesthetics of, in motion pictures Motion pictures / Aesthetics Film (DE-588)4017102-4 s Bewegung (DE-588)4006311-2 s Ästhetik (DE-588)4000626-8 s DE-604 Filmästhetik (DE-588)4140881-0 s Erscheint auch als Online-Ausgabe, EPUB 978-0-19-009391-4 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033196046&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Schonig, Jordan The shape of motion cinema and the aesthetics of movement Filmästhetik (DE-588)4140881-0 gnd Film (DE-588)4017102-4 gnd Ästhetik (DE-588)4000626-8 gnd Bewegung (DE-588)4006311-2 gnd |
| subject_GND | (DE-588)4140881-0 (DE-588)4017102-4 (DE-588)4000626-8 (DE-588)4006311-2 |
| title | The shape of motion cinema and the aesthetics of movement |
| title_auth | The shape of motion cinema and the aesthetics of movement |
| title_exact_search | The shape of motion cinema and the aesthetics of movement |
| title_exact_search_txtP | The shape of motion cinema and the aesthetics of movement |
| title_full | The shape of motion cinema and the aesthetics of movement Jordan Schonig |
| title_fullStr | The shape of motion cinema and the aesthetics of movement Jordan Schonig |
| title_full_unstemmed | The shape of motion cinema and the aesthetics of movement Jordan Schonig |
| title_short | The shape of motion |
| title_sort | the shape of motion cinema and the aesthetics of movement |
| title_sub | cinema and the aesthetics of movement |
| topic | Filmästhetik (DE-588)4140881-0 gnd Film (DE-588)4017102-4 gnd Ästhetik (DE-588)4000626-8 gnd Bewegung (DE-588)4006311-2 gnd |
| topic_facet | Filmästhetik Film Ästhetik Bewegung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033196046&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT schonigjordan theshapeofmotioncinemaandtheaestheticsofmovement |