How do we look?: resisting visual biopolitics
In How Do We Look? Fatimah Tobing Rony draws on transnational images of Indonesian women as a way to theorize what she calls visual biopolitics-the ways visual representation determines which lives are made to matter more than others. Rony outlines the mechanisms of visual biopolitics by examining P...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2021]
|
| Schriftenreihe: | A Camera Obscura Book
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-Aug4 DE-706 Volltext |
| Zusammenfassung: | In How Do We Look? Fatimah Tobing Rony draws on transnational images of Indonesian women as a way to theorize what she calls visual biopolitics-the ways visual representation determines which lives are made to matter more than others. Rony outlines the mechanisms of visual biopolitics by examining Paul Gauguin's 1893 portrait of Annah la Javanaise-a trafficked thirteen-year-old girl found wandering the streets of Paris-as well as US ethnographic and documentary films. In each instance, the figure of the Indonesian woman is inextricably tied to discourses of primitivism, savagery, colonialism, exoticism, and genocide. Rony also focuses on acts of resistance to visual biopolitics in film, writing, and photography. These works, such as Rachmi Diyah Larasati's The Dance that Makes You Vanish, Vincent Monnikendam's Mother Dao (1995), and the collaborative films of Nia Dinata, challenge the naturalized methods of seeing that justify exploitation, dehumanization, and early death of people of color. By theorizing the mechanisms of visual biopolitics, Rony elucidates both its violence and its vulnerability |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 10. Jan 2022) |
| Beschreibung: | 1 Online-Ressource (248 Seiten) |
| ISBN: | 9781478021902 |
| DOI: | 10.1515/9781478021902 |
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| spelling | Rony, Fatimah Tobing ca. 20. Jh. Verfasser (DE-588)1246491060 aut How do we look? resisting visual biopolitics Fatimah Tobing Rony Durham Duke University Press [2021] © 2022 1 Online-Ressource (248 Seiten) txt rdacontent c rdamedia cr rdacarrier A Camera Obscura Book Description based on online resource; title from PDF title page (publisher's Web site, viewed 10. Jan 2022) In How Do We Look? Fatimah Tobing Rony draws on transnational images of Indonesian women as a way to theorize what she calls visual biopolitics-the ways visual representation determines which lives are made to matter more than others. Rony outlines the mechanisms of visual biopolitics by examining Paul Gauguin's 1893 portrait of Annah la Javanaise-a trafficked thirteen-year-old girl found wandering the streets of Paris-as well as US ethnographic and documentary films. In each instance, the figure of the Indonesian woman is inextricably tied to discourses of primitivism, savagery, colonialism, exoticism, and genocide. Rony also focuses on acts of resistance to visual biopolitics in film, writing, and photography. These works, such as Rachmi Diyah Larasati's The Dance that Makes You Vanish, Vincent Monnikendam's Mother Dao (1995), and the collaborative films of Nia Dinata, challenge the naturalized methods of seeing that justify exploitation, dehumanization, and early death of people of color. By theorizing the mechanisms of visual biopolitics, Rony elucidates both its violence and its vulnerability In English SOCIAL SCIENCE / Feminism & Feminist Theory bisacsh Biopolitics Indonesia Documentary films Social aspects United States Ethnographic films Social aspects United States Mass media Political aspects Indonesia Women in mass media Women in popular culture Indonesia Women Indonesia Social conditions https://doi.org/10.1515/9781478021902 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Rony, Fatimah Tobing ca. 20. Jh How do we look? resisting visual biopolitics SOCIAL SCIENCE / Feminism & Feminist Theory bisacsh Biopolitics Indonesia Documentary films Social aspects United States Ethnographic films Social aspects United States Mass media Political aspects Indonesia Women in mass media Women in popular culture Indonesia Women Indonesia Social conditions |
| title | How do we look? resisting visual biopolitics |
| title_auth | How do we look? resisting visual biopolitics |
| title_exact_search | How do we look? resisting visual biopolitics |
| title_exact_search_txtP | How do we look? resisting visual biopolitics |
| title_full | How do we look? resisting visual biopolitics Fatimah Tobing Rony |
| title_fullStr | How do we look? resisting visual biopolitics Fatimah Tobing Rony |
| title_full_unstemmed | How do we look? resisting visual biopolitics Fatimah Tobing Rony |
| title_short | How do we look? |
| title_sort | how do we look resisting visual biopolitics |
| title_sub | resisting visual biopolitics |
| topic | SOCIAL SCIENCE / Feminism & Feminist Theory bisacsh Biopolitics Indonesia Documentary films Social aspects United States Ethnographic films Social aspects United States Mass media Political aspects Indonesia Women in mass media Women in popular culture Indonesia Women Indonesia Social conditions |
| topic_facet | SOCIAL SCIENCE / Feminism & Feminist Theory Biopolitics Indonesia Documentary films Social aspects United States Ethnographic films Social aspects United States Mass media Political aspects Indonesia Women in mass media Women in popular culture Indonesia Women Indonesia Social conditions |
| url | https://doi.org/10.1515/9781478021902 |
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