A history of Polish theatre:
Poland is celebrated internationally for its rich and varied performance traditions and theatre histories. This groundbreaking volume is the first in English to engage with these topics across an ambitious scope, incorporating Staropolska, the Polish-Lithuanian Commonwealth, the Enlightenment and Ro...
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| Weitere Verfasser: | , , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2022
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Poland is celebrated internationally for its rich and varied performance traditions and theatre histories. This groundbreaking volume is the first in English to engage with these topics across an ambitious scope, incorporating Staropolska, the Polish-Lithuanian Commonwealth, the Enlightenment and Romanticism within its broad ambit. The book also discusses theatre cultures under socialism, the emergence of canonical practitioners and training methods, the development of dramaturgical forms and stage aesthetics and the political transformations attending the ends of the First and Second World Wars. Subjects of far-reaching transnational attention such as Jerzy Grotowski and Tadeusz Kantor are contextualised alongside theatre makers and practices that have gone largely unrecognized by international readers, while the participation of ethnic minorities in the production of national culture is given fresh attention. The essays in this collection theorise broad historical trends, movements, and case studies that extend the discursive limits of Polish national and cultural identity |
| Beschreibung: | xix, 426 Seiten Illustrationen |
| ISBN: | 9781108476492 9781108700870 |
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| 520 | |a Poland is celebrated internationally for its rich and varied performance traditions and theatre histories. This groundbreaking volume is the first in English to engage with these topics across an ambitious scope, incorporating Staropolska, the Polish-Lithuanian Commonwealth, the Enlightenment and Romanticism within its broad ambit. The book also discusses theatre cultures under socialism, the emergence of canonical practitioners and training methods, the development of dramaturgical forms and stage aesthetics and the political transformations attending the ends of the First and Second World Wars. Subjects of far-reaching transnational attention such as Jerzy Grotowski and Tadeusz Kantor are contextualised alongside theatre makers and practices that have gone largely unrecognized by international readers, while the participation of ethnic minorities in the production of national culture is given fresh attention. The essays in this collection theorise broad historical trends, movements, and case studies that extend the discursive limits of Polish national and cultural identity | ||
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Datensatz im Suchindex
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| adam_text | Contents List ofFigures Notes on Contributors Acknowledgements A Note on Terminolog)/ page viii xi xvii xix Introduction i Katarzyna Fazan, Michal Kobiałka and Bryce Lease i. Where Is Poland? What Is Poland? 16 The Ambiguous Republic KrzysztofZajas, Translated by Michal Zając The Global Archive and the Periphery Dorota Sajewska, Translated by Simon Włoch 16 г. Staropolski (Old Polish) Theatre Stages and Audiences of Poland between the Middle Ages and 1765 Agnieszka Marszałek, Translated by Joanna Figiel Theatres of Identity Mirosław Kocur, Translated by David Malcolm 3. The Public Stage and the Enlightenment Poniatowski’s National Theatre: The Idea and Institution of Enlightenment Piotr Olkusz, Translated by Aleksandra Sobczak The Birth and Death of the Eighteenth-Century Myth of the Polish Public Stage Dobrochna Ratajczakowa, Translated by Timothy Williams 26 44 44 56 68 68 82
Contents vi 4. Romanticism Juliusz Słowacki, Zygmunt Krasiński, Cyprian Kamil Norwid Włodzimierz Szturc, Translated by Joanna Figiel Adam Mickiewicz: Between the Province and the Cosmos Zbigniew Majchrowski, Translated by Roksana Zgierska 5. Mapping Theatre (I) too 100 in 124 Jewish Theatre in Poland Alyssa Quint and Michael Steinlauf 124 Polish Theatre in Vilnius Martynas Petrikas 147 6. Mapping Theatre (II) German Theatre in Poland until 1989 Małgorzata Leyko, Translated by Elżbieta Leśnikowska Shakespeare and/in Polish Theatrical Cultures Aleksandra Sakowska 161 161 174 -j. Modernist Theatre New Ideas of Theatre and Their Materialization Katarzyna Fazan, Translated by Joanna Figiel and Michal Kobiałka Stage Practices at the Turn of the Twentieth Century Dorota Jarząbek-Wasyl, Translated by Joanna Figiel 188 8. Avant-Gardes 214 Inter-reality: Between Matter and Memory in the Polish Avant-Garde Agnieszka Jelewska, Translated by Stephen Dersley Avant-Garde Sound Theatre Anna R. Burzyńska, Translated by Joanna Figiel and Michal Kobiałka 9. Theatre during the Second World War 188 201 214 226 242 Justyna Biernat and Karolina Czerska, Translated by Joanna Figiel 10. Political Theatres The Political Subject Joanna Krakowska, Translated by Aleksandra Sobczak The Politics of Non-political Theatre Grzegorz Niziolek, Translated by Joanna Figiel and Michal Kobiałka 260 260 275
Contents ii. vii Ritual Theatre 290 Theatre’s Reorigination in Ritual Kris Salata Ritual and Performance Legacies Tadeusz Komas, Translated by Joanna Figiel and Michal Kobiałka 290 12. Actors and Animants Actors and Acting in the Nineteenth Century Beth Holmgren The Actor’s Craft in Poland (1918-2018) Beata Guczahka, Translated by Anna Popiel Puppet Theatre Marek Waszkiel, Translated by Timothy Williams 13. Writing and Dramaturgy Polish Playwrights since 1900 Ewa Guderian-Czaplińska, Translated by Stephen Dersley Theatre without Playwrights Marcin Kościelniak, Translated by Joanna Figiel and Michal Kobiałka 14. Theatre Ontologies No Progress, No Precursor Krystyna Duniec, Translated by Aleksandra Sobczak Homosocial Relations and Feminist Transgressions: Theatre and Patriarchy Agata Adamiecka-Sitek, Translated by Paul Vickers Index 300 314 314 328 343 362 362 374 388 388 398 4і 8
|
| adam_txt |
Contents List ofFigures Notes on Contributors Acknowledgements A Note on Terminolog)/ page viii xi xvii xix Introduction i Katarzyna Fazan, Michal Kobiałka and Bryce Lease i. Where Is Poland? What Is Poland? 16 The Ambiguous Republic KrzysztofZajas, Translated by Michal Zając The Global Archive and the Periphery Dorota Sajewska, Translated by Simon Włoch 16 г. Staropolski (Old Polish) Theatre Stages and Audiences of Poland between the Middle Ages and 1765 Agnieszka Marszałek, Translated by Joanna Figiel Theatres of Identity Mirosław Kocur, Translated by David Malcolm 3. The Public Stage and the Enlightenment Poniatowski’s National Theatre: The Idea and Institution of Enlightenment Piotr Olkusz, Translated by Aleksandra Sobczak The Birth and Death of the Eighteenth-Century Myth of the Polish Public Stage Dobrochna Ratajczakowa, Translated by Timothy Williams 26 44 44 56 68 68 82
Contents vi 4. Romanticism Juliusz Słowacki, Zygmunt Krasiński, Cyprian Kamil Norwid Włodzimierz Szturc, Translated by Joanna Figiel Adam Mickiewicz: Between the Province and the Cosmos Zbigniew Majchrowski, Translated by Roksana Zgierska 5. Mapping Theatre (I) too 100 in 124 Jewish Theatre in Poland Alyssa Quint and Michael Steinlauf 124 Polish Theatre in Vilnius Martynas Petrikas 147 6. Mapping Theatre (II) German Theatre in Poland until 1989 Małgorzata Leyko, Translated by Elżbieta Leśnikowska Shakespeare and/in Polish Theatrical Cultures Aleksandra Sakowska 161 161 174 -j. Modernist Theatre New Ideas of Theatre and Their Materialization Katarzyna Fazan, Translated by Joanna Figiel and Michal Kobiałka Stage Practices at the Turn of the Twentieth Century Dorota Jarząbek-Wasyl, Translated by Joanna Figiel 188 8. Avant-Gardes 214 Inter-reality: Between Matter and Memory in the Polish Avant-Garde Agnieszka Jelewska, Translated by Stephen Dersley Avant-Garde Sound Theatre Anna R. Burzyńska, Translated by Joanna Figiel and Michal Kobiałka 9. Theatre during the Second World War 188 201 214 226 242 Justyna Biernat and Karolina Czerska, Translated by Joanna Figiel 10. Political Theatres The Political Subject Joanna Krakowska, Translated by Aleksandra Sobczak The Politics of Non-political Theatre Grzegorz Niziolek, Translated by Joanna Figiel and Michal Kobiałka 260 260 275
Contents ii. vii Ritual Theatre 290 Theatre’s Reorigination in Ritual Kris Salata Ritual and Performance Legacies Tadeusz Komas, Translated by Joanna Figiel and Michal Kobiałka 290 12. Actors and Animants Actors and Acting in the Nineteenth Century Beth Holmgren The Actor’s Craft in Poland (1918-2018) Beata Guczahka, Translated by Anna Popiel Puppet Theatre Marek Waszkiel, Translated by Timothy Williams 13. Writing and Dramaturgy Polish Playwrights since 1900 Ewa Guderian-Czaplińska, Translated by Stephen Dersley Theatre without Playwrights Marcin Kościelniak, Translated by Joanna Figiel and Michal Kobiałka 14. Theatre Ontologies No Progress, No Precursor Krystyna Duniec, Translated by Aleksandra Sobczak Homosocial Relations and Feminist Transgressions: Theatre and Patriarchy Agata Adamiecka-Sitek, Translated by Paul Vickers Index 300 314 314 328 343 362 362 374 388 388 398 4і 8 |
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| spelling | A history of Polish theatre edited by Katarzyna Fazan, Michal Kobialka, Bryce Lease Cambridge Cambridge University Press 2022 xix, 426 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Poland is celebrated internationally for its rich and varied performance traditions and theatre histories. This groundbreaking volume is the first in English to engage with these topics across an ambitious scope, incorporating Staropolska, the Polish-Lithuanian Commonwealth, the Enlightenment and Romanticism within its broad ambit. The book also discusses theatre cultures under socialism, the emergence of canonical practitioners and training methods, the development of dramaturgical forms and stage aesthetics and the political transformations attending the ends of the First and Second World Wars. Subjects of far-reaching transnational attention such as Jerzy Grotowski and Tadeusz Kantor are contextualised alongside theatre makers and practices that have gone largely unrecognized by international readers, while the participation of ethnic minorities in the production of national culture is given fresh attention. The essays in this collection theorise broad historical trends, movements, and case studies that extend the discursive limits of Polish national and cultural identity Geschichte gnd rswk-swf Theater / Poland / History Polish drama / History and criticism Theater (DE-588)4059702-7 gnd rswk-swf Polen (DE-588)4046496-9 gnd rswk-swf Polen (DE-588)4046496-9 g Theater (DE-588)4059702-7 s Geschichte z DE-604 Fazan, Katarzyna 1965- (DE-588)1250539331 edt Kobiałka, Michał 1957- (DE-588)125053920X edt Lease, Bryce (DE-588)1114831964 edt Erscheint auch als Online-Ausgabe 978-1-108-61902-8 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033192308&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | A history of Polish theatre |
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| title_exact_search | A history of Polish theatre |
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| title_full | A history of Polish theatre edited by Katarzyna Fazan, Michal Kobialka, Bryce Lease |
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| title_full_unstemmed | A history of Polish theatre edited by Katarzyna Fazan, Michal Kobialka, Bryce Lease |
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