On femininities in the 'Song of songs' and beyond: "the most beautiful woman"
"Vita Daphna Arbel uses critical theories of gender to offer an alternative reading of the multilayered conceptualization of the Song of Song’s feminine protagonist: "the most beautiful woman". Arbel treats "the most beautiful woman" as a culturally constructed and performed...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
T&T Clark
2022
|
| Schriftenreihe: | Library of Hebrew Bible/Old Testament studies
716 |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | "Vita Daphna Arbel uses critical theories of gender to offer an alternative reading of the multilayered conceptualization of the Song of Song’s feminine protagonist: "the most beautiful woman". Arbel treats "the most beautiful woman" as a culturally constructed and performed representation of "woman," and situates this representation within the cultural-discursive contexts in which the Song partly emerged. She examines the gender norms and cultural ideologies it both reflects and constructs, and considers the manner in which this complex representation disrupts rigid, ahistorical notions of femininity, and how it consequently indirectly characterizes "womanhood" as dynamic and diverse. Finally, Arbel examines the reception and impact of these ideas on later conceptualizations of the Song of Songs’ female protagonist with a heuristic examination of Mark Chagall’s Song of Songs painting cycle, Le Cantique des Cantiques. These compositions-selected for their diverse depictions of the Song’s protagonist, their impact on European art, and their vast popularity and bearing in the broader cultural imagination-illustrate a fascinating dialogue between the present and the past about the "most beautiful woman" and about multiple femininities." |
| Beschreibung: | 1 Online-Ressource (179 Seiten, 4 ungezählte Seiten Tafeln) Illustrationen |
| ISBN: | 9780567700087 9780567700070 |
| DOI: | 10.5040/9780567700087 |
Internformat
MARC
| LEADER | 00000nmm a22000001cb4500 | ||
|---|---|---|---|
| 001 | BV047805475 | ||
| 003 | DE-604 | ||
| 005 | 20230123 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220128s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9780567700087 |9 978-0-567-70008-7 | ||
| 020 | |a 9780567700070 |9 978-0-567-70007-0 | ||
| 024 | 7 | |a 10.5040/9780567700087 |2 doi | |
| 035 | |a (ZDB-162-BIS)9780567700087 | ||
| 035 | |a (OCoLC)1294812890 | ||
| 035 | |a (DE-599)BVBBV047805475 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 082 | 0 | |a 223.906 |2 23 | |
| 100 | 1 | |a Arbel, Daphna |e Verfasser |0 (DE-588)133982394 |4 aut | |
| 245 | 1 | 0 | |a On femininities in the 'Song of songs' and beyond |b "the most beautiful woman" |c Vita Daphna Arbel |
| 264 | 1 | |a London ; New York ; Oxford ; New Delhi ; Sydney |b T&T Clark |c 2022 | |
| 300 | |a 1 Online-Ressource (179 Seiten, 4 ungezählte Seiten Tafeln) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Library of Hebrew Bible/Old Testament studies |v 716 | |
| 520 | 3 | |a "Vita Daphna Arbel uses critical theories of gender to offer an alternative reading of the multilayered conceptualization of the Song of Song’s feminine protagonist: "the most beautiful woman". Arbel treats "the most beautiful woman" as a culturally constructed and performed representation of "woman," and situates this representation within the cultural-discursive contexts in which the Song partly emerged. She examines the gender norms and cultural ideologies it both reflects and constructs, and considers the manner in which this complex representation disrupts rigid, ahistorical notions of femininity, and how it consequently indirectly characterizes "womanhood" as dynamic and diverse. Finally, Arbel examines the reception and impact of these ideas on later conceptualizations of the Song of Songs’ female protagonist with a heuristic examination of Mark Chagall’s Song of Songs painting cycle, Le Cantique des Cantiques. These compositions-selected for their diverse depictions of the Song’s protagonist, their impact on European art, and their vast popularity and bearing in the broader cultural imagination-illustrate a fascinating dialogue between the present and the past about the "most beautiful woman" and about multiple femininities." | |
| 630 | 0 | 7 | |a Bibel |p Hoheslied |0 (DE-588)4072593-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Weiblichkeit |g Motiv |0 (DE-588)4232374-5 |2 gnd |9 rswk-swf |
| 653 | |a Bible / Song of Solomon / Feminist criticism | ||
| 653 | 0 | |a Feminism / Biblical teaching | |
| 689 | 0 | 0 | |a Bibel |p Hoheslied |0 (DE-588)4072593-5 |D u |
| 689 | 0 | 1 | |a Weiblichkeit |g Motiv |0 (DE-588)4232374-5 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-0-567-70006-3 |
| 856 | 4 | 0 | |u https://doi.org/10.5040/9780567700087?locatt=label:secondary_bloomsburyCollections |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-162-BIS | ||
| 940 | 1 | |q ZDB-162-BIS22 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033189102 | ||
| 966 | e | |u https://doi.org/10.5040/9780567700087?locatt=label:secondary_bloomsburyCollections |l BSB01 |p ZDB-162-BIS |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183337330278400 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Arbel, Daphna |
| author_GND | (DE-588)133982394 |
| author_facet | Arbel, Daphna |
| author_role | aut |
| author_sort | Arbel, Daphna |
| author_variant | d a da |
| building | Verbundindex |
| bvnumber | BV047805475 |
| collection | ZDB-162-BIS |
| ctrlnum | (ZDB-162-BIS)9780567700087 (OCoLC)1294812890 (DE-599)BVBBV047805475 |
| dewey-full | 223.906 |
| dewey-hundreds | 200 - Religion |
| dewey-ones | 223 - Poetic books of Old Testament |
| dewey-raw | 223.906 |
| dewey-search | 223.906 |
| dewey-sort | 3223.906 |
| dewey-tens | 220 - Bible |
| discipline | Theologie / Religionswissenschaften |
| discipline_str_mv | Theologie / Religionswissenschaften |
| doi_str_mv | 10.5040/9780567700087 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03170nmm a22004691cb4500</leader><controlfield tag="001">BV047805475</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230123 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220128s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780567700087</subfield><subfield code="9">978-0-567-70008-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780567700070</subfield><subfield code="9">978-0-567-70007-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5040/9780567700087</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-162-BIS)9780567700087</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1294812890</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047805475</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">223.906</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Arbel, Daphna</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)133982394</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">On femininities in the 'Song of songs' and beyond</subfield><subfield code="b">"the most beautiful woman"</subfield><subfield code="c">Vita Daphna Arbel</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York ; Oxford ; New Delhi ; Sydney</subfield><subfield code="b">T&T Clark</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (179 Seiten, 4 ungezählte Seiten Tafeln)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Library of Hebrew Bible/Old Testament studies</subfield><subfield code="v">716</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Vita Daphna Arbel uses critical theories of gender to offer an alternative reading of the multilayered conceptualization of the Song of Song’s feminine protagonist: "the most beautiful woman". Arbel treats "the most beautiful woman" as a culturally constructed and performed representation of "woman," and situates this representation within the cultural-discursive contexts in which the Song partly emerged. She examines the gender norms and cultural ideologies it both reflects and constructs, and considers the manner in which this complex representation disrupts rigid, ahistorical notions of femininity, and how it consequently indirectly characterizes "womanhood" as dynamic and diverse. Finally, Arbel examines the reception and impact of these ideas on later conceptualizations of the Song of Songs’ female protagonist with a heuristic examination of Mark Chagall’s Song of Songs painting cycle, Le Cantique des Cantiques. These compositions-selected for their diverse depictions of the Song’s protagonist, their impact on European art, and their vast popularity and bearing in the broader cultural imagination-illustrate a fascinating dialogue between the present and the past about the "most beautiful woman" and about multiple femininities."</subfield></datafield><datafield tag="630" ind1="0" ind2="7"><subfield code="a">Bibel</subfield><subfield code="p">Hoheslied</subfield><subfield code="0">(DE-588)4072593-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Weiblichkeit</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4232374-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Bible / Song of Solomon / Feminist criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feminism / Biblical teaching</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Bibel</subfield><subfield code="p">Hoheslied</subfield><subfield code="0">(DE-588)4072593-5</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Weiblichkeit</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4232374-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-0-567-70006-3</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.5040/9780567700087?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-162-BIS</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-162-BIS22</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033189102</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9780567700087?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-162-BIS</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047805475 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:03:38Z |
| indexdate | 2024-07-10T09:21:50Z |
| institution | BVB |
| isbn | 9780567700087 9780567700070 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033189102 |
| oclc_num | 1294812890 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (179 Seiten, 4 ungezählte Seiten Tafeln) Illustrationen |
| psigel | ZDB-162-BIS ZDB-162-BIS22 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | T&T Clark |
| record_format | marc |
| series2 | Library of Hebrew Bible/Old Testament studies |
| spelling | Arbel, Daphna Verfasser (DE-588)133982394 aut On femininities in the 'Song of songs' and beyond "the most beautiful woman" Vita Daphna Arbel London ; New York ; Oxford ; New Delhi ; Sydney T&T Clark 2022 1 Online-Ressource (179 Seiten, 4 ungezählte Seiten Tafeln) Illustrationen txt rdacontent c rdamedia cr rdacarrier Library of Hebrew Bible/Old Testament studies 716 "Vita Daphna Arbel uses critical theories of gender to offer an alternative reading of the multilayered conceptualization of the Song of Song’s feminine protagonist: "the most beautiful woman". Arbel treats "the most beautiful woman" as a culturally constructed and performed representation of "woman," and situates this representation within the cultural-discursive contexts in which the Song partly emerged. She examines the gender norms and cultural ideologies it both reflects and constructs, and considers the manner in which this complex representation disrupts rigid, ahistorical notions of femininity, and how it consequently indirectly characterizes "womanhood" as dynamic and diverse. Finally, Arbel examines the reception and impact of these ideas on later conceptualizations of the Song of Songs’ female protagonist with a heuristic examination of Mark Chagall’s Song of Songs painting cycle, Le Cantique des Cantiques. These compositions-selected for their diverse depictions of the Song’s protagonist, their impact on European art, and their vast popularity and bearing in the broader cultural imagination-illustrate a fascinating dialogue between the present and the past about the "most beautiful woman" and about multiple femininities." Bibel Hoheslied (DE-588)4072593-5 gnd rswk-swf Weiblichkeit Motiv (DE-588)4232374-5 gnd rswk-swf Bible / Song of Solomon / Feminist criticism Feminism / Biblical teaching Bibel Hoheslied (DE-588)4072593-5 u Weiblichkeit Motiv (DE-588)4232374-5 s DE-604 Erscheint auch als Druck-Ausgabe 978-0-567-70006-3 https://doi.org/10.5040/9780567700087?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Arbel, Daphna On femininities in the 'Song of songs' and beyond "the most beautiful woman" Bibel Hoheslied (DE-588)4072593-5 gnd Weiblichkeit Motiv (DE-588)4232374-5 gnd |
| subject_GND | (DE-588)4072593-5 (DE-588)4232374-5 |
| title | On femininities in the 'Song of songs' and beyond "the most beautiful woman" |
| title_auth | On femininities in the 'Song of songs' and beyond "the most beautiful woman" |
| title_exact_search | On femininities in the 'Song of songs' and beyond "the most beautiful woman" |
| title_exact_search_txtP | On femininities in the 'Song of songs' and beyond "the most beautiful woman" |
| title_full | On femininities in the 'Song of songs' and beyond "the most beautiful woman" Vita Daphna Arbel |
| title_fullStr | On femininities in the 'Song of songs' and beyond "the most beautiful woman" Vita Daphna Arbel |
| title_full_unstemmed | On femininities in the 'Song of songs' and beyond "the most beautiful woman" Vita Daphna Arbel |
| title_short | On femininities in the 'Song of songs' and beyond |
| title_sort | on femininities in the song of songs and beyond the most beautiful woman |
| title_sub | "the most beautiful woman" |
| topic | Bibel Hoheslied (DE-588)4072593-5 gnd Weiblichkeit Motiv (DE-588)4232374-5 gnd |
| topic_facet | Bibel Hoheslied Weiblichkeit Motiv |
| url | https://doi.org/10.5040/9780567700087?locatt=label:secondary_bloomsburyCollections |
| work_keys_str_mv | AT arbeldaphna onfemininitiesinthesongofsongsandbeyondthemostbeautifulwoman |