Ann Shelton - Dark matter:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Auckland
Auckland Art Gallery
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Published on the occasion of the exhibition held at Auckland Art Gallery November 2016 - April 2017. - Includes bibliographical references |
| Beschreibung: | 293 Seiten |
| ISBN: | 9780864633095 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804183335260389376 |
|---|---|
| adam_text | ANN SHELTON -
YY
CONTENTS
FOREWORD
11
RHANA DEVENPORT
ESSAYS
WAYS
OF
LOVING
28
A CONVERSATION BETWEEN ANN SHELTON
AND CASSANDRA BARNETT,
20
MAY
2016
HOME
AND
HOMELESSNESS:
ANN
SHELTON S
AESTHETICS
OF
DISPLACEMENT
58
DONNA WEST BRETT
HAUNTING
AND
ARCHIVES IN
THE
TIME
OF
THE
NOW
82
ABIGAIL SOLOMON-GODEAU
BODIES AT
THE
VANISHING POINT: DOUBLETHINK
AND
ANN SHELTON S EVENTAL PHOTOGRAPHIC CONSTRUCTIONS
134
DORITA HANNAH
AND
JOHN
DI
STEFANO
ROOTED IN A DARK HISTORY, EXPOSED TO LIGHT:
ANN SHELTON S PHOTOGRAPHS IN A FOREST
154
ULRICH
BAER
THE DARK LIGHT: THE MATTER
OF
ANN SHELTON S ART
184
ZARA STANHOPE
BODIES
OF
WORK
REDEYE
14
KHOLE
40
MY FRIENDS ARE ELECTRIC
42
ABIGAIL S PARTY
52
ROOM ROOM
68
PUBLIC PLACES
92
EVERYONE IN
THE
CINEMA IS WATCHING
THE
PRISON
104
A LIBRARY TO SCALE
108
INTERSTATE
124
ONCE MORE FROM THE STREET
130
THE
CITY OF GOLD AND LEAD
146
IN
A FOREST
162
TECHNOLOGIES OF THE SELF (REMOTE SELF-PORTRAITS)
174
SOFT SPOT
186
JANESAYS
196
EPILOGUE
BIOGRAPHY, BIBLIOGRAPHY
209
EXHIBITIONS
213
CONTRIBUTORS
216
PRINTED MATTER: PUBLICATION EXCERPTS
217
FOREWORD
RHANA DEVENPORT, DIRECTOR,
AUCKLAND ART GALLERY TOI O TAMAKI
ANN SHELTON S PRACTICE CONSIDERS THE ROLE OF PHOTOGRAPHY IN THE
PRODUCTION OF MEANING IN
OUR CULTURE, WITH SPECIFIC INVESTIGATIONS INTO HISTORIES PLAYED OUT AND
PRIVATE LIVES LIVED IN
NEW ZEALAND AND ABROAD. THIS BOOK ACCOMPANIES AN EXHIBITION OF THE SAME
NAME AND EXPANDS
THE DISCUSSION TO GIVE A RICH CRITICAL AND COMPREHENSIVE OVERVIEW OF
SHELTON S WORK.
THE BOOK INTRODUCES KEY FEATURES OF SHELTON S APPROACH TO PHOTOGRAPHY
WHICH INCLUDES AN
AWARENESS OF THE ETHICS OF THE REPRESENTATIONAL AND INDEXICAL NATURE OF
PHOTOGRAPHY AND THE
BREAKING DOWN OF THE CONVENTION OF THE OBJECTIVE EYE OR HERO
PHOTOGRAPHER. ALSO DISCUSSED IS
HER RESEARCH-BASED PRACTICE INTRODUCED THROUGH THE PRESENCE OF IMAGES OF
SOURCE MATERIALS.
PHOTOGRAPHY AS A MATERIAL PRESENCE IN HER WORK IS CONSIDERED BOTH AS A
CONCEPTUAL STRATEGY AND
AS OFFERING A POLITICAL CRITIQUE.
MAJOR SERIES OF WORKS ARE ALIGNED IN THIS PUBLICATION WITH NEW RESEARCH
ON SHELTON S PRACTICE
WHICH HAS BEEN SPECIALLY COMMISSIONED. THE CONVERSATION WITH CASSANDRA
BARNETT SETS THE
STAGE FOR UNDERSTANDING SHELTON S SHIFT AWAY FROM PHOTOJOURNALISM IN THE
EARLY 1990S AND
TOWARDS A QUESTIONING OF HOW TO CREATE AN ETHICAL AND INDEPENDENT
PHOTOGRAPHY WHILE STILL
RESPONDING TO CHANGING SOCIAL CONDITIONS. AN ENGAGEMENT IN THE PROCESS
OF GENERATING NEW
POSITIONS WITHIN ARTISTIC PHOTOGRAPHY MARKS THE ARTIST AND HER MILIEU.
SHELTON S ENGAGEMENT WITH FEMINIST PERSPECTIVES AND HISTORIES WEAVES
THROUGH THE ESSAY BY
DONNA WEST BRETT, A WRITER WHO LOCATES AN AESTHETICS OF DISPLACEMENT IN
THE ARTIST S WORKS. ABIGAIL
SOLOMON-GODEAU UNDERSTANDS THAT SHELTON S INTERESTS LIE IN A SHARED
CONCERN WITH SPECTRES,
GHOSTING AND THE ARCHIVAL TURN IN INTERNATIONAL PHOTOGRAPHY SINCE THE
1990S; WHILE DORITA
HANNAH AND JOHN DI STEFANO DISCUSS THE PERFORMATIVE MODES OF
RE-ENACTMENT IN SHELTON S
RECENT WORK AND HOW THE ARTIST S STRATEGY DISRUPTS THE CONVENTIONAL
NARRATIVE OF ACCEPTED EVENTS.
ACCORDING TO ULRICH BAER IN AN ESSAY THAT DISCUSSES SHELTON S PROJECT ON
HITLER S OAKS, THE ARTIST S
IMAGES EVOKE DEATHLY MOMENTS IN THE PAST YET SUPPLANT BOTH MENTAL IMAGES
AND HABITUAL
UNDERSTANDINGS OF REALITY.
SHELTON S FORMAL INNOVATIONS, SUCH AS HER DOUBLING OF IMAGERY AND
PHOTOGRAPHY ENGAGED WITH
THE NEXUS OF THE CONCEPTUAL AND DOCUMENTARY, ARE EXPLORED IN DR ZARA
STANHOPE S ESSAY WHICH
EXPANDS UPON THESE MATTERS IN THE COURSE OF INTRODUCING THE DARK
MATTER OF SHELTON S OEUVRE,
AND THE UNSEEN INVESTIGATIONS AND ELUSIVE HISTORIES FROM WHICH BODIES OF
WORK HAVE EMERGED.
PRINTED MATTER HAS BEEN AN INTEGRAL PART OF SHELTON S CREATIVE PROCESS
AND PAST PUBLICATIONS HAUNT
THIS BOOK IN EXCERPTS THAT MATERIALISE IN ITS FINAL PAGES. ACROSS THIS
CONTENT THE READER GAINS AN
UNDERSTANDING OF THE DEPTH
OF INQUIRY BEHIND SHELTON S PRACTICE AND THE WAY SHE
HARNESSES IDEAS
AND
HER MEDIUM TO MAKE US THINK ABOUT OURSELVES AS SOCIAL BODIES IN RELATION
TO HER SUBJECT.
I WOULD LIKE TO ESPECIALLY THANK ZARA STANHOPE FOR HER EXPLORATIVE
INVESTIGATION INTO SHELTON S
PRACTICE THROUGH THIS BOOK AND THE ACCOMPANYING EXHIBITION, AND DUNCAN
MUNRO FOR HIS
THOUGHTFUL DESIGN OF THIS PUBLICATION. THANKS OF COURSE ALSO GOES TO ANN
SHELTON FOR HER ASTUTE
AND EXPANSIVE CONTRIBUTION TO THE REALM OF PHOTOGRAPHIC PRACTICE.
11
|
| adam_txt |
ANN SHELTON -
YY
CONTENTS
FOREWORD
11
RHANA DEVENPORT
ESSAYS
WAYS
OF
LOVING
28
A CONVERSATION BETWEEN ANN SHELTON
AND CASSANDRA BARNETT,
20
MAY
2016
HOME
AND
HOMELESSNESS:
ANN
SHELTON'S
AESTHETICS
OF
DISPLACEMENT
58
DONNA WEST BRETT
HAUNTING
AND
ARCHIVES IN
THE
TIME
OF
THE
NOW
82
ABIGAIL SOLOMON-GODEAU
BODIES AT
THE
VANISHING POINT: DOUBLETHINK
AND
ANN SHELTON'S EVENTAL PHOTOGRAPHIC CONSTRUCTIONS
134
DORITA HANNAH
AND
JOHN
DI
STEFANO
ROOTED IN A DARK HISTORY, EXPOSED TO LIGHT:
ANN SHELTON'S PHOTOGRAPHS IN A FOREST
154
ULRICH
BAER
THE DARK LIGHT: THE MATTER
OF
ANN SHELTON'S ART
184
ZARA STANHOPE
BODIES
OF
WORK
REDEYE
14
KHOLE
40
MY FRIENDS ARE ELECTRIC
42
ABIGAIL'S PARTY
52
ROOM ROOM
68
PUBLIC PLACES
92
EVERYONE IN
THE
CINEMA IS WATCHING
THE
PRISON
104
A LIBRARY TO SCALE
108
INTERSTATE
124
ONCE MORE FROM THE STREET
130
THE
CITY OF GOLD AND LEAD
146
IN
A FOREST
162
TECHNOLOGIES OF THE SELF (REMOTE SELF-PORTRAITS)
174
SOFT SPOT
186
JANESAYS
196
EPILOGUE
BIOGRAPHY, BIBLIOGRAPHY
209
EXHIBITIONS
213
CONTRIBUTORS
216
PRINTED MATTER: PUBLICATION EXCERPTS
217
FOREWORD
RHANA DEVENPORT, DIRECTOR,
AUCKLAND ART GALLERY TOI O TAMAKI
ANN SHELTON'S PRACTICE CONSIDERS THE ROLE OF PHOTOGRAPHY IN THE
PRODUCTION OF MEANING IN
OUR CULTURE, WITH SPECIFIC INVESTIGATIONS INTO HISTORIES PLAYED OUT AND
PRIVATE LIVES LIVED IN
NEW ZEALAND AND ABROAD. THIS BOOK ACCOMPANIES AN EXHIBITION OF THE SAME
NAME AND EXPANDS
THE DISCUSSION TO GIVE A RICH CRITICAL AND COMPREHENSIVE OVERVIEW OF
SHELTON'S WORK.
THE BOOK INTRODUCES KEY FEATURES OF SHELTON'S APPROACH TO PHOTOGRAPHY
WHICH INCLUDES AN
AWARENESS OF THE ETHICS OF THE REPRESENTATIONAL AND INDEXICAL NATURE OF
PHOTOGRAPHY AND THE
BREAKING DOWN OF THE CONVENTION OF THE OBJECTIVE EYE OR HERO
PHOTOGRAPHER. ALSO DISCUSSED IS
HER RESEARCH-BASED PRACTICE INTRODUCED THROUGH THE PRESENCE OF IMAGES OF
SOURCE MATERIALS.
PHOTOGRAPHY AS A MATERIAL PRESENCE IN HER WORK IS CONSIDERED BOTH AS A
CONCEPTUAL STRATEGY AND
AS OFFERING A POLITICAL CRITIQUE.
MAJOR SERIES OF WORKS ARE ALIGNED IN THIS PUBLICATION WITH NEW RESEARCH
ON SHELTON'S PRACTICE
WHICH HAS BEEN SPECIALLY COMMISSIONED. THE CONVERSATION WITH CASSANDRA
BARNETT SETS THE
STAGE FOR UNDERSTANDING SHELTON'S SHIFT AWAY FROM PHOTOJOURNALISM IN THE
EARLY 1990S AND
TOWARDS A QUESTIONING OF HOW TO CREATE AN ETHICAL AND INDEPENDENT
PHOTOGRAPHY WHILE STILL
RESPONDING TO CHANGING SOCIAL CONDITIONS. AN ENGAGEMENT IN THE PROCESS
OF GENERATING NEW
POSITIONS WITHIN ARTISTIC PHOTOGRAPHY MARKS THE ARTIST AND HER MILIEU.
SHELTON'S ENGAGEMENT WITH FEMINIST PERSPECTIVES AND HISTORIES WEAVES
THROUGH THE ESSAY BY
DONNA WEST BRETT, A WRITER WHO LOCATES AN AESTHETICS OF DISPLACEMENT IN
THE ARTIST'S WORKS. ABIGAIL
SOLOMON-GODEAU UNDERSTANDS THAT SHELTON'S INTERESTS LIE IN A SHARED
CONCERN WITH SPECTRES,
GHOSTING AND THE ARCHIVAL TURN IN INTERNATIONAL PHOTOGRAPHY SINCE THE
1990S; WHILE DORITA
HANNAH AND JOHN DI STEFANO DISCUSS THE PERFORMATIVE MODES OF
RE-ENACTMENT IN SHELTON'S
RECENT WORK AND HOW THE ARTIST'S STRATEGY DISRUPTS THE CONVENTIONAL
NARRATIVE OF ACCEPTED EVENTS.
ACCORDING TO ULRICH BAER IN AN ESSAY THAT DISCUSSES SHELTON'S PROJECT ON
HITLER'S OAKS, THE ARTIST'S
IMAGES EVOKE DEATHLY MOMENTS IN THE PAST YET SUPPLANT BOTH MENTAL IMAGES
AND HABITUAL
UNDERSTANDINGS OF REALITY.
SHELTON'S FORMAL INNOVATIONS, SUCH AS HER DOUBLING OF IMAGERY AND
PHOTOGRAPHY ENGAGED WITH
THE NEXUS OF THE CONCEPTUAL AND DOCUMENTARY, ARE EXPLORED IN DR ZARA
STANHOPE'S ESSAY WHICH
EXPANDS UPON THESE MATTERS IN THE COURSE OF INTRODUCING THE 'DARK
MATTER' OF SHELTON'S OEUVRE,
AND THE UNSEEN INVESTIGATIONS AND ELUSIVE HISTORIES FROM WHICH BODIES OF
WORK HAVE EMERGED.
PRINTED MATTER HAS BEEN AN INTEGRAL PART OF SHELTON'S CREATIVE PROCESS
AND PAST PUBLICATIONS HAUNT
THIS BOOK IN EXCERPTS THAT MATERIALISE IN ITS FINAL PAGES. ACROSS THIS
CONTENT THE READER GAINS AN
UNDERSTANDING OF THE DEPTH
OF INQUIRY BEHIND SHELTON'S PRACTICE AND THE WAY SHE
HARNESSES IDEAS
AND
HER MEDIUM TO MAKE US THINK ABOUT OURSELVES AS SOCIAL BODIES IN RELATION
TO HER SUBJECT.
I WOULD LIKE TO ESPECIALLY THANK ZARA STANHOPE FOR HER EXPLORATIVE
INVESTIGATION INTO SHELTON'S
PRACTICE THROUGH THIS BOOK AND THE ACCOMPANYING EXHIBITION, AND DUNCAN
MUNRO FOR HIS
THOUGHTFUL DESIGN OF THIS PUBLICATION. THANKS OF COURSE ALSO GOES TO ANN
SHELTON FOR HER ASTUTE
AND EXPANSIVE CONTRIBUTION TO THE REALM OF PHOTOGRAPHIC PRACTICE.
11 |
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| id | DE-604.BV047804355 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:03:20Z |
| indexdate | 2024-07-10T09:21:48Z |
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| institution_GND | (DE-588)4652794-1 |
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| physical | 293 Seiten |
| publishDate | 2016 |
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| publisher | Auckland Art Gallery |
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| spelling | Shelton, Ann 1967- (DE-588)143334522 art Ann Shelton - Dark matter Ann Shelton Dark matter Auckland Auckland Art Gallery [2016] 293 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier Published on the occasion of the exhibition held at Auckland Art Gallery November 2016 - April 2017. - Includes bibliographical references Shelton, Ann 1967- Photograph collections Exhibitions Shelton, Ann 1967- (DE-588)143334522 gnd rswk-swf Photography, Artistic Exhibitions Fotografie (DE-588)4045895-7 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Auckland Art Gallery 11.2016-04.2017 Auckland gnd-content Shelton, Ann 1967- (DE-588)143334522 p Fotografie (DE-588)4045895-7 s DE-604 Auckland Art Gallery - Toi o Tāmaki (DE-588)4652794-1 his isb V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033188017&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ann Shelton - Dark matter Shelton, Ann 1967- Photograph collections Exhibitions Shelton, Ann 1967- (DE-588)143334522 gnd Photography, Artistic Exhibitions Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)143334522 (DE-588)4045895-7 (DE-588)4135467-9 |
| title | Ann Shelton - Dark matter |
| title_alt | Dark matter |
| title_auth | Ann Shelton - Dark matter |
| title_exact_search | Ann Shelton - Dark matter |
| title_exact_search_txtP | Ann Shelton - Dark matter |
| title_full | Ann Shelton - Dark matter Ann Shelton |
| title_fullStr | Ann Shelton - Dark matter Ann Shelton |
| title_full_unstemmed | Ann Shelton - Dark matter Ann Shelton |
| title_short | Ann Shelton - Dark matter |
| title_sort | ann shelton dark matter |
| topic | Shelton, Ann 1967- Photograph collections Exhibitions Shelton, Ann 1967- (DE-588)143334522 gnd Photography, Artistic Exhibitions Fotografie (DE-588)4045895-7 gnd |
| topic_facet | Shelton, Ann 1967- Photograph collections Exhibitions Shelton, Ann 1967- Photography, Artistic Exhibitions Fotografie Ausstellungskatalog Auckland Art Gallery 11.2016-04.2017 Auckland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033188017&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT sheltonann annsheltondarkmatter AT aucklandartgallerytoiotamaki annsheltondarkmatter AT sheltonann darkmatter AT aucklandartgallerytoiotamaki darkmatter |