Viral Shakespeare: performance in the time of pandemic
This Element offers a first-person phenomenological history of watching productions of Shakespeare during the pandemic year of 2020. The first section of the Element explores how Shakespeare 'went viral' during the first lockdown of 2020 and considers how the archival recordings of Shakesp...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2021
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Schriftenreihe: | Cambridge elements. Elements in Shakespeare performance
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | This Element offers a first-person phenomenological history of watching productions of Shakespeare during the pandemic year of 2020. The first section of the Element explores how Shakespeare 'went viral' during the first lockdown of 2020 and considers how the archival recordings of Shakespeare productions made freely available by theatres across Europe and North America impacted on modes of spectatorship and viewing practices, with a particular focus on the effect of binge-watching Hamlet in lockdown. The Element's second section documents two made-for-digital productions of Shakespeare by Oxford-based Creation Theatre and Northern Irish Big Telly, two companies who became leaders in digital theatre during the pandemic. It investigates how their productions of The Tempest and Macbeth modelled new platform-specific ways of engaging with audiences and creating communities of viewing at a time when, in the UK, government policies were excluding most non-building-based theatre companies and freelancers from pandemic relief packages |
Beschreibung: | Title from publisher's bibliographic system (viewed on 13 Dec 2021) |
Beschreibung: | 1 Online-Ressource (105 Seiten) |
ISBN: | 9781108943482 |
DOI: | 10.1017/9781108943482 |
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Datensatz im Suchindex
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author | Aebischer, Pascale 1970- |
author_GND | (DE-588)139136770 |
author_facet | Aebischer, Pascale 1970- |
author_role | aut |
author_sort | Aebischer, Pascale 1970- |
author_variant | p a pa |
building | Verbundindex |
bvnumber | BV047804117 |
collection | ZDB-20-CBO |
ctrlnum | (ZDB-20-CBO)CR9781108943482 (OCoLC)1294797786 (DE-599)BVBBV047804117 |
dewey-full | 822.33 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 822 - English drama |
dewey-raw | 822.33 |
dewey-search | 822.33 |
dewey-sort | 3822.33 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
doi_str_mv | 10.1017/9781108943482 |
format | Electronic eBook |
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illustrated | Not Illustrated |
index_date | 2024-07-03T19:03:15Z |
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institution | BVB |
isbn | 9781108943482 |
language | English |
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physical | 1 Online-Ressource (105 Seiten) |
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publishDate | 2021 |
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publisher | Cambridge University Press |
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series2 | Cambridge elements. Elements in Shakespeare performance |
spelling | Aebischer, Pascale 1970- Verfasser (DE-588)139136770 aut Viral Shakespeare performance in the time of pandemic Pascale Aebischer Cambridge Cambridge University Press 2021 1 Online-Ressource (105 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge elements. Elements in Shakespeare performance Title from publisher's bibliographic system (viewed on 13 Dec 2021) This Element offers a first-person phenomenological history of watching productions of Shakespeare during the pandemic year of 2020. The first section of the Element explores how Shakespeare 'went viral' during the first lockdown of 2020 and considers how the archival recordings of Shakespeare productions made freely available by theatres across Europe and North America impacted on modes of spectatorship and viewing practices, with a particular focus on the effect of binge-watching Hamlet in lockdown. The Element's second section documents two made-for-digital productions of Shakespeare by Oxford-based Creation Theatre and Northern Irish Big Telly, two companies who became leaders in digital theatre during the pandemic. It investigates how their productions of The Tempest and Macbeth modelled new platform-specific ways of engaging with audiences and creating communities of viewing at a time when, in the UK, government policies were excluding most non-building-based theatre companies and freelancers from pandemic relief packages Shakespeare, William / 1564-1616 / Appreciation Shakespeare, William / 1564-1616 / Film adaptations COVID-19 Pandemic, 2020- Erscheint auch als Druck-Ausgabe 978-1-108-94796-1 https://doi.org/10.1017/9781108943482 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Aebischer, Pascale 1970- Viral Shakespeare performance in the time of pandemic |
title | Viral Shakespeare performance in the time of pandemic |
title_auth | Viral Shakespeare performance in the time of pandemic |
title_exact_search | Viral Shakespeare performance in the time of pandemic |
title_exact_search_txtP | Viral Shakespeare performance in the time of pandemic |
title_full | Viral Shakespeare performance in the time of pandemic Pascale Aebischer |
title_fullStr | Viral Shakespeare performance in the time of pandemic Pascale Aebischer |
title_full_unstemmed | Viral Shakespeare performance in the time of pandemic Pascale Aebischer |
title_short | Viral Shakespeare |
title_sort | viral shakespeare performance in the time of pandemic |
title_sub | performance in the time of pandemic |
url | https://doi.org/10.1017/9781108943482 |
work_keys_str_mv | AT aebischerpascale viralshakespeareperformanceinthetimeofpandemic |