Shakespeare and virtual reality:
Teaching Shakespeare through performance has a long history, and active methods of teaching and learning are a logical complement to the teaching of performance. Virtual reality ought to be the logical extension of such active learning, providing an unrivalled immersive experience of performance tha...
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2021
|
Schriftenreihe: | Cambridge elements
|
Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | Teaching Shakespeare through performance has a long history, and active methods of teaching and learning are a logical complement to the teaching of performance. Virtual reality ought to be the logical extension of such active learning, providing an unrivalled immersive experience of performance that overcomes historical and geographical boundaries. But what are the key advantages and disadvantages of virtual reality, especially as it pertains to Shakespeare? And more interestingly, what can Shakespeare do for VR (rather than vice versa)? This Element, the first on its topic, explores the ways that virtual reality can be used in the classroom and the ways that it might radically change how students experience and think about Shakespeare in performance |
Beschreibung: | Title from publisher's bibliographic system (viewed on 22 Dec 2021) |
Beschreibung: | 1 Online-Ressource (97 Seiten) |
ISBN: | 9781009003995 |
DOI: | 10.1017/9781009003995 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV047803271 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 220127s2021 |||| o||u| ||||||eng d | ||
020 | |a 9781009003995 |c Online |9 978-1-00-900399-5 | ||
024 | 7 | |a 10.1017/9781009003995 |2 doi | |
035 | |a (ZDB-20-CBO)CR9781009003995 | ||
035 | |a (OCoLC)1294811335 | ||
035 | |a (DE-599)BVBBV047803271 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 | ||
082 | 0 | |a 822.33 | |
084 | |a HD 218 |0 (DE-625)48447: |2 rvk | ||
245 | 1 | 0 | |a Shakespeare and virtual reality |c edited by Stephen Wittek, David McInnis |
264 | 1 | |a Cambridge |b Cambridge University Press |c 2021 | |
300 | |a 1 Online-Ressource (97 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Cambridge elements | |
500 | |a Title from publisher's bibliographic system (viewed on 22 Dec 2021) | ||
520 | |a Teaching Shakespeare through performance has a long history, and active methods of teaching and learning are a logical complement to the teaching of performance. Virtual reality ought to be the logical extension of such active learning, providing an unrivalled immersive experience of performance that overcomes historical and geographical boundaries. But what are the key advantages and disadvantages of virtual reality, especially as it pertains to Shakespeare? And more interestingly, what can Shakespeare do for VR (rather than vice versa)? This Element, the first on its topic, explores the ways that virtual reality can be used in the classroom and the ways that it might radically change how students experience and think about Shakespeare in performance | ||
600 | 1 | 4 | |a Shakespeare, William / 1564-1616 / Study and teaching |
650 | 4 | |a Literature and technology | |
650 | 4 | |a Virtual reality | |
700 | 1 | |a Wittek, Stephen |0 (DE-588)1078360375 |4 edt | |
700 | 1 | |a McInnis, David |d 1981- |0 (DE-588)1033078158 |4 edt | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-00-900187-8 |
856 | 4 | 0 | |u https://doi.org/10.1017/9781009003995 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CBO | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-033186965 | ||
966 | e | |u https://doi.org/10.1017/9781009003995 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/9781009003995 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804183333461032960 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Wittek, Stephen McInnis, David 1981- |
author2_role | edt edt |
author2_variant | s w sw d m dm |
author_GND | (DE-588)1078360375 (DE-588)1033078158 |
author_facet | Wittek, Stephen McInnis, David 1981- |
building | Verbundindex |
bvnumber | BV047803271 |
classification_rvk | HD 218 |
collection | ZDB-20-CBO |
ctrlnum | (ZDB-20-CBO)CR9781009003995 (OCoLC)1294811335 (DE-599)BVBBV047803271 |
dewey-full | 822.33 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 822 - English drama |
dewey-raw | 822.33 |
dewey-search | 822.33 |
dewey-sort | 3822.33 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
doi_str_mv | 10.1017/9781009003995 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02453nmm a2200445zc 4500</leader><controlfield tag="001">BV047803271</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220127s2021 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781009003995</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-00-900399-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781009003995</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781009003995</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1294811335</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047803271</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">822.33</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HD 218</subfield><subfield code="0">(DE-625)48447:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Shakespeare and virtual reality</subfield><subfield code="c">edited by Stephen Wittek, David McInnis</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (97 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge elements</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 22 Dec 2021)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Teaching Shakespeare through performance has a long history, and active methods of teaching and learning are a logical complement to the teaching of performance. Virtual reality ought to be the logical extension of such active learning, providing an unrivalled immersive experience of performance that overcomes historical and geographical boundaries. But what are the key advantages and disadvantages of virtual reality, especially as it pertains to Shakespeare? And more interestingly, what can Shakespeare do for VR (rather than vice versa)? This Element, the first on its topic, explores the ways that virtual reality can be used in the classroom and the ways that it might radically change how students experience and think about Shakespeare in performance</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Shakespeare, William / 1564-1616 / Study and teaching</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literature and technology</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Virtual reality</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wittek, Stephen</subfield><subfield code="0">(DE-588)1078360375</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">McInnis, David</subfield><subfield code="d">1981-</subfield><subfield code="0">(DE-588)1033078158</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-00-900187-8</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781009003995</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033186965</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009003995</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009003995</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV047803271 |
illustrated | Not Illustrated |
index_date | 2024-07-03T19:02:58Z |
indexdate | 2024-07-10T09:21:47Z |
institution | BVB |
isbn | 9781009003995 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033186965 |
oclc_num | 1294811335 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 Online-Ressource (97 Seiten) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Cambridge University Press |
record_format | marc |
series2 | Cambridge elements |
spelling | Shakespeare and virtual reality edited by Stephen Wittek, David McInnis Cambridge Cambridge University Press 2021 1 Online-Ressource (97 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge elements Title from publisher's bibliographic system (viewed on 22 Dec 2021) Teaching Shakespeare through performance has a long history, and active methods of teaching and learning are a logical complement to the teaching of performance. Virtual reality ought to be the logical extension of such active learning, providing an unrivalled immersive experience of performance that overcomes historical and geographical boundaries. But what are the key advantages and disadvantages of virtual reality, especially as it pertains to Shakespeare? And more interestingly, what can Shakespeare do for VR (rather than vice versa)? This Element, the first on its topic, explores the ways that virtual reality can be used in the classroom and the ways that it might radically change how students experience and think about Shakespeare in performance Shakespeare, William / 1564-1616 / Study and teaching Literature and technology Virtual reality Wittek, Stephen (DE-588)1078360375 edt McInnis, David 1981- (DE-588)1033078158 edt Erscheint auch als Druck-Ausgabe 978-1-00-900187-8 https://doi.org/10.1017/9781009003995 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Shakespeare and virtual reality Shakespeare, William / 1564-1616 / Study and teaching Literature and technology Virtual reality |
title | Shakespeare and virtual reality |
title_auth | Shakespeare and virtual reality |
title_exact_search | Shakespeare and virtual reality |
title_exact_search_txtP | Shakespeare and virtual reality |
title_full | Shakespeare and virtual reality edited by Stephen Wittek, David McInnis |
title_fullStr | Shakespeare and virtual reality edited by Stephen Wittek, David McInnis |
title_full_unstemmed | Shakespeare and virtual reality edited by Stephen Wittek, David McInnis |
title_short | Shakespeare and virtual reality |
title_sort | shakespeare and virtual reality |
topic | Shakespeare, William / 1564-1616 / Study and teaching Literature and technology Virtual reality |
topic_facet | Shakespeare, William / 1564-1616 / Study and teaching Literature and technology Virtual reality |
url | https://doi.org/10.1017/9781009003995 |
work_keys_str_mv | AT wittekstephen shakespeareandvirtualreality AT mcinnisdavid shakespeareandvirtualreality |