The new female antihero: the disruptive women of twenty-first-century US television
Introduction: The new female antihero - the what, the why, the how -- Ambition TV. The limits of the female antihero in Game of Thrones ; The impossibility of the marriage plot in The Americans ; Scandal and the failure of postracial fantasy ; Homeland and the rejection of the domestic plot -- Shame...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Introduction: The new female antihero - the what, the why, the how -- Ambition TV. The limits of the female antihero in Game of Thrones ; The impossibility of the marriage plot in The Americans ; Scandal and the failure of postracial fantasy ; Homeland and the rejection of the domestic plot -- Shame TV. Feminist anti-aspirationalism in Girls ; Liberation and whiteness in Broad City ; The difference that race makes in Insecure ; Working-class identity and matriarchal community in SMILF. "The last ten years have presented television viewers with a host of female characters the likes of which we've never seen before. Selfish, vengeful, and often deeply unlikeable, they fly in the face of our expectations for women. In The New Female Antihero, Sarah Hagelin and Gillian Silverman probe the stories of female protagonists who eschew aspirations for a career, marriage, and children, swerving instead toward utter apathy, at one end of the spectrum, or unadulterated power at the other. From the bloodthirsty queens of Game of Thrones, The Americans, Scandal, and Homeland to the shrugging failures of Girls, Broad City, Insecure, and SMILF, female antiheroes register a deep ambivalence about the promises of liberal feminism in contemporary America. As Hagelin and Silverman show, their narratives of ruthlessness, insanity, hedonism, and precarity call into question both the possibility and the desirability of the "good life" their forebears achieved through entitlement, pluck, and leaning in"-- |
| Beschreibung: | XIII, 265 Seiten Illustrationen |
| ISBN: | 9780226816401 9780226816357 |
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| 520 | 3 | |a Introduction: The new female antihero - the what, the why, the how -- Ambition TV. The limits of the female antihero in Game of Thrones ; The impossibility of the marriage plot in The Americans ; Scandal and the failure of postracial fantasy ; Homeland and the rejection of the domestic plot -- Shame TV. Feminist anti-aspirationalism in Girls ; Liberation and whiteness in Broad City ; The difference that race makes in Insecure ; Working-class identity and matriarchal community in SMILF. | |
| 520 | 3 | |a "The last ten years have presented television viewers with a host of female characters the likes of which we've never seen before. Selfish, vengeful, and often deeply unlikeable, they fly in the face of our expectations for women. In The New Female Antihero, Sarah Hagelin and Gillian Silverman probe the stories of female protagonists who eschew aspirations for a career, marriage, and children, swerving instead toward utter apathy, at one end of the spectrum, or unadulterated power at the other. From the bloodthirsty queens of Game of Thrones, The Americans, Scandal, and Homeland to the shrugging failures of Girls, Broad City, Insecure, and SMILF, female antiheroes register a deep ambivalence about the promises of liberal feminism in contemporary America. As Hagelin and Silverman show, their narratives of ruthlessness, insanity, hedonism, and precarity call into question both the possibility and the desirability of the "good life" their forebears achieved through entitlement, pluck, and leaning in"-- | |
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Datensatz im Suchindex
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| adam_text | Contents Prologue ix Introduction: The New Female Antihero—The What, the Why, the How part 1 1: Ambition TV 1 The Limits of the Female Antihero in Game of Thrones 27 2 The Impossibility of the Marriage Plot in The Americans 49 3 Scandal and the Failure of Postracial Fantasy 72 4 Homeland and the Rejection of the Domestic Plot 95 part ii : Shame TV 5 Feminist Anti-Aspirationalism in Girls 117 6 Liberation and Whiteness in Broad City 140 7 The Difference That Race Makes in Insecure 160 8 Working-Class Identity and Matriarchal Community in SMILE 179 Epilogue 203 Acknowledgments 209 Notes 211 Index 233
|
| adam_txt |
Contents Prologue ix Introduction: The New Female Antihero—The What, the Why, the How part 1 1: Ambition TV 1 The Limits of the Female Antihero in Game of Thrones 27 2 The Impossibility of the Marriage Plot in The Americans 49 3 Scandal and the Failure of Postracial Fantasy 72 4 Homeland and the Rejection of the Domestic Plot 95 part ii : Shame TV 5 Feminist Anti-Aspirationalism in Girls 117 6 Liberation and Whiteness in Broad City 140 7 The Difference That Race Makes in Insecure 160 8 Working-Class Identity and Matriarchal Community in SMILE 179 Epilogue 203 Acknowledgments 209 Notes 211 Index 233 |
| any_adam_object | 1 |
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| author | Hagelin, Sarah Silverman, Gillian D. 1967- |
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| dewey-tens | 790 - Recreational and performing arts |
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| discipline_str_mv | Allgemeines |
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| spelling | Hagelin, Sarah Verfasser (DE-588)1043468390 aut The new female antihero the disruptive women of twenty-first-century US television Sarah Hagelin and Gillian Silverman Chicago ; London The University of Chicago Press [2022] © 2022 XIII, 265 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Introduction: The new female antihero - the what, the why, the how -- Ambition TV. The limits of the female antihero in Game of Thrones ; The impossibility of the marriage plot in The Americans ; Scandal and the failure of postracial fantasy ; Homeland and the rejection of the domestic plot -- Shame TV. Feminist anti-aspirationalism in Girls ; Liberation and whiteness in Broad City ; The difference that race makes in Insecure ; Working-class identity and matriarchal community in SMILF. "The last ten years have presented television viewers with a host of female characters the likes of which we've never seen before. Selfish, vengeful, and often deeply unlikeable, they fly in the face of our expectations for women. In The New Female Antihero, Sarah Hagelin and Gillian Silverman probe the stories of female protagonists who eschew aspirations for a career, marriage, and children, swerving instead toward utter apathy, at one end of the spectrum, or unadulterated power at the other. From the bloodthirsty queens of Game of Thrones, The Americans, Scandal, and Homeland to the shrugging failures of Girls, Broad City, Insecure, and SMILF, female antiheroes register a deep ambivalence about the promises of liberal feminism in contemporary America. As Hagelin and Silverman show, their narratives of ruthlessness, insanity, hedonism, and precarity call into question both the possibility and the desirability of the "good life" their forebears achieved through entitlement, pluck, and leaning in"-- Fernsehserie (DE-588)4154072-4 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf Antiheld (DE-588)4142672-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Women antiheroes on television Television programs / United States USA (DE-588)4078704-7 g Fernsehserie (DE-588)4154072-4 s Antiheld (DE-588)4142672-1 s DE-604 Feminismus (DE-588)4222126-2 s Silverman, Gillian D. 1967- Verfasser (DE-588)102431944X aut Erscheint auch als Online-Ausgabe, PDF 978-0-226-81636-4 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033095809&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hagelin, Sarah Silverman, Gillian D. 1967- The new female antihero the disruptive women of twenty-first-century US television Fernsehserie (DE-588)4154072-4 gnd Feminismus (DE-588)4222126-2 gnd Antiheld (DE-588)4142672-1 gnd |
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| title | The new female antihero the disruptive women of twenty-first-century US television |
| title_auth | The new female antihero the disruptive women of twenty-first-century US television |
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| title_full | The new female antihero the disruptive women of twenty-first-century US television Sarah Hagelin and Gillian Silverman |
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| title_short | The new female antihero |
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