The creative worlds of Joseph Joachim:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge
The Boydell Press
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 353 Seiten Illustrationen, Notenbeispiele, Portraits (schwarz-weiß) |
| ISBN: | 9781783276547 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List of Illustrations List ofMusic Examples List of Tables Notes on Contributors List ofAbbreviations Introduction: The Creative Worlds ofJoseph Joachim ix xi xv xvii xxi і Robert Whitehouse Eshbach PART ONE: Identity 1 “Of the Highest Good”: Joachim’s Relationship to Mendelssohn R. Larry Todd 15 2 Joseph Joachim and His Jewish Dilemma 36 Styra Avins 3 Joachim and Romani Musicians: Their Relationship and Common Features in Performance Practice 52 Mineo Ota PART TWO: Joachim as Performer 4 Joachim’s Violins: Spotlights on Some of Them 69 Ruprecht Kamlah 5 (Re-)Enchanting Performance: Joachim and the Spirit of Beethoven 86 Karen Leistra-Jones 6 “Thou That Hast Been in England Many a Year”: The British Joachim 104 Ian Maxwell 7 Joachim at the Crystal Palace 118 Michael Musgrave 8 “Music Was Poured by Perfect Ministrante”: Joseph Joachim at the Monday Popular Concerts, London 129 Therese Ellsworth 9 “Das Quartett-Spiel ist doch wohl mein eigentliches Fach”: Joseph joachim and the String Quartet 145 Robert Riggs
viii Contents ю Professor Joachim and His Pupils 163 Sanna Pederson 11 Performers as Authors ofMusic History: Joseph and Amalie Joachim 176 Beatrix Borchard 12 At the Intersection ofPerformance and Composition: Joseph Joachim and the Third Movement of Brahms’s Piano Quartet in A Major, Op. 26 191 William P. Horne PART THREE: Joachim as Composer 13 Reconsidering the Young Composer-Performer Joseph Joachim, 1841-53 221 Katharina Uhde 14 “Franz Liszt gewidmet”: Joseph Joachim’s G-Minor Violin Concerto, Op. 3 242 Vasiliki Papadopoulou 15 Drama and Music in Joachim’s Overture to Shakespeare’s Henry IV 260 Valerie Woodring Goertzen 16 “So Gleams the Past, the Light of Other Days”: Joachim’s Hebräische Melodien for Viola and Piano, Op. 9 (1854) 280 Маше Sumner Lott 17 Tovey’s View ofJoachim’s Hungarian Violin Concerto 300 Robert Riggs Bibliography Index 323 341
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| adam_txt |
Contents List of Illustrations List ofMusic Examples List of Tables Notes on Contributors List ofAbbreviations Introduction: The Creative Worlds ofJoseph Joachim ix xi xv xvii xxi і Robert Whitehouse Eshbach PART ONE: Identity 1 “Of the Highest Good”: Joachim’s Relationship to Mendelssohn R. Larry Todd 15 2 Joseph Joachim and His Jewish Dilemma 36 Styra Avins 3 Joachim and Romani Musicians: Their Relationship and Common Features in Performance Practice 52 Mineo Ota PART TWO: Joachim as Performer 4 Joachim’s Violins: Spotlights on Some of Them 69 Ruprecht Kamlah 5 (Re-)Enchanting Performance: Joachim and the Spirit of Beethoven 86 Karen Leistra-Jones 6 “Thou That Hast Been in England Many a Year”: The British Joachim 104 Ian Maxwell 7 Joachim at the Crystal Palace 118 Michael Musgrave 8 “Music Was Poured by Perfect Ministrante”: Joseph Joachim at the Monday Popular Concerts, London 129 Therese Ellsworth 9 “Das Quartett-Spiel ist doch wohl mein eigentliches Fach”: Joseph joachim and the String Quartet 145 Robert Riggs
viii Contents ю Professor Joachim and His Pupils 163 Sanna Pederson 11 Performers as Authors ofMusic History: Joseph and Amalie Joachim 176 Beatrix Borchard 12 At the Intersection ofPerformance and Composition: Joseph Joachim and the Third Movement of Brahms’s Piano Quartet in A Major, Op. 26 191 William P. Horne PART THREE: Joachim as Composer 13 Reconsidering the Young Composer-Performer Joseph Joachim, 1841-53 221 Katharina Uhde 14 “Franz Liszt gewidmet”: Joseph Joachim’s G-Minor Violin Concerto, Op. 3 242 Vasiliki Papadopoulou 15 Drama and Music in Joachim’s Overture to Shakespeare’s Henry IV 260 Valerie Woodring Goertzen 16 “So Gleams the Past, the Light of Other Days”: Joachim’s Hebräische Melodien for Viola and Piano, Op. 9 (1854) 280 Маше Sumner Lott 17 Tovey’s View ofJoachim’s Hungarian Violin Concerto 300 Robert Riggs Bibliography Index 323 341 |
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| title | The creative worlds of Joseph Joachim |
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