Unsettling landscapes: the art of the eerie
This book reveals a thread of unsettling takes on the British landscape stretching from paintings, prints and photographs made by Paul Nash in the aftermath of the First World War to contemporary artists exploring themes of memory, belonging, hauntology, dislocation and human impact on nature. In hi...
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bristol
Sansom & Company
2021
Lymington St. Barbe Museum and Art Gallery 2021 |
| Schlagworte: | |
| Zusammenfassung: | This book reveals a thread of unsettling takes on the British landscape stretching from paintings, prints and photographs made by Paul Nash in the aftermath of the First World War to contemporary artists exploring themes of memory, belonging, hauntology, dislocation and human impact on nature. In his introductory essay Robert Macfarlane explains that the eerie, involves that form of fear which is felt first as unease then as dread, and it tends to be incited by glimpses and tremors rather than outright attack. Horror specialises in confrontation and aggression; the eerie in intimation and intimidation.? Macfarlane suggests that eerie art has often flourished at times of crisis, as seen in the work of Neo-Romantic artists around the time of the Second World War. The works featured in the exhibition are grouped around four overlapping themes: Ancient Landscapes? features that are inexplicable and mysterious, connecting us to the unknown distant past; Unquiet Nature ? landscapes and natural forms used to unsettling effect, such as trees, lonely expanses of heath and the borderlands where different worlds meet; Absence/Presence, how the inclusion (and absence) of figures and objects can generate feelings of the eerie through mystery, suggestion and isolation; Atmospheric Effect ? the influence of weather, season, light and the time of day on responses to landscape. Exhibition: St Barbe Museum and Art Gallery, New St, Lymington, UK (11.09.2021-08.01.2022) |
| Beschreibung: | 111 Seiten Illustrationen (überwiegend farbig) |
| ISBN: | 9781911408833 |
Internformat
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| 520 | 3 | |a This book reveals a thread of unsettling takes on the British landscape stretching from paintings, prints and photographs made by Paul Nash in the aftermath of the First World War to contemporary artists exploring themes of memory, belonging, hauntology, dislocation and human impact on nature. In his introductory essay Robert Macfarlane explains that the eerie, involves that form of fear which is felt first as unease then as dread, and it tends to be incited by glimpses and tremors rather than outright attack. Horror specialises in confrontation and aggression; the eerie in intimation and intimidation.? Macfarlane suggests that eerie art has often flourished at times of crisis, as seen in the work of Neo-Romantic artists around the time of the Second World War. The works featured in the exhibition are grouped around four overlapping themes: Ancient Landscapes? features that are inexplicable and mysterious, connecting us to the unknown distant past; Unquiet Nature ? landscapes and natural forms used to unsettling effect, such as trees, lonely expanses of heath and the borderlands where different worlds meet; Absence/Presence, how the inclusion (and absence) of figures and objects can generate feelings of the eerie through mystery, suggestion and isolation; Atmospheric Effect ? the influence of weather, season, light and the time of day on responses to landscape. Exhibition: St Barbe Museum and Art Gallery, New St, Lymington, UK (11.09.2021-08.01.2022) | |
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| 700 | 1 | |a Clarke, Gill |d 1955- |0 (DE-588)1165083205 |4 aut | |
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Datensatz im Suchindex
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| building | Verbundindex |
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| format | Book |
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| spelling | Unsettling landscapes the art of the eerie Robert Macfarlane|Steve Marshall|Gill Clarke Bristol Sansom & Company 2021 Lymington St. Barbe Museum and Art Gallery 2021 111 Seiten Illustrationen (überwiegend farbig) txt rdacontent sti rdacontent n rdamedia nc rdacarrier This book reveals a thread of unsettling takes on the British landscape stretching from paintings, prints and photographs made by Paul Nash in the aftermath of the First World War to contemporary artists exploring themes of memory, belonging, hauntology, dislocation and human impact on nature. In his introductory essay Robert Macfarlane explains that the eerie, involves that form of fear which is felt first as unease then as dread, and it tends to be incited by glimpses and tremors rather than outright attack. Horror specialises in confrontation and aggression; the eerie in intimation and intimidation.? Macfarlane suggests that eerie art has often flourished at times of crisis, as seen in the work of Neo-Romantic artists around the time of the Second World War. The works featured in the exhibition are grouped around four overlapping themes: Ancient Landscapes? features that are inexplicable and mysterious, connecting us to the unknown distant past; Unquiet Nature ? landscapes and natural forms used to unsettling effect, such as trees, lonely expanses of heath and the borderlands where different worlds meet; Absence/Presence, how the inclusion (and absence) of figures and objects can generate feelings of the eerie through mystery, suggestion and isolation; Atmospheric Effect ? the influence of weather, season, light and the time of day on responses to landscape. Exhibition: St Barbe Museum and Art Gallery, New St, Lymington, UK (11.09.2021-08.01.2022) Geschichte 1920-2021 gnd rswk-swf Landschaftsfotografie (DE-588)4132170-4 gnd rswk-swf Landschaftsmalerei (DE-588)4114355-3 gnd rswk-swf Landschaft Motiv (DE-588)4114354-1 gnd rswk-swf Grafik (DE-588)4021845-4 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog St. Barbe Museum and Art Gallery 11.09.2021-08.01.2022 Lymington gnd-content Großbritannien (DE-588)4022153-2 g Landschaftsmalerei (DE-588)4114355-3 s Landschaftsfotografie (DE-588)4132170-4 s Grafik (DE-588)4021845-4 s Landschaft Motiv (DE-588)4114354-1 s Geschichte 1920-2021 z DE-604 Macfarlane, Robert 1976- (DE-588)124813976 aut Marshall, Steve 1967- (DE-588)1260983021 aut Clarke, Gill 1955- (DE-588)1165083205 aut St. Barbe Museum and Art Gallery (DE-588)1042040583 his isb |
| spellingShingle | Macfarlane, Robert 1976- Marshall, Steve 1967- Clarke, Gill 1955- Unsettling landscapes the art of the eerie Landschaftsfotografie (DE-588)4132170-4 gnd Landschaftsmalerei (DE-588)4114355-3 gnd Landschaft Motiv (DE-588)4114354-1 gnd Grafik (DE-588)4021845-4 gnd |
| subject_GND | (DE-588)4132170-4 (DE-588)4114355-3 (DE-588)4114354-1 (DE-588)4021845-4 (DE-588)4022153-2 (DE-588)4135467-9 |
| title | Unsettling landscapes the art of the eerie |
| title_auth | Unsettling landscapes the art of the eerie |
| title_exact_search | Unsettling landscapes the art of the eerie |
| title_exact_search_txtP | Unsettling landscapes the art of the eerie |
| title_full | Unsettling landscapes the art of the eerie Robert Macfarlane|Steve Marshall|Gill Clarke |
| title_fullStr | Unsettling landscapes the art of the eerie Robert Macfarlane|Steve Marshall|Gill Clarke |
| title_full_unstemmed | Unsettling landscapes the art of the eerie Robert Macfarlane|Steve Marshall|Gill Clarke |
| title_short | Unsettling landscapes |
| title_sort | unsettling landscapes the art of the eerie |
| title_sub | the art of the eerie |
| topic | Landschaftsfotografie (DE-588)4132170-4 gnd Landschaftsmalerei (DE-588)4114355-3 gnd Landschaft Motiv (DE-588)4114354-1 gnd Grafik (DE-588)4021845-4 gnd |
| topic_facet | Landschaftsfotografie Landschaftsmalerei Landschaft Motiv Grafik Großbritannien Ausstellungskatalog St. Barbe Museum and Art Gallery 11.09.2021-08.01.2022 Lymington |
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