American Independent Cinema: Rites of Passage and the Crisis Image
Examines crisis, transition and metamorphosis in American independent cinemaAnna Backman Rogers argues that American independent cinema is a cinema not merely in crisis, but also of crisis. As a cinema which often explores the rite of passage by explicitly drawing on American cinematic heritage, fro...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2021]
|
| Schriftenreihe: | Edinburgh Studies in Film and Intermediality : ESFI
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | Examines crisis, transition and metamorphosis in American independent cinemaAnna Backman Rogers argues that American independent cinema is a cinema not merely in crisis, but also of crisis. As a cinema which often explores the rite of passage by explicitly drawing on American cinematic heritage, from the teen movie to the western, American independent films deal in images of crisis, transition and metamorphosis, offering a subversive engagement with more traditional modes of representation.Examining films by Gus Van Sant, Jim Jarmusch and Sofia Coppola, this study sets forth that American indie films offer the viewer an 'art experience' within the confines of commercial, narrative cinema by engaging with cinematic time (as a mode of philosophical thought) and foregrounding the inherent 'crisis' of the cinematic image (as the mode of being as change).Key featuresCase studies include: The Virgin Suicides, Elephant, Dead Man, Last Days, Somewhere and Broken Flowers Argues for the relevance and importance of American indie cinema as a mode of 'art' cinema that offers a challenging viewing experience to a broad audience Engages with and develops on recent scholarship on American independent film from a formal perspectiveSituates analysis of indie film within the context of American generic cinematic (and historical) traditions |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 10. Jan 2022) |
| Beschreibung: | 1 Online-Ressource (184 pages) 27 B/W illustrations |
| ISBN: | 9780748693610 |
| DOI: | 10.1515/9780748693610 |
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| spelling | Backman Rogers, Anna 1981- Verfasser (DE-588)1073231925 aut American Independent Cinema Rites of Passage and the Crisis Image Anna Backman Rogers Edinburgh Edinburgh University Press [2021] © 2015 1 Online-Ressource (184 pages) 27 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Edinburgh Studies in Film and Intermediality : ESFI Description based on online resource; title from PDF title page (publisher's Web site, viewed 10. Jan 2022) Examines crisis, transition and metamorphosis in American independent cinemaAnna Backman Rogers argues that American independent cinema is a cinema not merely in crisis, but also of crisis. As a cinema which often explores the rite of passage by explicitly drawing on American cinematic heritage, from the teen movie to the western, American independent films deal in images of crisis, transition and metamorphosis, offering a subversive engagement with more traditional modes of representation.Examining films by Gus Van Sant, Jim Jarmusch and Sofia Coppola, this study sets forth that American indie films offer the viewer an 'art experience' within the confines of commercial, narrative cinema by engaging with cinematic time (as a mode of philosophical thought) and foregrounding the inherent 'crisis' of the cinematic image (as the mode of being as change).Key featuresCase studies include: The Virgin Suicides, Elephant, Dead Man, Last Days, Somewhere and Broken Flowers Argues for the relevance and importance of American indie cinema as a mode of 'art' cinema that offers a challenging viewing experience to a broad audience Engages with and develops on recent scholarship on American independent film from a formal perspectiveSituates analysis of indie film within the context of American generic cinematic (and historical) traditions In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Independent films United States History and criticism https://doi.org/10.1515/9780748693610 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Backman Rogers, Anna 1981- American Independent Cinema Rites of Passage and the Crisis Image Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Independent films United States History and criticism |
| title | American Independent Cinema Rites of Passage and the Crisis Image |
| title_auth | American Independent Cinema Rites of Passage and the Crisis Image |
| title_exact_search | American Independent Cinema Rites of Passage and the Crisis Image |
| title_exact_search_txtP | American Independent Cinema Rites of Passage and the Crisis Image |
| title_full | American Independent Cinema Rites of Passage and the Crisis Image Anna Backman Rogers |
| title_fullStr | American Independent Cinema Rites of Passage and the Crisis Image Anna Backman Rogers |
| title_full_unstemmed | American Independent Cinema Rites of Passage and the Crisis Image Anna Backman Rogers |
| title_short | American Independent Cinema |
| title_sort | american independent cinema rites of passage and the crisis image |
| title_sub | Rites of Passage and the Crisis Image |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Independent films United States History and criticism |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Independent films United States History and criticism |
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