Roman Eyes: Visuality and Subjectivity in Art and Text
In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2021]
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Schlagworte: | |
Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
Zusammenfassung: | In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and wall paintings to coins and terra-cotta statuettes. He examines the different contexts in which images were used, from the religious to the voyeuristic, from the domestic to the subversive. He reads images alongside and against the rich literary tradition of the Greco-Roman world, including travel writing, prose fiction, satire, poetry, mythology, and pilgrimage accounts. The astonishing picture that emerges reveals the mindsets Romans had when they viewed art--their preoccupations and theories, their cultural biases and loosely held beliefs. Roman Eyes is not a history of official public art--the monumental sculptures, arches, and buildings we typically associate with ancient Rome, and that tend to dominate the field. Rather, Elsner looks at smaller objects used or displayed in private settings and closed religious rituals, including tapestries, ivories, altars, jewelry, and even silverware. In many cases, he focuses on works of art that no longer exist, providing a rare window into the aesthetic and religious lives of the ancient Romans |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 10. Jan 2022) |
Beschreibung: | 1 Online-Ressource (376 pages) 16 color plates. 88 halftones |
ISBN: | 9780691240244 |
DOI: | 10.1515/9780691240244 |
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illustrated | Not Illustrated |
index_date | 2024-07-03T18:58:43Z |
indexdate | 2024-07-10T09:19:31Z |
institution | BVB |
isbn | 9780691240244 |
language | English |
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oclc_num | 1294799569 |
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physical | 1 Online-Ressource (376 pages) 16 color plates. 88 halftones |
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publishDate | 2021 |
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publisher | Princeton University Press |
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spelling | Elsner, Jaś Verfasser aut Roman Eyes Visuality and Subjectivity in Art and Text Jaś Elsner Princeton, NJ Princeton University Press [2021] © 2007 1 Online-Ressource (376 pages) 16 color plates. 88 halftones txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 10. Jan 2022) In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and wall paintings to coins and terra-cotta statuettes. He examines the different contexts in which images were used, from the religious to the voyeuristic, from the domestic to the subversive. He reads images alongside and against the rich literary tradition of the Greco-Roman world, including travel writing, prose fiction, satire, poetry, mythology, and pilgrimage accounts. The astonishing picture that emerges reveals the mindsets Romans had when they viewed art--their preoccupations and theories, their cultural biases and loosely held beliefs. Roman Eyes is not a history of official public art--the monumental sculptures, arches, and buildings we typically associate with ancient Rome, and that tend to dominate the field. Rather, Elsner looks at smaller objects used or displayed in private settings and closed religious rituals, including tapestries, ivories, altars, jewelry, and even silverware. In many cases, he focuses on works of art that no longer exist, providing a rare window into the aesthetic and religious lives of the ancient Romans In English ART / History / Ancient & Classical bisacsh Aesthetics, Roman Arts, Classical Visual perception https://doi.org/10.1515/9780691240244 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Elsner, Jaś Roman Eyes Visuality and Subjectivity in Art and Text ART / History / Ancient & Classical bisacsh Aesthetics, Roman Arts, Classical Visual perception |
title | Roman Eyes Visuality and Subjectivity in Art and Text |
title_auth | Roman Eyes Visuality and Subjectivity in Art and Text |
title_exact_search | Roman Eyes Visuality and Subjectivity in Art and Text |
title_exact_search_txtP | Roman Eyes Visuality and Subjectivity in Art and Text |
title_full | Roman Eyes Visuality and Subjectivity in Art and Text Jaś Elsner |
title_fullStr | Roman Eyes Visuality and Subjectivity in Art and Text Jaś Elsner |
title_full_unstemmed | Roman Eyes Visuality and Subjectivity in Art and Text Jaś Elsner |
title_short | Roman Eyes |
title_sort | roman eyes visuality and subjectivity in art and text |
title_sub | Visuality and Subjectivity in Art and Text |
topic | ART / History / Ancient & Classical bisacsh Aesthetics, Roman Arts, Classical Visual perception |
topic_facet | ART / History / Ancient & Classical Aesthetics, Roman Arts, Classical Visual perception |
url | https://doi.org/10.1515/9780691240244 |
work_keys_str_mv | AT elsnerjas romaneyesvisualityandsubjectivityinartandtext |