Athens at the Margins: Pottery and People in the Early Mediterranean World
How the interactions of nonelites influenced Athenian material culture and societyThe seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flo...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2022]
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Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
Zusammenfassung: | How the interactions of nonelites influenced Athenian material culture and societyThe seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves.Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts-cemeteries, sanctuaries, workshops, and symposia-offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art.Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 10. Jan 2022) |
Beschreibung: | 1 Online-Ressource (344 pages) 138 b/w illus., 16 color illus. (8-page insert) |
ISBN: | 9780691222660 |
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520 | |a How the interactions of nonelites influenced Athenian material culture and societyThe seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves.Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts-cemeteries, sanctuaries, workshops, and symposia-offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art.Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean | ||
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Datensatz im Suchindex
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author | Arrington, Nathan T. |
author_facet | Arrington, Nathan T. |
author_role | aut |
author_sort | Arrington, Nathan T. |
author_variant | n t a nt nta |
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dewey-hundreds | 700 - The arts |
dewey-ones | 738 - Ceramic arts |
dewey-raw | 738.30938/5 |
dewey-search | 738.30938/5 |
dewey-sort | 3738.30938 15 |
dewey-tens | 730 - Sculpture and related arts |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
format | Electronic eBook |
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spelling | Arrington, Nathan T. Verfasser aut Athens at the Margins Pottery and People in the Early Mediterranean World Nathan T. Arrington Princeton, NJ Princeton University Press [2022] © 2021 1 Online-Ressource (344 pages) 138 b/w illus., 16 color illus. (8-page insert) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 10. Jan 2022) How the interactions of nonelites influenced Athenian material culture and societyThe seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves.Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts-cemeteries, sanctuaries, workshops, and symposia-offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art.Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean In English HISTORY / Ancient / General bisacsh Pottery, Greek Greece Athens https://www.degruyter.com/isbn/9780691222660 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Arrington, Nathan T. Athens at the Margins Pottery and People in the Early Mediterranean World HISTORY / Ancient / General bisacsh Pottery, Greek Greece Athens |
title | Athens at the Margins Pottery and People in the Early Mediterranean World |
title_auth | Athens at the Margins Pottery and People in the Early Mediterranean World |
title_exact_search | Athens at the Margins Pottery and People in the Early Mediterranean World |
title_exact_search_txtP | Athens at the Margins Pottery and People in the Early Mediterranean World |
title_full | Athens at the Margins Pottery and People in the Early Mediterranean World Nathan T. Arrington |
title_fullStr | Athens at the Margins Pottery and People in the Early Mediterranean World Nathan T. Arrington |
title_full_unstemmed | Athens at the Margins Pottery and People in the Early Mediterranean World Nathan T. Arrington |
title_short | Athens at the Margins |
title_sort | athens at the margins pottery and people in the early mediterranean world |
title_sub | Pottery and People in the Early Mediterranean World |
topic | HISTORY / Ancient / General bisacsh Pottery, Greek Greece Athens |
topic_facet | HISTORY / Ancient / General Pottery, Greek Greece Athens |
url | https://www.degruyter.com/isbn/9780691222660 |
work_keys_str_mv | AT arringtonnathant athensatthemarginspotteryandpeopleintheearlymediterraneanworld |