Arvo Pärt: vaikusest sündinud
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Laulasmaa
Arvo Pärdi Keskus
2021
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Beschreibung: | 262 Seiten Illustrationen |
ISBN: | 9789949747023 |
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adam_text | SISU KORD 9 23 25 32 61 Sissejuhatus I. Lähenemisnurgad Vaimsus ja religioon Pardi vaimne haare Teksti roll 93 97 107 116 IL Vaikusest sündinud Vaikusele kaotatud muusika Vaikusest leitud muusika Kõrvalepõige: vaikus traditsioonis 155 164 200 IIL Helge kurbus Helge kurbus traditsioonis Helge kurbus Arvo Pärdi muusikas 218 223 255 Conclusio Lisad Allikad
ALLIKAD Athanasius of Alexandria. Letter to Marcellinus. - Athana sius: The Life ofAntony and the Letter to Marcellinus. Toim Robert C. Gregg. New York: Paulist, 1980. Batuman, Elif. The Bells: How Harvard Helped Preserve a Russian Legacy. - The New Yorker, 27. IV 2009. Beauchamp, Paul. Création et séparation: Etude exégétique du chapitre premier de la Genèse. (Lectio Divina.) Paris: Cerf, 2005 [1969]. Begbie, Jeremy S. Resounding Truth: Christian Wisdom in the World ofMusic. (Engaging Culture.) Grand Rapids, MI: Baker Academic, 2007. Bostonia, Marguerite. Bells as Inspiration for Tintinnabu lation. — The Cambridge Companion to Arvo Part. Toim Andrew Shenton. Cambridge: Cambridge University Press, 2012,128-139. Bouteneff, Peter C. Beginnings: Ancient Christian Readings of the Biblical Creation Narratives. Grand Rapids, MI: Baker Academic, 2008. 255
Bouteneff, Peter C. Christ and Salvation. - The Cambridge Companion to Orthodox Christian Theology. Toim Mary B. Cunningham ja Elizabeth Theokritoff. Cambridge: Cambridge University Press, 2008, 93-106. Bouteneff, Peter C. Salvestatud intervjuu Arvo ja Nora Pärdiga. Laulasmaa, 2014, avaldamata. Bouteneff, Peter C. Sweeter Than Honey: Orthodox Thinking on Dogma and Truth. (Foundations Series.) Crestwood, NY: St Vladimirs Seminary Press, 2006. Brauneiss, Leopold. Musical Archetypes: The Basic Elements of the Tintinnabuli Style. - The Cambridge Companion to Arvo Pärt. Toim Andrew Shenton. Cambridge: Cambridge University Press, 2012,49-75. Brauneiss, Leopold. Tintinnabuli: An Introduction. - Arvo Pärt in Conversation. Koost Enzo Restagno, tõlk Robert Crow. Champaign, IL: Dalkey Archive, 2012, 109-162. Brauneiss, Leopold. The Unification of Opposites: The Tin tinnabuli Style in the Light of the Philosophy of Nicolaus Cusanus. - Music and Literature 1, 2012, nr 1, 53-60. Brueggemann, Walter. The Formfulness of Grief. - Interpre tation 31, 1977, 263-275. Brueggemann, Walter. From Hurt to Joy, from Death to Life. - Interpretation 28,1974,3-19. Carrette, Jeremy, Richard King. Selling Spirituality: The Silent Takeover ofReligion. Abingdon, UK: Routledge, 2005. Clarke, David. Parting Glances: Aesthetic Solace or Act of Complicity? - Musical Times 134, 1993, nr 1810, 680- 684. 256 ALLIKAD
Cubitt, Sean. The Practice ofLight: A Genealogy of Visual Technologiesfrom Prints to Pixels. (The Leonardo Series.) Cambridge, MA: Massachusetts Institute of Technology, 2014. Davis, Ellen F. Exploding the Limits: Form and Function in Psalm 22. - Journal for the Study of the Old Testament 53,1992,93-105. Demacopoulos, George, Aristotle Papanikolaou, toim. Ortho dox Constructions ofthe West. (Orthodox Christianity and Contemporary Thought.) New York: Fordham University Press, 2013. Dolp, Laura. Arvo Pärt in the Marketplace. - The Cambridge Companion to Arvo Part. Toim Andrew Shenton. Cam bridge: Cambridge University Press, 2012, 177-192. Douglas, Mary. Purity and Danger: An Analysis ofConcepts of Pollution and Taboo. London: Routledge, 1966. Drozzina, Sasha. The Music of Arvo Part at Koerner Hall. http://bachtrack.com/review-toronto-arvo-part . Durkheim, Emil. The Elementary Forms ofReligious Life. Tõlk Carol Edelman. Oxford: Oxford University Press, 2001 [1912]. Eliade, Mircea. The Sacred and the Profane: The Nature of Religion. Tõlk Willard R. Trask. New York: Harcourt Brace, 1959. Elste, Martin. An Interview with Arvo Part. - Fanfare 11, 1988, märts/aprill, 337-341. Fisk, Josiah. The New Simplicity: The Music of Gorecki, Tavener, and Pärt. - The Hudson Review 47, 1994, nr 3, 394-412. 257
Harmless, William. Desert Christians: An Introduction to the Literature ofEarly Monasticism. Oxford: Oxford Univer sity Press, 2004. Hart, David Bentley. The Beauty ofthe Infinite: The Aesthetics ofChristian Truth. Grand Rapids, MI: Eerdmans, 2003. Hillier, Paul. Arvo Part. (Oxford Studies of Composers.) Ox ford: Oxford University Press, 1997. Норко, Thomas. The Trinity in the Cappadocians. - Christian Spirituality: Origins to the Twelfth Century. Toim Bernard McGinn ja John Meyendorff. New York: Crossroad, 1987, 260-275. Johnson, Christopher D. L. The Globalization ofHesychasm and the Jesus Prayer: Contesting Contemplation. (Con tinuum Advances in Religion.) New York ja London: Continuum, 2010. Johnson, Christopher D. L. ‘He Has Made the Dry Bones Live’: Orientalisms Attempted Resuscitation of Eastern Christianity. - Journal of the American Academy of Re ligion 82, 2014, nr 3, 811-840. Kelman, John. Manfred Eicher: Through the Lens. - All About Jazz, 31. X 2011. Körver, Kristina, Kai Kutman, Hedi Rosma, toim. In Principio: The Word in Arvo Part’s Music. Laulasmaa, Estonia: Arvo Pärt Centre, 2014. Lewis, C. S. The Screwtape Letters. San Francisco, CA: Harper Collins, 2001 [1941]. 258 ALLIKAD
Lingas, Alexander. From Earth to Heaven: The Changing Soundscape of Byzantine Liturgy. - Experiencing Byzan tium: Papersfrom the 44th Spring Symposium ofByzantine Studies, Newcastle and Durham, April 2011.Toim Claire Nesbitt ja Mark Jackson. (Society for the Promotion of Byzantine Studies Publications.) Aidershot: Ashgate, 2013,311-358. Lingas, Alexander. Preliminary Reflections on Studying the Liturgical Place of Byzantine and Slavonic Melismatic Chant. - Paleobyzantine Notations III: Acta ofthe Congress HeldatHernen Castle, the Netherlands, in March 2001. Toim Gerda Wolfram. (Eastern Christian Studies.) Leuven, Paris ja Dudley, MA: Peeters, 2004, 147-155. Lubow, Arthur. Arvo Part: The Sound of Spirit. - The New York Times Magazine, 15. X 2010. Luibheid, Colm, Norman Russell, toim, tõlk. John Climacus: The Ladder ofDivine Ascent. (Classics of Western Spiri tuality.) New Jersey: Paulist, 1982. Luptakova, Marina. The Nature and Origin of Evil According to the Eastern Christian Church. - The Ethics of Terrorism: Innovative Approachesfrom an International Perspective. Toim Yakov Gilinskiy, Thomas Albert Gilly, Vladimir A. Sergevnin. Springfield, IL: Charles Thomas, 2009, 218-223. MacMillan, James. Divine Accompaniment. - The Guardian, 18. VII 2003. Maimets-Volt, Kaire. Mediating the ‘Idea of One’: Arvo Pärt’s Pre-Existing Film Music. Estonian Academy of Music and Theatre, 2009. Mattner, Lothar. Arvo Pärt: Tabula Rasa. - Music and Litera ture 1,2012, nr 1,29-52. 259
McKinnon, James, toim. Music in Early Christian Literature. Cambridge, UK: Cambridge University Press, 1987. Mellers, Wilfrid. Arvo Pärt, God and Gospel: Passio Domini Nostri lesu Christi Secundum lohannem [Sic]. - Contem porary Music Review 12,1995, nr 2, 35-48. Mellers, Wilfrid. Celestial Music? Some Masterpieces ofEuro pean Religious Music. Woodbridge, UK: Boydell, 2002. Merton, Thomas. Philosophy of Solitude. - Disputed Ques tions. New York: Farrar, Straus Cudahy, I960. Moody, Ivan. Modernism and Orthodox Spirituality in Con temporary Afz/rzc. Joensuu, Finland: International Society for Orthodox Church Music, 2014. Moody, Rick. On Celestial Music, and Other Adventures in Listening. New York: Little, Brown Co, 2012. Miiller, Lars. ACM; Sleeves ofDesire:A Cover Story. Princeton: Princeton Architectural Press, 1996. Miiller, Lars. Windfall Light: The Visual Language ofECM. Zürich: Lars Müller Publishers, 2010. Nestor, Siim. Arvo Pärt: „Ju me siis salaja...“. - Eesti Ekspress, 11.1X2010. The New Grove Dictionary ofMusic and Musicians. 20 kd. London: Macmillan, 1980. Ng, David. When Classical Music Masterpieces Become Soundtrack Clichés. - Culture Monster. Los Angeles: Los Angeles Times, 2008. Nouwen, Henri. The Way ofthe Heart: Desert Spirituality and Contemporary Ministry. San Francisco, CA: Harper Row, 1981. 260 ALLIKAD
Restagno, Enzo, Leopold Brauneiss, Saale Kareda, Arvo Pärt. Arvo Partin Conversation. Tõlk Robert Crow. Cham paign, IL: Dalkey Archive, 2012. [Tõlgitud teosest: Arvo Pärt im Gespräch. Vienna: Universal Editions AG, 2010.] Ricoeur, Paul. On Translation. Tõlk Eileen Brennan. London New York: Routledge, 2006. Ricoeur, Paul, André LaCocque. Thinking Biblically: Exegetical and Hermeneutical Studies. Chicago: University of Chicago, 2003. Robin, William. His Music, Entwined with His Faith. - The New York Times, 16. V 2014. Ross, Alex. Consolations: The Uncanny Voice of Arvo Pärt. - The New Yorker, 2. XII2002. Sakharov, Archimandrite Sophrony. Saint Silouan theAthonite. Tõlk Rosemary Edmonds. Crestwood, NY: St Vla dimir’s Seminary Press, 1999 [1991]. Sakharov, Nicholas V. I Love Therefore I Am: The Theological Legacy ofArchimandrite Sophrony. Crestwood, NY: St Vladimir s Seminary Press, 2002. Saler, Robert C. Between Magisterium and Marketplace: A Constructive Account of Theology and the Church. (Emerg ing Scholars.) Minneapolis, MN: Fortress, 2014. Savaii, Jordi. A Conversation with Arvo Pärt. - Music and Literature 1, 2012, nr 1,7-14. Schmemann, Alexander. Great Lent: Journey to Pascha, pa randatud trükk. Crestwood, NY: St Vladimir s Seminary Press, 1974. Schmemann, Alexander. Introduction to Liturgical Theology. Crestwood, NY: St Vladimir’s Seminary Press, 1975. 261
Schoenberg, Arnold. The Relationship to the Text. - Style and Idea: Selected Writings ofArnold Schoenberg. Toim Leonard Stein. Berkeley, CA: University of California Press, 1984 [1912], 141-145. Shenton, Andrew, toim. The Cambridge Companion to Arvo Part. Cambridge: Cambridge University Press, 2012. Sholl, Robert. Arvo Pärt and Spirituality. - The Cambridge Companion to Arvo Part. Toim Andrew Shenton. Cam bridge: Cambridge University Press, 2012, 140-158. Sloane, Robert. Tensions between Popular and Alternative Music: R.E.M. as an Artist-Intellectual. -A Companion to Media Studies. Toim Angharad N. Valdivia. Oxford: Blackwell, 2003,72-92. Smith, Geoff. Sources of Invention: An Interview with Arvo Part. - The Musical Times 140, 1999 sügis, nr 1868, 19-25. Supin, Dorian. 24prelüüdi ühelefuugale 124 Preludesfor a Fugue. Dokumentaalfilm. 87’, 2002. Taves, Ann. Religious Experience Reconsidered: A BuildingBlock Approach to the Study ofReligion and Other Special Things. Princeton, NJ: Princeton University Press, 2009. Taylor, Charles. A Secular Age. Cambridge, MA: Belknap / Harvard University Press, 2007. Ward, Benedicta. The Sayings ofthe Desert Fathers: The Al phabetical Collection. London: Mowbray, 1975. Wigley, Samuel. Is It Time to Give Pärt a Rest ? - Film Blog. The Guardian, 2008. Wortley, John, tõlk. Give Me a Word: The Alphabetical Sayings ofthe Desert Fathers. (Popular Patristics Series 52.) Yonkers, NY: St Vladimir’s Seminary Press, 2014. 262 ALLIKAD
Zacharias, Archimandrite. The Enlargement ofthe Heart : “Be Ye Also Enlarged” (2 Corinthians 6:13) in the Theology of Saint Silouan the Athonite and Elder Sophrony ofEssex. South Canaan, PA: Mount Thabor Publishing, 2006.
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adam_txt |
SISU KORD 9 23 25 32 61 Sissejuhatus I. Lähenemisnurgad Vaimsus ja religioon Pardi vaimne haare Teksti roll 93 97 107 116 IL Vaikusest sündinud Vaikusele kaotatud muusika Vaikusest leitud muusika Kõrvalepõige: vaikus traditsioonis 155 164 200 IIL Helge kurbus Helge kurbus traditsioonis Helge kurbus Arvo Pärdi muusikas 218 223 255 Conclusio Lisad Allikad
ALLIKAD Athanasius of Alexandria. Letter to Marcellinus. - Athana sius: The Life ofAntony and the Letter to Marcellinus. Toim Robert C. Gregg. New York: Paulist, 1980. Batuman, Elif. The Bells: How Harvard Helped Preserve a Russian Legacy. - The New Yorker, 27. IV 2009. Beauchamp, Paul. Création et séparation: Etude exégétique du chapitre premier de la Genèse. (Lectio Divina.) Paris: Cerf, 2005 [1969]. Begbie, Jeremy S. Resounding Truth: Christian Wisdom in the World ofMusic. (Engaging Culture.) Grand Rapids, MI: Baker Academic, 2007. Bostonia, Marguerite. Bells as Inspiration for Tintinnabu lation. — The Cambridge Companion to Arvo Part. Toim Andrew Shenton. Cambridge: Cambridge University Press, 2012,128-139. Bouteneff, Peter C. Beginnings: Ancient Christian Readings of the Biblical Creation Narratives. Grand Rapids, MI: Baker Academic, 2008. 255
Bouteneff, Peter C. Christ and Salvation. - The Cambridge Companion to Orthodox Christian Theology. Toim Mary B. Cunningham ja Elizabeth Theokritoff. Cambridge: Cambridge University Press, 2008, 93-106. Bouteneff, Peter C. Salvestatud intervjuu Arvo ja Nora Pärdiga. Laulasmaa, 2014, avaldamata. Bouteneff, Peter C. Sweeter Than Honey: Orthodox Thinking on Dogma and Truth. (Foundations Series.) Crestwood, NY: St Vladimirs Seminary Press, 2006. Brauneiss, Leopold. Musical Archetypes: The Basic Elements of the Tintinnabuli Style. - The Cambridge Companion to Arvo Pärt. Toim Andrew Shenton. Cambridge: Cambridge University Press, 2012,49-75. Brauneiss, Leopold. Tintinnabuli: An Introduction. - Arvo Pärt in Conversation. Koost Enzo Restagno, tõlk Robert Crow. Champaign, IL: Dalkey Archive, 2012, 109-162. Brauneiss, Leopold. The Unification of Opposites: The Tin tinnabuli Style in the Light of the Philosophy of Nicolaus Cusanus. - Music and Literature 1, 2012, nr 1, 53-60. Brueggemann, Walter. The Formfulness of Grief. - Interpre tation 31, 1977, 263-275. Brueggemann, Walter. From Hurt to Joy, from Death to Life. - Interpretation 28,1974,3-19. Carrette, Jeremy, Richard King. Selling Spirituality: The Silent Takeover ofReligion. Abingdon, UK: Routledge, 2005. Clarke, David. Parting Glances: Aesthetic Solace or Act of Complicity? - Musical Times 134, 1993, nr 1810, 680- 684. 256 ALLIKAD
Cubitt, Sean. The Practice ofLight: A Genealogy of Visual Technologiesfrom Prints to Pixels. (The Leonardo Series.) Cambridge, MA: Massachusetts Institute of Technology, 2014. Davis, Ellen F. Exploding the Limits: Form and Function in Psalm 22. - Journal for the Study of the Old Testament 53,1992,93-105. Demacopoulos, George, Aristotle Papanikolaou, toim. Ortho dox Constructions ofthe West. (Orthodox Christianity and Contemporary Thought.) New York: Fordham University Press, 2013. Dolp, Laura. Arvo Pärt in the Marketplace. - The Cambridge Companion to Arvo Part. Toim Andrew Shenton. Cam bridge: Cambridge University Press, 2012, 177-192. Douglas, Mary. Purity and Danger: An Analysis ofConcepts of Pollution and Taboo. London: Routledge, 1966. Drozzina, Sasha. The Music of Arvo Part at Koerner Hall. http://bachtrack.com/review-toronto-arvo-part . Durkheim, Emil. The Elementary Forms ofReligious Life. Tõlk Carol Edelman. Oxford: Oxford University Press, 2001 [1912]. Eliade, Mircea. The Sacred and the Profane: The Nature of Religion. Tõlk Willard R. Trask. New York: Harcourt Brace, 1959. Elste, Martin. An Interview with Arvo Part. - Fanfare 11, 1988, märts/aprill, 337-341. Fisk, Josiah. The New Simplicity: The Music of Gorecki, Tavener, and Pärt. - The Hudson Review 47, 1994, nr 3, 394-412. 257
Harmless, William. Desert Christians: An Introduction to the Literature ofEarly Monasticism. Oxford: Oxford Univer sity Press, 2004. Hart, David Bentley. The Beauty ofthe Infinite: The Aesthetics ofChristian Truth. Grand Rapids, MI: Eerdmans, 2003. Hillier, Paul. Arvo Part. (Oxford Studies of Composers.) Ox ford: Oxford University Press, 1997. Норко, Thomas. The Trinity in the Cappadocians. - Christian Spirituality: Origins to the Twelfth Century. Toim Bernard McGinn ja John Meyendorff. New York: Crossroad, 1987, 260-275. Johnson, Christopher D. L. The Globalization ofHesychasm and the Jesus Prayer: Contesting Contemplation. (Con tinuum Advances in Religion.) New York ja London: Continuum, 2010. Johnson, Christopher D. L. ‘He Has Made the Dry Bones Live’: Orientalisms Attempted Resuscitation of Eastern Christianity. - Journal of the American Academy of Re ligion 82, 2014, nr 3, 811-840. Kelman, John. Manfred Eicher: Through the Lens. - All About Jazz, 31. X 2011. Körver, Kristina, Kai Kutman, Hedi Rosma, toim. In Principio: The Word in Arvo Part’s Music. Laulasmaa, Estonia: Arvo Pärt Centre, 2014. Lewis, C. S. The Screwtape Letters. San Francisco, CA: Harper Collins, 2001 [1941]. 258 ALLIKAD
Lingas, Alexander. From Earth to Heaven: The Changing Soundscape of Byzantine Liturgy. - Experiencing Byzan tium: Papersfrom the 44th Spring Symposium ofByzantine Studies, Newcastle and Durham, April 2011.Toim Claire Nesbitt ja Mark Jackson. (Society for the Promotion of Byzantine Studies Publications.) Aidershot: Ashgate, 2013,311-358. Lingas, Alexander. Preliminary Reflections on Studying the Liturgical Place of Byzantine and Slavonic Melismatic Chant. - Paleobyzantine Notations III: Acta ofthe Congress HeldatHernen Castle, the Netherlands, in March 2001. Toim Gerda Wolfram. (Eastern Christian Studies.) Leuven, Paris ja Dudley, MA: Peeters, 2004, 147-155. Lubow, Arthur. Arvo Part: The Sound of Spirit. - The New York Times Magazine, 15. X 2010. Luibheid, Colm, Norman Russell, toim, tõlk. John Climacus: The Ladder ofDivine Ascent. (Classics of Western Spiri tuality.) New Jersey: Paulist, 1982. Luptakova, Marina. The Nature and Origin of Evil According to the Eastern Christian Church. - The Ethics of Terrorism: Innovative Approachesfrom an International Perspective. Toim Yakov Gilinskiy, Thomas Albert Gilly, Vladimir A. Sergevnin. Springfield, IL: Charles Thomas, 2009, 218-223. MacMillan, James. Divine Accompaniment. - The Guardian, 18. VII 2003. Maimets-Volt, Kaire. Mediating the ‘Idea of One’: Arvo Pärt’s Pre-Existing Film Music. Estonian Academy of Music and Theatre, 2009. Mattner, Lothar. Arvo Pärt: Tabula Rasa. - Music and Litera ture 1,2012, nr 1,29-52. 259
McKinnon, James, toim. Music in Early Christian Literature. Cambridge, UK: Cambridge University Press, 1987. Mellers, Wilfrid. Arvo Pärt, God and Gospel: Passio Domini Nostri lesu Christi Secundum lohannem [Sic]. - Contem porary Music Review 12,1995, nr 2, 35-48. Mellers, Wilfrid. Celestial Music? Some Masterpieces ofEuro pean Religious Music. Woodbridge, UK: Boydell, 2002. Merton, Thomas. Philosophy of Solitude. - Disputed Ques tions. New York: Farrar, Straus Cudahy, I960. Moody, Ivan. Modernism and Orthodox Spirituality in Con temporary Afz/rzc. Joensuu, Finland: International Society for Orthodox Church Music, 2014. Moody, Rick. On Celestial Music, and Other Adventures in Listening. New York: Little, Brown Co, 2012. Miiller, Lars. ACM; Sleeves ofDesire:A Cover Story. Princeton: Princeton Architectural Press, 1996. Miiller, Lars. Windfall Light: The Visual Language ofECM. Zürich: Lars Müller Publishers, 2010. Nestor, Siim. Arvo Pärt: „Ju me siis salaja.“. - Eesti Ekspress, 11.1X2010. The New Grove Dictionary ofMusic and Musicians. 20 kd. London: Macmillan, 1980. Ng, David. When Classical Music Masterpieces Become Soundtrack Clichés. - Culture Monster. Los Angeles: Los Angeles Times, 2008. Nouwen, Henri. The Way ofthe Heart: Desert Spirituality and Contemporary Ministry. San Francisco, CA: Harper Row, 1981. 260 ALLIKAD
Restagno, Enzo, Leopold Brauneiss, Saale Kareda, Arvo Pärt. Arvo Partin Conversation. Tõlk Robert Crow. Cham paign, IL: Dalkey Archive, 2012. [Tõlgitud teosest: Arvo Pärt im Gespräch. Vienna: Universal Editions AG, 2010.] Ricoeur, Paul. On Translation. Tõlk Eileen Brennan. London New York: Routledge, 2006. Ricoeur, Paul, André LaCocque. Thinking Biblically: Exegetical and Hermeneutical Studies. Chicago: University of Chicago, 2003. Robin, William. His Music, Entwined with His Faith. - The New York Times, 16. V 2014. Ross, Alex. Consolations: The Uncanny Voice of Arvo Pärt. - The New Yorker, 2. XII2002. Sakharov, Archimandrite Sophrony. Saint Silouan theAthonite. Tõlk Rosemary Edmonds. Crestwood, NY: St Vla dimir’s Seminary Press, 1999 [1991]. Sakharov, Nicholas V. I Love Therefore I Am: The Theological Legacy ofArchimandrite Sophrony. Crestwood, NY: St Vladimir's Seminary Press, 2002. Saler, Robert C. Between Magisterium and Marketplace: A Constructive Account of Theology and the Church. (Emerg ing Scholars.) Minneapolis, MN: Fortress, 2014. Savaii, Jordi. A Conversation with Arvo Pärt. - Music and Literature 1, 2012, nr 1,7-14. Schmemann, Alexander. Great Lent: Journey to Pascha, pa randatud trükk. Crestwood, NY: St Vladimir s Seminary Press, 1974. Schmemann, Alexander. Introduction to Liturgical Theology. Crestwood, NY: St Vladimir’s Seminary Press, 1975. 261
Schoenberg, Arnold. The Relationship to the Text. - Style and Idea: Selected Writings ofArnold Schoenberg. Toim Leonard Stein. Berkeley, CA: University of California Press, 1984 [1912], 141-145. Shenton, Andrew, toim. The Cambridge Companion to Arvo Part. Cambridge: Cambridge University Press, 2012. Sholl, Robert. Arvo Pärt and Spirituality. - The Cambridge Companion to Arvo Part. Toim Andrew Shenton. Cam bridge: Cambridge University Press, 2012, 140-158. Sloane, Robert. Tensions between Popular and Alternative Music: R.E.M. as an Artist-Intellectual. -A Companion to Media Studies. Toim Angharad N. Valdivia. Oxford: Blackwell, 2003,72-92. Smith, Geoff. Sources of Invention: An Interview with Arvo Part. - The Musical Times 140, 1999 sügis, nr 1868, 19-25. Supin, Dorian. 24prelüüdi ühelefuugale 124 Preludesfor a Fugue. Dokumentaalfilm. 87’, 2002. Taves, Ann. Religious Experience Reconsidered: A BuildingBlock Approach to the Study ofReligion and Other Special Things. Princeton, NJ: Princeton University Press, 2009. Taylor, Charles. A Secular Age. Cambridge, MA: Belknap / Harvard University Press, 2007. Ward, Benedicta. The Sayings ofthe Desert Fathers: The Al phabetical Collection. London: Mowbray, 1975. Wigley, Samuel. Is It Time to Give Pärt a Rest ? - Film Blog. The Guardian, 2008. Wortley, John, tõlk. Give Me a Word: The Alphabetical Sayings ofthe Desert Fathers. (Popular Patristics Series 52.) Yonkers, NY: St Vladimir’s Seminary Press, 2014. 262 ALLIKAD
Zacharias, Archimandrite. The Enlargement ofthe Heart : “Be Ye Also Enlarged” (2 Corinthians 6:13) in the Theology of Saint Silouan the Athonite and Elder Sophrony ofEssex. South Canaan, PA: Mount Thabor Publishing, 2006. |
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id | DE-604.BV047696621 |
illustrated | Illustrated |
index_date | 2024-07-03T18:57:49Z |
indexdate | 2024-07-10T09:19:24Z |
institution | BVB |
isbn | 9789949747023 |
language | Estonian |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033080601 |
oclc_num | 1422344567 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 262 Seiten Illustrationen |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Arvo Pärdi Keskus |
record_format | marc |
spelling | Bouteneff, Peter C. Verfasser (DE-588)136505511 aut Arvo Pärt vaikusest sündinud Peter C. Bouteneff ; tõlkinud Marrit Andrejeva Laulasmaa Arvo Pärdi Keskus 2021 262 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Pärt, Arvo 1935- (DE-588)119359979 gnd rswk-swf Religion (DE-588)4049396-9 gnd rswk-swf Spiritualität (DE-588)4116568-8 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Orthodoxe Kirche (DE-588)4043912-4 gnd rswk-swf Pärt, Arvo 1935- (DE-588)119359979 p Orthodoxe Kirche (DE-588)4043912-4 s Religion (DE-588)4049396-9 s DE-604 Komposition Musik (DE-588)4133320-2 s Spiritualität (DE-588)4116568-8 s Andrejeva, Marrit trl Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033080601&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033080601&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis |
spellingShingle | Bouteneff, Peter C. Arvo Pärt vaikusest sündinud Pärt, Arvo 1935- (DE-588)119359979 gnd Religion (DE-588)4049396-9 gnd Spiritualität (DE-588)4116568-8 gnd Komposition Musik (DE-588)4133320-2 gnd Orthodoxe Kirche (DE-588)4043912-4 gnd |
subject_GND | (DE-588)119359979 (DE-588)4049396-9 (DE-588)4116568-8 (DE-588)4133320-2 (DE-588)4043912-4 |
title | Arvo Pärt vaikusest sündinud |
title_auth | Arvo Pärt vaikusest sündinud |
title_exact_search | Arvo Pärt vaikusest sündinud |
title_exact_search_txtP | Arvo Pärt vaikusest sündinud |
title_full | Arvo Pärt vaikusest sündinud Peter C. Bouteneff ; tõlkinud Marrit Andrejeva |
title_fullStr | Arvo Pärt vaikusest sündinud Peter C. Bouteneff ; tõlkinud Marrit Andrejeva |
title_full_unstemmed | Arvo Pärt vaikusest sündinud Peter C. Bouteneff ; tõlkinud Marrit Andrejeva |
title_short | Arvo Pärt |
title_sort | arvo part vaikusest sundinud |
title_sub | vaikusest sündinud |
topic | Pärt, Arvo 1935- (DE-588)119359979 gnd Religion (DE-588)4049396-9 gnd Spiritualität (DE-588)4116568-8 gnd Komposition Musik (DE-588)4133320-2 gnd Orthodoxe Kirche (DE-588)4043912-4 gnd |
topic_facet | Pärt, Arvo 1935- Religion Spiritualität Komposition Musik Orthodoxe Kirche |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033080601&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033080601&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT bouteneffpeterc arvopartvaikusestsundinud AT andrejevamarrit arvopartvaikusestsundinud |