Radium of the word: a poetics of materiality
The prosaic imagination -- The onomastic imagination -- The logic of the work (on P. Inman) -- The logic of print (on Russell Atkins) -- The logic of spacing (on N.H. Pritchard) -- The logic of registration (on Andy Warhol).
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Chicago ; London
University of Chicago Press
2020
|
Schriftenreihe: | Thinking literature
|
Schlagworte: | |
Zusammenfassung: | The prosaic imagination -- The onomastic imagination -- The logic of the work (on P. Inman) -- The logic of print (on Russell Atkins) -- The logic of spacing (on N.H. Pritchard) -- The logic of registration (on Andy Warhol). "The artist Edgar Degas once wrote to his friend the poet Stephane Mallarme to complain that he could never write a satisfactory poem, even though he was full of ideas. "My dear Degas," Mallarme replied, "one doesn't write poetry with ideas; one writes poetry with words." Mallarme's point about the materiality of language, self-evident though it may be, is one that people who care about poetry often forget, and that Craig Dworkin underscores with fresh insight and contemporary relevance. A highly regarded critic and conceptual poet, Dworkin argues that an attention to the material form of language yields meanings otherwise inaccessible through ordinary reading strategies. Attending above all to the forms of words rather than to their denotations, Dworkin traces otherwise hidden networks across the surface of texts and reveals patterns that can be significant without being symbolic-fully meaningful without communicating any preordained message. He considers prose as a dynamic literary form, with examples from writers as diverse as Lyn Hejinian, William Faulkner, and Joseph Roth. He takes up the status of the proper name in Modernism, with examples from Gertrude Stein, Mina Loy, and Guillaume Apolliniare. And he offers in-depth analyses of individual authors from the counter-canon of the avant-garde: P. Inman, Russell Atkins, N . H. Pritchard, and Andy Warhol. The result is an inspiring intervention in contemporary poetics"-- |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | 250 Seiten Illustrationen |
ISBN: | 9780226743424 9780226743561 |
Internformat
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520 | 3 | |a "The artist Edgar Degas once wrote to his friend the poet Stephane Mallarme to complain that he could never write a satisfactory poem, even though he was full of ideas. "My dear Degas," Mallarme replied, "one doesn't write poetry with ideas; one writes poetry with words." Mallarme's point about the materiality of language, self-evident though it may be, is one that people who care about poetry often forget, and that Craig Dworkin underscores with fresh insight and contemporary relevance. A highly regarded critic and conceptual poet, Dworkin argues that an attention to the material form of language yields meanings otherwise inaccessible through ordinary reading strategies. Attending above all to the forms of words rather than to their denotations, Dworkin traces otherwise hidden networks across the surface of texts and reveals patterns that can be significant without being symbolic-fully meaningful without communicating any preordained message. He considers prose as a dynamic literary form, with examples from writers as diverse as Lyn Hejinian, William Faulkner, and Joseph Roth. He takes up the status of the proper name in Modernism, with examples from Gertrude Stein, Mina Loy, and Guillaume Apolliniare. And he offers in-depth analyses of individual authors from the counter-canon of the avant-garde: P. Inman, Russell Atkins, N . H. Pritchard, and Andy Warhol. The result is an inspiring intervention in contemporary poetics"-- | |
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Datensatz im Suchindex
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author_GND | (DE-588)101591151X |
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callnumber-search | PN1042 |
callnumber-sort | PN 41042 |
callnumber-subject | PN - General Literature |
classification_rvk | HU 1760 |
ctrlnum | (OCoLC)1298744508 (DE-599)KXP1696801419 |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
format | Book |
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id | DE-604.BV047696141 |
illustrated | Illustrated |
index_date | 2024-07-03T18:57:40Z |
indexdate | 2024-07-10T09:19:23Z |
institution | BVB |
isbn | 9780226743424 9780226743561 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033080129 |
oclc_num | 1298744508 |
open_access_boolean | |
owner | DE-11 DE-29 |
owner_facet | DE-11 DE-29 |
physical | 250 Seiten Illustrationen |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | University of Chicago Press |
record_format | marc |
series2 | Thinking literature |
spelling | Dworkin, Craig 1969- Verfasser (DE-588)101591151X aut Radium of the word a poetics of materiality Craig Dworkin Chicago ; London University of Chicago Press 2020 250 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Thinking literature Includes bibliographical references and index The prosaic imagination -- The onomastic imagination -- The logic of the work (on P. Inman) -- The logic of print (on Russell Atkins) -- The logic of spacing (on N.H. Pritchard) -- The logic of registration (on Andy Warhol). "The artist Edgar Degas once wrote to his friend the poet Stephane Mallarme to complain that he could never write a satisfactory poem, even though he was full of ideas. "My dear Degas," Mallarme replied, "one doesn't write poetry with ideas; one writes poetry with words." Mallarme's point about the materiality of language, self-evident though it may be, is one that people who care about poetry often forget, and that Craig Dworkin underscores with fresh insight and contemporary relevance. A highly regarded critic and conceptual poet, Dworkin argues that an attention to the material form of language yields meanings otherwise inaccessible through ordinary reading strategies. Attending above all to the forms of words rather than to their denotations, Dworkin traces otherwise hidden networks across the surface of texts and reveals patterns that can be significant without being symbolic-fully meaningful without communicating any preordained message. He considers prose as a dynamic literary form, with examples from writers as diverse as Lyn Hejinian, William Faulkner, and Joseph Roth. He takes up the status of the proper name in Modernism, with examples from Gertrude Stein, Mina Loy, and Guillaume Apolliniare. And he offers in-depth analyses of individual authors from the counter-canon of the avant-garde: P. Inman, Russell Atkins, N . H. Pritchard, and Andy Warhol. The result is an inspiring intervention in contemporary poetics"-- Literarischer Stil (DE-588)4074271-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Poetics Literary style Literatur (DE-588)4035964-5 s Literarischer Stil (DE-588)4074271-4 s DE-604 Erscheint auch als Online-Ausgabe 978-0-226-74373-8 |
spellingShingle | Dworkin, Craig 1969- Radium of the word a poetics of materiality Literarischer Stil (DE-588)4074271-4 gnd Literatur (DE-588)4035964-5 gnd |
subject_GND | (DE-588)4074271-4 (DE-588)4035964-5 |
title | Radium of the word a poetics of materiality |
title_auth | Radium of the word a poetics of materiality |
title_exact_search | Radium of the word a poetics of materiality |
title_exact_search_txtP | Radium of the word a poetics of materiality |
title_full | Radium of the word a poetics of materiality Craig Dworkin |
title_fullStr | Radium of the word a poetics of materiality Craig Dworkin |
title_full_unstemmed | Radium of the word a poetics of materiality Craig Dworkin |
title_short | Radium of the word |
title_sort | radium of the word a poetics of materiality |
title_sub | a poetics of materiality |
topic | Literarischer Stil (DE-588)4074271-4 gnd Literatur (DE-588)4035964-5 gnd |
topic_facet | Literarischer Stil Literatur |
work_keys_str_mv | AT dworkincraig radiumofthewordapoeticsofmateriality |