The Art Collector's Handbook: The Definitive Guide to Acquiring and Owning Art
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago
Lund Humphries
2020
|
| Schlagworte: | |
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| Beschreibung: | 1 online resource (265 pages) |
| ISBN: | 9781848224025 |
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| 245 | 1 | 0 | |a The Art Collector's Handbook |b The Definitive Guide to Acquiring and Owning Art |
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| 505 | 8 | |a Front Cover -- Title Page -- Copyright -- Half Title -- Contents -- Contents -- Preface -- Acknowledgments -- Part One: Collection Building -- 1. Acquisition -- Markets, Sources, Approaches -- What to Collect? -- Buying from Art Dealers -- Art Fairs -- Buying Art at Auction -- Buying Art Online -- Art Advisors, other Intermediaries and Related Conflicts -- Studio Visits -- Commissioning a Work of Art -- New Technology Digital Art -- Buying Art with Others -- Restrictions and Additional Expenses -- Restrictions -- Taxes -- Due Diligence -- Caveat Emptor: An Opaque Marketplace -- Provenance -- Condition -- Title -- Authenticity -- Blockchain -- Moral Rights and Intellectual Property Rights -- Ascertaining Value at Time of Purchase -- Following the Market -- Part Two: Establishing the Scope and Value of a Collection -- 2. Inventory Management -- Collection Management Systems -- Files -- CMS Options: Excel, Software, and Relational Databases -- CMS Options: Web-Based Systems -- Reports -- Costs and Service -- Cataloguing a Collection -- Cataloguing Checklist -- The Importance of Consistency -- What is "Art" for Cataloguing Purposes? -- Outsourcing Inventory Management -- 3. Valuation -- Valuation v. Appraisal -- Choosing an Appraiser -- Alternative Sources for Valuation -- What Kind of Value? -- Valuation Factors -- Authenticity -- Quality -- Rarity -- Prints and Multiples -- Condition -- Provenance -- Publications and Exhibition History -- Geographical Context -- Size -- Other Factors -- Approaches to Valuation -- When Are Appraisals Needed? -- How Often Should Value Be Assessed? -- Appraising an Entire Collection -- Valuation Methodology and Reports -- Costs -- Self-Assessing Value -- Part Three: Collection Management -- 4. Insurance -- Fundamentals -- The Policy -- The Broker -- The Carrier -- Art Insurance | |
| 505 | 8 | |a What is "Art" for the Purposes of Art Insurance? -- Costs -- Itemized v. Blanket Coverage -- "All Risk" -- Exclusions -- Title Insurance -- Other Considerations -- Is the Collection Insurable? -- Claims -- The Adjustment Process -- Work by Living Artists -- "Buy Back" Agreements -- Tax Implications -- The Collector's Obligation Vis-à-Vis the Insurer -- Loans -- Is It Worth It? -- 5. Shipping, Storage, Framing, and Installation -- Shipping -- Choosing a Shipping Company -- Process: Estimates, Subcontracting, and BOLs -- Most Direct Route -- Third-Party Shipments -- Packing and Crating -- Conditions of Transport -- FedEx Custom Critical Services (Domestic US Trucking) and FedEx -- Insurance -- Taxes and Customs -- Temporary Imports (Bonded Warehouses) -- Self-Transport and Handling of Artworks -- Art-Shipping Case Study: Gustav Klimt's Portrait of Adele Bloch-Bauer I -- Storage -- Choosing a Storage Facility -- Self-Storage -- Accidents Happen -- Framing -- How to Approach Framing -- A Question of Style -- Frame Collecting -- Installation -- Guidelines -- Lighting -- Security -- 6. Conservation and Collection Care -- Background -- Terminology: Restoration v. Conservation -- Context: Some Conservation History -- When is a Conservator Needed? -- Before Acquisition -- When a Work is Damaged -- Cleaning/Age Deterioration -- General Collection Maintenance -- Collection Care Challenges -- Light and Heat -- Temperature and Relative Humidity -- People -- Photography -- Contemporary Art -- Disaster Prevention and Recovery -- Emergency Contingency Plans -- Post-Disaster Recovery -- The Conservation Process -- Finding a Conservator -- Costs -- The Treatment Proposal -- Liability -- Conservation and Collection Care: A Collector's Obligation? -- Part Four: The Public and Private Worth of Collections -- 7. Art Investing and Financing -- Investing in Art | |
| 505 | 8 | |a Inadvertent Investing -- Experienced Investing -- Collective Investing (Private-Investment Initiatives) -- Art-Investment Funds -- Buying Shares of Art -- Third-Party Auction Guarantees -- Art Financing (Lending) -- Using Collections as Collateral -- Types of Lenders -- 8. Sharing Collections: Display, Loans, Publishing -- Private and Semi-Private Display -- Museum and Gallery Loans -- To Loan or Not to Loan? -- The Loan Agreement -- Immunity from Seizure -- UCC-1 -- Value During Loan Period -- Publishing -- Digital Sharing -- Caveats to Sharing -- Copyright Law -- Privacy -- Conflicts of Interest -- 9. Private Foundations and Museums -- Overview -- Definition and Models -- Historical Case Studies: Berlin and Miami -- Motivations -- Tax Advantages -- Limitations -- Long-term Sustainability -- Part Five: Parting from Collections -- 10. Deaccessioning, Gifting, and Estate Planning -- Prerequisites: Information, Valuation-and Some Planning -- Selling Art -- Selling Through Auction Houses -- Selling Through a Dealer -- Consignment Agreements -- Expenses and Other Considerations -- Divorce -- Gifts and Estate Planning -- Lifetime Gifts -- Bargain Sales to Museums -- Disposition at Death -- Trusts, Foundations, and Limited-Liability Companies -- The IRS and Valuation -- Conclusion -- Notes -- Bibliography -- Image Credits -- Index | |
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| contents | Front Cover -- Title Page -- Copyright -- Half Title -- Contents -- Contents -- Preface -- Acknowledgments -- Part One: Collection Building -- 1. Acquisition -- Markets, Sources, Approaches -- What to Collect? -- Buying from Art Dealers -- Art Fairs -- Buying Art at Auction -- Buying Art Online -- Art Advisors, other Intermediaries and Related Conflicts -- Studio Visits -- Commissioning a Work of Art -- New Technology Digital Art -- Buying Art with Others -- Restrictions and Additional Expenses -- Restrictions -- Taxes -- Due Diligence -- Caveat Emptor: An Opaque Marketplace -- Provenance -- Condition -- Title -- Authenticity -- Blockchain -- Moral Rights and Intellectual Property Rights -- Ascertaining Value at Time of Purchase -- Following the Market -- Part Two: Establishing the Scope and Value of a Collection -- 2. Inventory Management -- Collection Management Systems -- Files -- CMS Options: Excel, Software, and Relational Databases -- CMS Options: Web-Based Systems -- Reports -- Costs and Service -- Cataloguing a Collection -- Cataloguing Checklist -- The Importance of Consistency -- What is "Art" for Cataloguing Purposes? -- Outsourcing Inventory Management -- 3. Valuation -- Valuation v. Appraisal -- Choosing an Appraiser -- Alternative Sources for Valuation -- What Kind of Value? -- Valuation Factors -- Authenticity -- Quality -- Rarity -- Prints and Multiples -- Condition -- Provenance -- Publications and Exhibition History -- Geographical Context -- Size -- Other Factors -- Approaches to Valuation -- When Are Appraisals Needed? -- How Often Should Value Be Assessed? -- Appraising an Entire Collection -- Valuation Methodology and Reports -- Costs -- Self-Assessing Value -- Part Three: Collection Management -- 4. Insurance -- Fundamentals -- The Policy -- The Broker -- The Carrier -- Art Insurance What is "Art" for the Purposes of Art Insurance? -- Costs -- Itemized v. Blanket Coverage -- "All Risk" -- Exclusions -- Title Insurance -- Other Considerations -- Is the Collection Insurable? -- Claims -- The Adjustment Process -- Work by Living Artists -- "Buy Back" Agreements -- Tax Implications -- The Collector's Obligation Vis-à-Vis the Insurer -- Loans -- Is It Worth It? -- 5. Shipping, Storage, Framing, and Installation -- Shipping -- Choosing a Shipping Company -- Process: Estimates, Subcontracting, and BOLs -- Most Direct Route -- Third-Party Shipments -- Packing and Crating -- Conditions of Transport -- FedEx Custom Critical Services (Domestic US Trucking) and FedEx -- Insurance -- Taxes and Customs -- Temporary Imports (Bonded Warehouses) -- Self-Transport and Handling of Artworks -- Art-Shipping Case Study: Gustav Klimt's Portrait of Adele Bloch-Bauer I -- Storage -- Choosing a Storage Facility -- Self-Storage -- Accidents Happen -- Framing -- How to Approach Framing -- A Question of Style -- Frame Collecting -- Installation -- Guidelines -- Lighting -- Security -- 6. Conservation and Collection Care -- Background -- Terminology: Restoration v. Conservation -- Context: Some Conservation History -- When is a Conservator Needed? -- Before Acquisition -- When a Work is Damaged -- Cleaning/Age Deterioration -- General Collection Maintenance -- Collection Care Challenges -- Light and Heat -- Temperature and Relative Humidity -- People -- Photography -- Contemporary Art -- Disaster Prevention and Recovery -- Emergency Contingency Plans -- Post-Disaster Recovery -- The Conservation Process -- Finding a Conservator -- Costs -- The Treatment Proposal -- Liability -- Conservation and Collection Care: A Collector's Obligation? -- Part Four: The Public and Private Worth of Collections -- 7. Art Investing and Financing -- Investing in Art Inadvertent Investing -- Experienced Investing -- Collective Investing (Private-Investment Initiatives) -- Art-Investment Funds -- Buying Shares of Art -- Third-Party Auction Guarantees -- Art Financing (Lending) -- Using Collections as Collateral -- Types of Lenders -- 8. Sharing Collections: Display, Loans, Publishing -- Private and Semi-Private Display -- Museum and Gallery Loans -- To Loan or Not to Loan? -- The Loan Agreement -- Immunity from Seizure -- UCC-1 -- Value During Loan Period -- Publishing -- Digital Sharing -- Caveats to Sharing -- Copyright Law -- Privacy -- Conflicts of Interest -- 9. Private Foundations and Museums -- Overview -- Definition and Models -- Historical Case Studies: Berlin and Miami -- Motivations -- Tax Advantages -- Limitations -- Long-term Sustainability -- Part Five: Parting from Collections -- 10. Deaccessioning, Gifting, and Estate Planning -- Prerequisites: Information, Valuation-and Some Planning -- Selling Art -- Selling Through Auction Houses -- Selling Through a Dealer -- Consignment Agreements -- Expenses and Other Considerations -- Divorce -- Gifts and Estate Planning -- Lifetime Gifts -- Bargain Sales to Museums -- Disposition at Death -- Trusts, Foundations, and Limited-Liability Companies -- The IRS and Valuation -- Conclusion -- Notes -- Bibliography -- Image Credits -- Index |
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| dewey-full | 332.63 |
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| id | DE-604.BV047693599 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:57:26Z |
| indexdate | 2024-07-10T09:19:20Z |
| institution | BVB |
| isbn | 9781848224025 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033077591 |
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| psigel | ZDB-30-PQE |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Lund Humphries |
| record_format | marc |
| spelling | Rozell, Mary Verfasser aut The Art Collector's Handbook The Definitive Guide to Acquiring and Owning Art Chicago Lund Humphries 2020 ©2020 1 online resource (265 pages) txt rdacontent c rdamedia cr rdacarrier Description based on publisher supplied metadata and other sources Front Cover -- Title Page -- Copyright -- Half Title -- Contents -- Contents -- Preface -- Acknowledgments -- Part One: Collection Building -- 1. Acquisition -- Markets, Sources, Approaches -- What to Collect? -- Buying from Art Dealers -- Art Fairs -- Buying Art at Auction -- Buying Art Online -- Art Advisors, other Intermediaries and Related Conflicts -- Studio Visits -- Commissioning a Work of Art -- New Technology Digital Art -- Buying Art with Others -- Restrictions and Additional Expenses -- Restrictions -- Taxes -- Due Diligence -- Caveat Emptor: An Opaque Marketplace -- Provenance -- Condition -- Title -- Authenticity -- Blockchain -- Moral Rights and Intellectual Property Rights -- Ascertaining Value at Time of Purchase -- Following the Market -- Part Two: Establishing the Scope and Value of a Collection -- 2. Inventory Management -- Collection Management Systems -- Files -- CMS Options: Excel, Software, and Relational Databases -- CMS Options: Web-Based Systems -- Reports -- Costs and Service -- Cataloguing a Collection -- Cataloguing Checklist -- The Importance of Consistency -- What is "Art" for Cataloguing Purposes? -- Outsourcing Inventory Management -- 3. Valuation -- Valuation v. Appraisal -- Choosing an Appraiser -- Alternative Sources for Valuation -- What Kind of Value? -- Valuation Factors -- Authenticity -- Quality -- Rarity -- Prints and Multiples -- Condition -- Provenance -- Publications and Exhibition History -- Geographical Context -- Size -- Other Factors -- Approaches to Valuation -- When Are Appraisals Needed? -- How Often Should Value Be Assessed? -- Appraising an Entire Collection -- Valuation Methodology and Reports -- Costs -- Self-Assessing Value -- Part Three: Collection Management -- 4. Insurance -- Fundamentals -- The Policy -- The Broker -- The Carrier -- Art Insurance What is "Art" for the Purposes of Art Insurance? -- Costs -- Itemized v. Blanket Coverage -- "All Risk" -- Exclusions -- Title Insurance -- Other Considerations -- Is the Collection Insurable? -- Claims -- The Adjustment Process -- Work by Living Artists -- "Buy Back" Agreements -- Tax Implications -- The Collector's Obligation Vis-à-Vis the Insurer -- Loans -- Is It Worth It? -- 5. Shipping, Storage, Framing, and Installation -- Shipping -- Choosing a Shipping Company -- Process: Estimates, Subcontracting, and BOLs -- Most Direct Route -- Third-Party Shipments -- Packing and Crating -- Conditions of Transport -- FedEx Custom Critical Services (Domestic US Trucking) and FedEx -- Insurance -- Taxes and Customs -- Temporary Imports (Bonded Warehouses) -- Self-Transport and Handling of Artworks -- Art-Shipping Case Study: Gustav Klimt's Portrait of Adele Bloch-Bauer I -- Storage -- Choosing a Storage Facility -- Self-Storage -- Accidents Happen -- Framing -- How to Approach Framing -- A Question of Style -- Frame Collecting -- Installation -- Guidelines -- Lighting -- Security -- 6. Conservation and Collection Care -- Background -- Terminology: Restoration v. Conservation -- Context: Some Conservation History -- When is a Conservator Needed? -- Before Acquisition -- When a Work is Damaged -- Cleaning/Age Deterioration -- General Collection Maintenance -- Collection Care Challenges -- Light and Heat -- Temperature and Relative Humidity -- People -- Photography -- Contemporary Art -- Disaster Prevention and Recovery -- Emergency Contingency Plans -- Post-Disaster Recovery -- The Conservation Process -- Finding a Conservator -- Costs -- The Treatment Proposal -- Liability -- Conservation and Collection Care: A Collector's Obligation? -- Part Four: The Public and Private Worth of Collections -- 7. Art Investing and Financing -- Investing in Art Inadvertent Investing -- Experienced Investing -- Collective Investing (Private-Investment Initiatives) -- Art-Investment Funds -- Buying Shares of Art -- Third-Party Auction Guarantees -- Art Financing (Lending) -- Using Collections as Collateral -- Types of Lenders -- 8. Sharing Collections: Display, Loans, Publishing -- Private and Semi-Private Display -- Museum and Gallery Loans -- To Loan or Not to Loan? -- The Loan Agreement -- Immunity from Seizure -- UCC-1 -- Value During Loan Period -- Publishing -- Digital Sharing -- Caveats to Sharing -- Copyright Law -- Privacy -- Conflicts of Interest -- 9. Private Foundations and Museums -- Overview -- Definition and Models -- Historical Case Studies: Berlin and Miami -- Motivations -- Tax Advantages -- Limitations -- Long-term Sustainability -- Part Five: Parting from Collections -- 10. Deaccessioning, Gifting, and Estate Planning -- Prerequisites: Information, Valuation-and Some Planning -- Selling Art -- Selling Through Auction Houses -- Selling Through a Dealer -- Consignment Agreements -- Expenses and Other Considerations -- Divorce -- Gifts and Estate Planning -- Lifetime Gifts -- Bargain Sales to Museums -- Disposition at Death -- Trusts, Foundations, and Limited-Liability Companies -- The IRS and Valuation -- Conclusion -- Notes -- Bibliography -- Image Credits -- Index Art as an investment Kunstmarkt (DE-588)4120630-7 gnd rswk-swf Sammlung (DE-588)4128844-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Verwaltung (DE-588)4063317-2 gnd rswk-swf (DE-588)4048476-2 Ratgeber gnd-content Kunstmarkt (DE-588)4120630-7 s Kunst (DE-588)4114333-4 s Sammlung (DE-588)4128844-0 s Verwaltung (DE-588)4063317-2 s DE-604 Erscheint auch als Druck-Ausgabe Rozell, Mary The Art Collector's Handbook Chicago : Lund Humphries,c2020 9781848224018 |
| spellingShingle | Rozell, Mary The Art Collector's Handbook The Definitive Guide to Acquiring and Owning Art Front Cover -- Title Page -- Copyright -- Half Title -- Contents -- Contents -- Preface -- Acknowledgments -- Part One: Collection Building -- 1. Acquisition -- Markets, Sources, Approaches -- What to Collect? -- Buying from Art Dealers -- Art Fairs -- Buying Art at Auction -- Buying Art Online -- Art Advisors, other Intermediaries and Related Conflicts -- Studio Visits -- Commissioning a Work of Art -- New Technology Digital Art -- Buying Art with Others -- Restrictions and Additional Expenses -- Restrictions -- Taxes -- Due Diligence -- Caveat Emptor: An Opaque Marketplace -- Provenance -- Condition -- Title -- Authenticity -- Blockchain -- Moral Rights and Intellectual Property Rights -- Ascertaining Value at Time of Purchase -- Following the Market -- Part Two: Establishing the Scope and Value of a Collection -- 2. Inventory Management -- Collection Management Systems -- Files -- CMS Options: Excel, Software, and Relational Databases -- CMS Options: Web-Based Systems -- Reports -- Costs and Service -- Cataloguing a Collection -- Cataloguing Checklist -- The Importance of Consistency -- What is "Art" for Cataloguing Purposes? -- Outsourcing Inventory Management -- 3. Valuation -- Valuation v. Appraisal -- Choosing an Appraiser -- Alternative Sources for Valuation -- What Kind of Value? -- Valuation Factors -- Authenticity -- Quality -- Rarity -- Prints and Multiples -- Condition -- Provenance -- Publications and Exhibition History -- Geographical Context -- Size -- Other Factors -- Approaches to Valuation -- When Are Appraisals Needed? -- How Often Should Value Be Assessed? -- Appraising an Entire Collection -- Valuation Methodology and Reports -- Costs -- Self-Assessing Value -- Part Three: Collection Management -- 4. Insurance -- Fundamentals -- The Policy -- The Broker -- The Carrier -- Art Insurance What is "Art" for the Purposes of Art Insurance? -- Costs -- Itemized v. Blanket Coverage -- "All Risk" -- Exclusions -- Title Insurance -- Other Considerations -- Is the Collection Insurable? -- Claims -- The Adjustment Process -- Work by Living Artists -- "Buy Back" Agreements -- Tax Implications -- The Collector's Obligation Vis-à-Vis the Insurer -- Loans -- Is It Worth It? -- 5. Shipping, Storage, Framing, and Installation -- Shipping -- Choosing a Shipping Company -- Process: Estimates, Subcontracting, and BOLs -- Most Direct Route -- Third-Party Shipments -- Packing and Crating -- Conditions of Transport -- FedEx Custom Critical Services (Domestic US Trucking) and FedEx -- Insurance -- Taxes and Customs -- Temporary Imports (Bonded Warehouses) -- Self-Transport and Handling of Artworks -- Art-Shipping Case Study: Gustav Klimt's Portrait of Adele Bloch-Bauer I -- Storage -- Choosing a Storage Facility -- Self-Storage -- Accidents Happen -- Framing -- How to Approach Framing -- A Question of Style -- Frame Collecting -- Installation -- Guidelines -- Lighting -- Security -- 6. Conservation and Collection Care -- Background -- Terminology: Restoration v. Conservation -- Context: Some Conservation History -- When is a Conservator Needed? -- Before Acquisition -- When a Work is Damaged -- Cleaning/Age Deterioration -- General Collection Maintenance -- Collection Care Challenges -- Light and Heat -- Temperature and Relative Humidity -- People -- Photography -- Contemporary Art -- Disaster Prevention and Recovery -- Emergency Contingency Plans -- Post-Disaster Recovery -- The Conservation Process -- Finding a Conservator -- Costs -- The Treatment Proposal -- Liability -- Conservation and Collection Care: A Collector's Obligation? -- Part Four: The Public and Private Worth of Collections -- 7. Art Investing and Financing -- Investing in Art Inadvertent Investing -- Experienced Investing -- Collective Investing (Private-Investment Initiatives) -- Art-Investment Funds -- Buying Shares of Art -- Third-Party Auction Guarantees -- Art Financing (Lending) -- Using Collections as Collateral -- Types of Lenders -- 8. Sharing Collections: Display, Loans, Publishing -- Private and Semi-Private Display -- Museum and Gallery Loans -- To Loan or Not to Loan? -- The Loan Agreement -- Immunity from Seizure -- UCC-1 -- Value During Loan Period -- Publishing -- Digital Sharing -- Caveats to Sharing -- Copyright Law -- Privacy -- Conflicts of Interest -- 9. Private Foundations and Museums -- Overview -- Definition and Models -- Historical Case Studies: Berlin and Miami -- Motivations -- Tax Advantages -- Limitations -- Long-term Sustainability -- Part Five: Parting from Collections -- 10. Deaccessioning, Gifting, and Estate Planning -- Prerequisites: Information, Valuation-and Some Planning -- Selling Art -- Selling Through Auction Houses -- Selling Through a Dealer -- Consignment Agreements -- Expenses and Other Considerations -- Divorce -- Gifts and Estate Planning -- Lifetime Gifts -- Bargain Sales to Museums -- Disposition at Death -- Trusts, Foundations, and Limited-Liability Companies -- The IRS and Valuation -- Conclusion -- Notes -- Bibliography -- Image Credits -- Index Art as an investment Kunstmarkt (DE-588)4120630-7 gnd Sammlung (DE-588)4128844-0 gnd Kunst (DE-588)4114333-4 gnd Verwaltung (DE-588)4063317-2 gnd |
| subject_GND | (DE-588)4120630-7 (DE-588)4128844-0 (DE-588)4114333-4 (DE-588)4063317-2 (DE-588)4048476-2 |
| title | The Art Collector's Handbook The Definitive Guide to Acquiring and Owning Art |
| title_auth | The Art Collector's Handbook The Definitive Guide to Acquiring and Owning Art |
| title_exact_search | The Art Collector's Handbook The Definitive Guide to Acquiring and Owning Art |
| title_exact_search_txtP | The Art Collector's Handbook The Definitive Guide to Acquiring and Owning Art |
| title_full | The Art Collector's Handbook The Definitive Guide to Acquiring and Owning Art |
| title_fullStr | The Art Collector's Handbook The Definitive Guide to Acquiring and Owning Art |
| title_full_unstemmed | The Art Collector's Handbook The Definitive Guide to Acquiring and Owning Art |
| title_short | The Art Collector's Handbook |
| title_sort | the art collector s handbook the definitive guide to acquiring and owning art |
| title_sub | The Definitive Guide to Acquiring and Owning Art |
| topic | Art as an investment Kunstmarkt (DE-588)4120630-7 gnd Sammlung (DE-588)4128844-0 gnd Kunst (DE-588)4114333-4 gnd Verwaltung (DE-588)4063317-2 gnd |
| topic_facet | Art as an investment Kunstmarkt Sammlung Kunst Verwaltung Ratgeber |
| work_keys_str_mv | AT rozellmary theartcollectorshandbookthedefinitiveguidetoacquiringandowningart |