Artist as author: action and intent in late-modernist American painting
Introduction : the artist as author -- The act-painting -- The expressive fallacy -- Rhetorics of motives -- Self-discipline -- Event as painting -- Conclusion : gridlocked
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
2021
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | Introduction : the artist as author -- The act-painting -- The expressive fallacy -- Rhetorics of motives -- Self-discipline -- Event as painting -- Conclusion : gridlocked "This is the first extended study of authorship in mid-20th century abstract painting in the US. It describes how artists and critics used the medium of painting to advance their own claims about the role that they believed authorship should play in dictating the value, significance and social impact of the art object .Christa Robbins tracks the subject across two definitive periods: the "New York School" as it was consolidated in the 1950s and "Post Painterly Abstraction" in the 50s-70s. Thanks to many insistent, deep dives into key artist archives, Robbins brings to the page the minds and voices of painters Arshile Gorky, Jack Tworkov, Helen Frankenthaler, Kenneth Noland, Sam Gilliam, and Agnes Martin and of critics Harold Rosenberg, Clement Greenberg, and others. These are all important characters in the polemical histories of American modernism, but this is the first time they are placed together in a single study and treated with equal measure, as peers participating in the shared late modernist moment"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 217 Seiten Illustrationen |
| ISBN: | 9780226752952 |
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Datensatz im Suchindex
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| dewey-search | 759.13/0904 |
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| dewey-tens | 750 - Painting and paintings |
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| spelling | Robbins, Christa Noel Verfasser (DE-588)1021954500 aut Artist as author action and intent in late-modernist American painting Christa Noel Robbins Chicago ; London The University of Chicago Press 2021 217 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Introduction : the artist as author -- The act-painting -- The expressive fallacy -- Rhetorics of motives -- Self-discipline -- Event as painting -- Conclusion : gridlocked "This is the first extended study of authorship in mid-20th century abstract painting in the US. It describes how artists and critics used the medium of painting to advance their own claims about the role that they believed authorship should play in dictating the value, significance and social impact of the art object .Christa Robbins tracks the subject across two definitive periods: the "New York School" as it was consolidated in the 1950s and "Post Painterly Abstraction" in the 50s-70s. Thanks to many insistent, deep dives into key artist archives, Robbins brings to the page the minds and voices of painters Arshile Gorky, Jack Tworkov, Helen Frankenthaler, Kenneth Noland, Sam Gilliam, and Agnes Martin and of critics Harold Rosenberg, Clement Greenberg, and others. These are all important characters in the polemical histories of American modernism, but this is the first time they are placed together in a single study and treated with equal measure, as peers participating in the shared late modernist moment"-- Malerei (DE-588)4037220-0 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Painting, American / 20th century Modernism (Art) / United States / History / 20th century Art, Abstract / United States / History / 20th century USA (DE-588)4078704-7 g Malerei (DE-588)4037220-0 s Moderne (DE-588)4039827-4 s DE-604 Erscheint auch als Online-Ausgabe 978-0-226-75300-3 https://www.gbv.de/dms/bowker/toc/9780226752952.pdf 2021-10-20 Aggregator Inhaltsverzeichnis B:DE-14 V:DE-576 application/pdf http://swbplus.bsz-bw.de/bsz1737209578inh.htm 20211209183757 Inhaltsverzeichnis |
| spellingShingle | Robbins, Christa Noel Artist as author action and intent in late-modernist American painting Malerei (DE-588)4037220-0 gnd Moderne (DE-588)4039827-4 gnd |
| subject_GND | (DE-588)4037220-0 (DE-588)4039827-4 (DE-588)4078704-7 |
| title | Artist as author action and intent in late-modernist American painting |
| title_auth | Artist as author action and intent in late-modernist American painting |
| title_exact_search | Artist as author action and intent in late-modernist American painting |
| title_exact_search_txtP | Artist as author action and intent in late-modernist American painting |
| title_full | Artist as author action and intent in late-modernist American painting Christa Noel Robbins |
| title_fullStr | Artist as author action and intent in late-modernist American painting Christa Noel Robbins |
| title_full_unstemmed | Artist as author action and intent in late-modernist American painting Christa Noel Robbins |
| title_short | Artist as author |
| title_sort | artist as author action and intent in late modernist american painting |
| title_sub | action and intent in late-modernist American painting |
| topic | Malerei (DE-588)4037220-0 gnd Moderne (DE-588)4039827-4 gnd |
| topic_facet | Malerei Moderne USA |
| url | https://www.gbv.de/dms/bowker/toc/9780226752952.pdf http://swbplus.bsz-bw.de/bsz1737209578inh.htm |
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