Colour films in Britain: the Eastmancolor revolution
"The story of Eastmancolor's arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most impo...
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| Hauptverfasser: | , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
The British Film Institute
26 November 2021
London Bloomsbury Publishing |
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-355 DE-703 URL des Erstveröffentlichers |
| Zusammenfassung: | "The story of Eastmancolor's arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most important technical innovations in film history. Through original archival research and interviews with key figures within the industry, the authors examine the role of Eastmancolor in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour. Their analysis of British cinema through the lens of colour produces new interpretations of key British film genres including social realism, historical and costume drama, science fiction, horror, crime, documentary and even sex films. They explore how colour communicated meaning in films ranging from the Carry On series to Monty Python's Life of Brian (1979), from Lawrence of Arabia (1962) to My Beautiful Laundrette (1985), and from Goldfinger (1964) to Dance with a Stranger (1984), and in the work of key directors and cinematographers of both popular and art cinema including Nicolas Roeg, Ken Russell, Ridley Scott, Peter Greenaway and Chris Menges"-- |
| Beschreibung: | Includes bibliographical references and index Eastmancolor and branding -- Institutions and Eastmancolor -- Comedy and satire -- Social realism and contemporary drama -- The colour of crime -- The colour fantastic : fantasy, horror and science fiction -- Historical and costume films -- Musicals, pop music and the concert film -- Colour and collaboration -- Art, experimental/avant grade practices -- Amateur colour filmmaking -- Short, documentary and advertising films -- Sex and Eastmancolor -- Cultures and practices of preservation and restoration |
| Beschreibung: | 1 Online-Ressource (xiv, 354 Seiten) |
| ISBN: | 9781911239741 9781911239604 9781911239598 |
| DOI: | 10.5040/9781911239741 |
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| 520 | |a "The story of Eastmancolor's arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most important technical innovations in film history. Through original archival research and interviews with key figures within the industry, the authors examine the role of Eastmancolor in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour. Their analysis of British cinema through the lens of colour produces new interpretations of key British film genres including social realism, historical and costume drama, science fiction, horror, crime, documentary and even sex films. They explore how colour communicated meaning in films ranging from the Carry On series to Monty Python's Life of Brian (1979), from Lawrence of Arabia (1962) to My Beautiful Laundrette (1985), and from Goldfinger (1964) to Dance with a Stranger (1984), and in the work of key directors and cinematographers of both popular and art cinema including Nicolas Roeg, Ken Russell, Ridley Scott, Peter Greenaway and Chris Menges"-- | ||
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Datensatz im Suchindex
| _version_ | 1822694134811459584 |
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| author | Street, Sarah 1958- Johnston, Keith M. 1973- Frith, Paul Rickards, Carolyn |
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| dewey-full | 791.430941 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430941 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.5040/9781911239741 |
| edition | First edition |
| format | Electronic eBook |
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| id | DE-604.BV047683818 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:56:26Z |
| indexdate | 2025-01-30T17:03:02Z |
| institution | BVB |
| isbn | 9781911239741 9781911239604 9781911239598 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033067849 |
| oclc_num | 1294764248 |
| open_access_boolean | |
| owner | DE-12 DE-703 DE-355 DE-BY-UBR DE-11 |
| owner_facet | DE-12 DE-703 DE-355 DE-BY-UBR DE-11 |
| physical | 1 Online-Ressource (xiv, 354 Seiten) |
| psigel | ebook ZDB-162-BFM ZDB-162-BFM21 ZDB-162-BFM ZDB-162-BFM21 ZDB-162-BFM UBR_Paketkauf |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | The British Film Institute Bloomsbury Publishing |
| record_format | marc |
| spelling | Street, Sarah 1958- Verfasser (DE-588)1168067391 aut Colour films in Britain the Eastmancolor revolution Sarah Street, Keith M. Johnston, Paul Frith and Carolyn Rickards Color films in Britain London The British Film Institute 26 November 2021 London Bloomsbury Publishing 1 Online-Ressource (xiv, 354 Seiten) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Eastmancolor and branding -- Institutions and Eastmancolor -- Comedy and satire -- Social realism and contemporary drama -- The colour of crime -- The colour fantastic : fantasy, horror and science fiction -- Historical and costume films -- Musicals, pop music and the concert film -- Colour and collaboration -- Art, experimental/avant grade practices -- Amateur colour filmmaking -- Short, documentary and advertising films -- Sex and Eastmancolor -- Cultures and practices of preservation and restoration "The story of Eastmancolor's arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most important technical innovations in film history. Through original archival research and interviews with key figures within the industry, the authors examine the role of Eastmancolor in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour. Their analysis of British cinema through the lens of colour produces new interpretations of key British film genres including social realism, historical and costume drama, science fiction, horror, crime, documentary and even sex films. They explore how colour communicated meaning in films ranging from the Carry On series to Monty Python's Life of Brian (1979), from Lawrence of Arabia (1962) to My Beautiful Laundrette (1985), and from Goldfinger (1964) to Dance with a Stranger (1984), and in the work of key directors and cinematographers of both popular and art cinema including Nicolas Roeg, Ken Russell, Ridley Scott, Peter Greenaway and Chris Menges"-- Eastman Kodak Company Films, cinema,Cinematography, television camerawork,Cinema industry / bicssc Color motion pictures Great Britain History Color cinematography Great Britain History Color cinematography Processing History Motion picture industry Great Britain History 20th century Colors in motion pictures Electronic books Johnston, Keith M. 1973- Verfasser (DE-588)141679301 aut Frith, Paul Verfasser (DE-588)1253324859 aut Rickards, Carolyn Verfasser (DE-588)1253396701 aut Erscheint auch als Druck-Ausgabe, Festeinband 978-1-9112-3958-1 Erscheint auch als Druck-Ausgabe, Broschur 978-1-9112-3957-4 https://doi.org/10.5040/9781911239741?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Street, Sarah 1958- Johnston, Keith M. 1973- Frith, Paul Rickards, Carolyn Colour films in Britain the Eastmancolor revolution Eastman Kodak Company Films, cinema,Cinematography, television camerawork,Cinema industry / bicssc Color motion pictures Great Britain History Color cinematography Great Britain History Color cinematography Processing History Motion picture industry Great Britain History 20th century Colors in motion pictures |
| title | Colour films in Britain the Eastmancolor revolution |
| title_alt | Color films in Britain |
| title_auth | Colour films in Britain the Eastmancolor revolution |
| title_exact_search | Colour films in Britain the Eastmancolor revolution |
| title_exact_search_txtP | Colour films in Britain the Eastmancolor revolution |
| title_full | Colour films in Britain the Eastmancolor revolution Sarah Street, Keith M. Johnston, Paul Frith and Carolyn Rickards |
| title_fullStr | Colour films in Britain the Eastmancolor revolution Sarah Street, Keith M. Johnston, Paul Frith and Carolyn Rickards |
| title_full_unstemmed | Colour films in Britain the Eastmancolor revolution Sarah Street, Keith M. Johnston, Paul Frith and Carolyn Rickards |
| title_short | Colour films in Britain |
| title_sort | colour films in britain the eastmancolor revolution |
| title_sub | the Eastmancolor revolution |
| topic | Eastman Kodak Company Films, cinema,Cinematography, television camerawork,Cinema industry / bicssc Color motion pictures Great Britain History Color cinematography Great Britain History Color cinematography Processing History Motion picture industry Great Britain History 20th century Colors in motion pictures |
| topic_facet | Eastman Kodak Company Films, cinema,Cinematography, television camerawork,Cinema industry / bicssc Color motion pictures Great Britain History Color cinematography Great Britain History Color cinematography Processing History Motion picture industry Great Britain History 20th century Colors in motion pictures |
| url | https://doi.org/10.5040/9781911239741?locatt=label:secondary_bloomsburyCollections |
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