Film editing: emotion, performance and story
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | ix, 222 Seiten Illustrationen, Diagramme |
| ISBN: | 9781501379109 9781474254908 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Introduction vi Chapter one Chapter five Moving Pictures: The Structuring of Story and Emotion x Strategies of Persuasion: Study 2 Subjective Eyes 112 Chapter two Chapter six Montage 22 The Expressive Potential of the AudioVisual Dynamic 124 Chapter three ■ Strategies of Persuasion: Study 1 Parallel Tracks 64 Chapter seven Strategies of Persuasion: Study 3 Fascinating Rhythms Chapter four Continuous Time and Space so Chapter eight Constructing a Performance 184 References 211 Acknowledgements 218 Index 219 «52
Film editing is part of the long process of formulating, acquiring and presenting the images and sounds that make a film. The film editor makes decisions about the arrangement of the visual and Julie Lambden takes a discursive approach exploring the many options open to the editor whether this is the fine point at which to cut or the exact structuring of scenes within a aural material that they receive in the cutting room, not for their whole film. Examples are closely analysed and discussed using own satisfaction but to stimulate the participation of the cinema and television viewer. Three frame grabs, graphics and plans. The book opens discussions on our psychological and cognitive interrelated aspects, Emotion, Performance and Story, influence behaviour, and asks why certain picture and sound configurations this decision-making. can affect us emotionally. Interspersed with chapters on the Combining history, practice, study and theory, Film Editing: Emotion, Performance and fundamental tools of editing are studies of three editing strategies. Story investigates why certain editorial decisions can encourage the emotional and narrative engagement of the audience. With full-colour examples from features, short films and commercials, this book introduces a range of different editing styles and techniques to provide editors with a context on which to build their practice. Each is a method of persuasion that the editor can use to elicit a response in the audience, whether that is sympathy for a character or belief in the fictional world.
|
| adam_txt |
Contents Introduction vi Chapter one Chapter five Moving Pictures: The Structuring of Story and Emotion x Strategies of Persuasion: Study 2 Subjective Eyes 112 Chapter two Chapter six Montage 22 The Expressive Potential of the AudioVisual Dynamic 124 Chapter three ■ Strategies of Persuasion: Study 1 Parallel Tracks 64 Chapter seven Strategies of Persuasion: Study 3 Fascinating Rhythms Chapter four Continuous Time and Space so Chapter eight Constructing a Performance 184 References 211 Acknowledgements 218 Index 219 «52
Film editing is part of the long process of formulating, acquiring and presenting the images and sounds that make a film. The film editor makes decisions about the arrangement of the visual and Julie Lambden takes a discursive approach exploring the many options open to the editor whether this is the fine point at which to cut or the exact structuring of scenes within a aural material that they receive in the cutting room, not for their whole film. Examples are closely analysed and discussed using own satisfaction but to stimulate the participation of the cinema and television viewer. Three frame grabs, graphics and plans. The book opens discussions on our psychological and cognitive interrelated aspects, Emotion, Performance and Story, influence behaviour, and asks why certain picture and sound configurations this decision-making. can affect us emotionally. Interspersed with chapters on the Combining history, practice, study and theory, Film Editing: Emotion, Performance and fundamental tools of editing are studies of three editing strategies. Story investigates why certain editorial decisions can encourage the emotional and narrative engagement of the audience. With full-colour examples from features, short films and commercials, this book introduces a range of different editing styles and techniques to provide editors with a context on which to build their practice. Each is a method of persuasion that the editor can use to elicit a response in the audience, whether that is sympathy for a character or belief in the fictional world. |
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| author | Lambden, Julie ca. 20./21. Jh |
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| index_date | 2024-07-03T18:56:18Z |
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| institution | BVB |
| isbn | 9781501379109 9781474254908 |
| language | English |
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| spelling | Lambden, Julie ca. 20./21. Jh. Verfasser (DE-588)1252640099 aut Film editing emotion, performance and story Julie Lambden London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2022 ix, 222 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Film (DE-588)4017102-4 gnd rswk-swf Montage Künste (DE-588)4460064-1 gnd rswk-swf Montage Künste (DE-588)4460064-1 s Film (DE-588)4017102-4 s DE-604 Erscheint auch als Online-Ausgabe, ePDF 978-1-4742-5624-7 Erscheint auch als Online-Ausgabe 978-1-4742-5625-4 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033067344&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033067344&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Film editing emotion, performance and story |
| title_auth | Film editing emotion, performance and story |
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| title_full_unstemmed | Film editing emotion, performance and story Julie Lambden |
| title_short | Film editing |
| title_sort | film editing emotion performance and story |
| title_sub | emotion, performance and story |
| topic | Film (DE-588)4017102-4 gnd Montage Künste (DE-588)4460064-1 gnd |
| topic_facet | Film Montage Künste |
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