On Edward Hicks:
"Edward Hicks (1780-1849) has long been considered our foremost folk artist. Many people recognize his name and can visualize his Peaceable Kingdom paintings, with their vision, taken from the Old Testament, of wild, predatory animals coming to an accord with tame, defenseless creatures. But Hi...
Gespeichert in:
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| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Seattle
Lucia|Marquand
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Edward Hicks (1780-1849) has long been considered our foremost folk artist. Many people recognize his name and can visualize his Peaceable Kingdom paintings, with their vision, taken from the Old Testament, of wild, predatory animals coming to an accord with tame, defenseless creatures. But Hicks himself, and especially how he and his work figure in the larger sphere of American culture, remain far from settled topics. It can be questioned whether the painter, who was a widely known Quaker minister and supported his family as a decorator of carriages and other objects, was a folk artist at all. Unlike other such figures, he never stopped developing his art. His Peaceable Kingdoms, worked on continuously for over three decades (and some sixty in number), form in effect a singular ever-changing visual diary. Taking Hicks's measure from different perspectives, Sanford Schwartz looks for the first time at ways in which Hicks is part of all nineteenth-century American art and can also be seen as an outsider artist. Schwartz understands the importance of Quakerism in Hicks's life. Yet he puts a new emphasis on the painter's passionate, contradictory character and on the expressiveness of his animal creations. Volatile, antic, or poignant in demeanor, they are shown to have emotional depths that are rarely felt in American nineteenth-century painting of any stripe"-- |
| Beschreibung: | 152 Seiten Illustrationen |
| ISBN: | 9781646570065 |
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| 520 | 3 | |a "Edward Hicks (1780-1849) has long been considered our foremost folk artist. Many people recognize his name and can visualize his Peaceable Kingdom paintings, with their vision, taken from the Old Testament, of wild, predatory animals coming to an accord with tame, defenseless creatures. But Hicks himself, and especially how he and his work figure in the larger sphere of American culture, remain far from settled topics. It can be questioned whether the painter, who was a widely known Quaker minister and supported his family as a decorator of carriages and other objects, was a folk artist at all. Unlike other such figures, he never stopped developing his art. His Peaceable Kingdoms, worked on continuously for over three decades (and some sixty in number), form in effect a singular ever-changing visual diary. Taking Hicks's measure from different perspectives, Sanford Schwartz looks for the first time at ways in which Hicks is part of all nineteenth-century American art and can also be seen as an outsider artist. Schwartz understands the importance of Quakerism in Hicks's life. Yet he puts a new emphasis on the painter's passionate, contradictory character and on the expressiveness of his animal creations. Volatile, antic, or poignant in demeanor, they are shown to have emotional depths that are rarely felt in American nineteenth-century painting of any stripe"-- | |
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Datensatz im Suchindex
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| author | Schwartz, Sanford 1946- |
| author2 | Hicks, Edward 1780-1849 |
| author2_role | ill |
| author2_variant | e h eh |
| author_GND | (DE-588)122638069 (DE-588)11921881X |
| author_facet | Schwartz, Sanford 1946- Hicks, Edward 1780-1849 |
| author_role | aut |
| author_sort | Schwartz, Sanford 1946- |
| author_variant | s s ss |
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| bvnumber | BV047682498 |
| callnumber-first | N - Fine Arts |
| callnumber-label | ND237 |
| callnumber-raw | ND237.H58 |
| callnumber-search | ND237.H58 |
| callnumber-sort | ND 3237 H58 |
| callnumber-subject | ND - Painting |
| ctrlnum | (DE-599)KXP1724783963 |
| dewey-full | 759.13 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.13 |
| dewey-search | 759.13 |
| dewey-sort | 3759.13 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Book |
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| id | DE-604.BV047682498 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:56:05Z |
| indexdate | 2024-07-10T09:19:07Z |
| institution | BVB |
| isbn | 9781646570065 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033066562 |
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| physical | 152 Seiten Illustrationen |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Lucia|Marquand |
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| spelling | Schwartz, Sanford 1946- Verfasser (DE-588)122638069 aut On Edward Hicks Sanford Schwartz Seattle Lucia|Marquand [2021] 152 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "Edward Hicks (1780-1849) has long been considered our foremost folk artist. Many people recognize his name and can visualize his Peaceable Kingdom paintings, with their vision, taken from the Old Testament, of wild, predatory animals coming to an accord with tame, defenseless creatures. But Hicks himself, and especially how he and his work figure in the larger sphere of American culture, remain far from settled topics. It can be questioned whether the painter, who was a widely known Quaker minister and supported his family as a decorator of carriages and other objects, was a folk artist at all. Unlike other such figures, he never stopped developing his art. His Peaceable Kingdoms, worked on continuously for over three decades (and some sixty in number), form in effect a singular ever-changing visual diary. Taking Hicks's measure from different perspectives, Sanford Schwartz looks for the first time at ways in which Hicks is part of all nineteenth-century American art and can also be seen as an outsider artist. Schwartz understands the importance of Quakerism in Hicks's life. Yet he puts a new emphasis on the painter's passionate, contradictory character and on the expressiveness of his animal creations. Volatile, antic, or poignant in demeanor, they are shown to have emotional depths that are rarely felt in American nineteenth-century painting of any stripe"-- Hicks, Edward 1780-1849 (DE-588)11921881X gnd rswk-swf Hicks, Edward / 1780-1849 / Criticism and interpretation (DE-588)4006804-3 Biografie gnd-content Hicks, Edward 1780-1849 (DE-588)11921881X p DE-604 Hicks, Edward 1780-1849 (DE-588)11921881X ill B:DE-16 V:DE-576 application/pdf http://swbplus.bsz-bw.de/bsz1724783963inh.htm 20211222193546 Inhaltsverzeichnis |
| spellingShingle | Schwartz, Sanford 1946- On Edward Hicks Hicks, Edward 1780-1849 (DE-588)11921881X gnd |
| subject_GND | (DE-588)11921881X (DE-588)4006804-3 |
| title | On Edward Hicks |
| title_auth | On Edward Hicks |
| title_exact_search | On Edward Hicks |
| title_exact_search_txtP | On Edward Hicks |
| title_full | On Edward Hicks Sanford Schwartz |
| title_fullStr | On Edward Hicks Sanford Schwartz |
| title_full_unstemmed | On Edward Hicks Sanford Schwartz |
| title_short | On Edward Hicks |
| title_sort | on edward hicks |
| topic | Hicks, Edward 1780-1849 (DE-588)11921881X gnd |
| topic_facet | Hicks, Edward 1780-1849 Biografie |
| url | http://swbplus.bsz-bw.de/bsz1724783963inh.htm |
| work_keys_str_mv | AT schwartzsanford onedwardhicks AT hicksedward onedwardhicks |