Difference and Orientation: An Alexander Kluge Reader
Alexander Kluge is one of contemporary Germany's leading intellectuals and artists. A key architect of the New German Cinema and a pioneer of auteur television programming, he has also cowritten three acclaimed volumes of critical theory, published countless essays and numerous works of fiction...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2019]
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Schriftenreihe: | signale|TRANSFER: German Thought in Translation
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Schlagworte: | |
Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | Alexander Kluge is one of contemporary Germany's leading intellectuals and artists. A key architect of the New German Cinema and a pioneer of auteur television programming, he has also cowritten three acclaimed volumes of critical theory, published countless essays and numerous works of fiction, and continues to make films even as he expands his video production to the internet. Despite Kluge's five decades of work in philosophy, literature, television, and media politics, his reputation outside of the German-speaking world still largely rests on his films of the 1960s, 70s, and 80s. With the aim of introducing Kluge's heterogeneous mind to an Anglophone readership, Difference and Orientation assembles thirty of his essays, speeches, glossaries, and interviews, revolving around the capacity for differentiation and the need for orientation toward ways out of catastrophic modernity. This landmark volume brings together some of Kluge's most fundamental statements on literature, film, pre- and post-cinematic media, and social theory, nearly all for the first time in English translation. Together, these works highlight Kluge's career-spanning commitment to unorthodox, essayistic thinking |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021) |
Beschreibung: | 1 online resource (552 pages) 22 b&w halftones |
ISBN: | 9781501739224 |
DOI: | 10.1515/9781501739224 |
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Datensatz im Suchindex
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adam_txt | |
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author | Kluge, Alexander |
author_facet | Kluge, Alexander |
author_role | aut |
author_sort | Kluge, Alexander |
author_variant | a k ak |
building | Verbundindex |
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dewey-full | 838.91409 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 838 - German miscellaneous writings |
dewey-raw | 838.91409 |
dewey-search | 838.91409 |
dewey-sort | 3838.91409 |
dewey-tens | 830 - Literatures of Germanic languages |
discipline | Germanistik / Niederlandistik / Skandinavistik |
discipline_str_mv | Germanistik / Niederlandistik / Skandinavistik |
doi_str_mv | 10.1515/9781501739224 |
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isbn | 9781501739224 |
language | English |
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series2 | signale|TRANSFER: German Thought in Translation |
spelling | Kluge, Alexander Verfasser aut Difference and Orientation An Alexander Kluge Reader Alexander Kluge; ed. by Richard Langston Ithaca, NY Cornell University Press [2019] © 2019 1 online resource (552 pages) 22 b&w halftones txt rdacontent c rdamedia cr rdacarrier signale|TRANSFER: German Thought in Translation Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021) Alexander Kluge is one of contemporary Germany's leading intellectuals and artists. A key architect of the New German Cinema and a pioneer of auteur television programming, he has also cowritten three acclaimed volumes of critical theory, published countless essays and numerous works of fiction, and continues to make films even as he expands his video production to the internet. Despite Kluge's five decades of work in philosophy, literature, television, and media politics, his reputation outside of the German-speaking world still largely rests on his films of the 1960s, 70s, and 80s. With the aim of introducing Kluge's heterogeneous mind to an Anglophone readership, Difference and Orientation assembles thirty of his essays, speeches, glossaries, and interviews, revolving around the capacity for differentiation and the need for orientation toward ways out of catastrophic modernity. This landmark volume brings together some of Kluge's most fundamental statements on literature, film, pre- and post-cinematic media, and social theory, nearly all for the first time in English translation. Together, these works highlight Kluge's career-spanning commitment to unorthodox, essayistic thinking In English Art History Film German Studies SOCIAL SCIENCE / Media Studies bisacsh Literature History and criticism Motion pictures History Social sciences Philosophy Kleist, Heinrich von Sonstige oth Kluge, Alexander Sonstige oth Langston, Richard Sonstige oth Reinke, Wilfried Sonstige oth Reitz, Edgar Sonstige oth https://doi.org/10.1515/9781501739224 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Kluge, Alexander Difference and Orientation An Alexander Kluge Reader Art History Film German Studies SOCIAL SCIENCE / Media Studies bisacsh Literature History and criticism Motion pictures History Social sciences Philosophy |
title | Difference and Orientation An Alexander Kluge Reader |
title_auth | Difference and Orientation An Alexander Kluge Reader |
title_exact_search | Difference and Orientation An Alexander Kluge Reader |
title_exact_search_txtP | Difference and Orientation An Alexander Kluge Reader |
title_full | Difference and Orientation An Alexander Kluge Reader Alexander Kluge; ed. by Richard Langston |
title_fullStr | Difference and Orientation An Alexander Kluge Reader Alexander Kluge; ed. by Richard Langston |
title_full_unstemmed | Difference and Orientation An Alexander Kluge Reader Alexander Kluge; ed. by Richard Langston |
title_short | Difference and Orientation |
title_sort | difference and orientation an alexander kluge reader |
title_sub | An Alexander Kluge Reader |
topic | Art History Film German Studies SOCIAL SCIENCE / Media Studies bisacsh Literature History and criticism Motion pictures History Social sciences Philosophy |
topic_facet | Art History Film German Studies SOCIAL SCIENCE / Media Studies Literature History and criticism Motion pictures History Social sciences Philosophy |
url | https://doi.org/10.1515/9781501739224 |
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