Creative Union: The Professional Organization of Soviet Composers, 1939-1953
Why did the Stalin era, a period characterized by bureaucratic control and the reign of Socialist Realism in the arts, witness such an extraordinary upsurge of musical creativity and the prominence of musicians in the cultural elite? This is one of the questions that Kiril Tomoff seeks to answer in...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2018]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Why did the Stalin era, a period characterized by bureaucratic control and the reign of Socialist Realism in the arts, witness such an extraordinary upsurge of musical creativity and the prominence of musicians in the cultural elite? This is one of the questions that Kiril Tomoff seeks to answer in Creative Union, the first book about any of the professional unions that dominated Soviet cultural life at the time. Drawing on hitherto untapped archives, he shows how the Union of Soviet Composers established control over the music profession and negotiated the relationship between composers and the Communist Party leadership. Central to Tomoff's argument is the institutional authority and prestige that the musical profession accrued and deployed within Soviet society, enabling musicians to withstand the postwar disciplinary campaigns that were so crippling in other artistic and literary spheres.Most accounts of Soviet musical life focus on famous individuals or the campaign against Shostakovich's Lady Macbeth and Zhdanov's postwar attack on musical formalism. Tomoff's approach, while not downplaying these notorious events, shows that the Union was able to develop and direct a musical profession that enjoyed enormous social prestige. The Union's leadership was able to use its expertise to determine the criteria of musical value with a degree of independence. Tomoff's book reveals the complex and mutable interaction of creative intelligentsia and political elite in a period hitherto characterized as one of totalitarian control |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019) |
| Beschreibung: | 1 online resource (336 pages) 12 tables |
| ISBN: | 9781501730023 |
| DOI: | 10.1515/9781501730023 |
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Datensatz im Suchindex
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| author | Tomoff, Kiril |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
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| discipline | Musikwissenschaft |
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| doi_str_mv | 10.1515/9781501730023 |
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| isbn | 9781501730023 |
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| spelling | Tomoff, Kiril Verfasser aut Creative Union The Professional Organization of Soviet Composers, 1939-1953 Kiril Tomoff Ithaca, NY Cornell University Press [2018] © 2006 1 online resource (336 pages) 12 tables txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019) Why did the Stalin era, a period characterized by bureaucratic control and the reign of Socialist Realism in the arts, witness such an extraordinary upsurge of musical creativity and the prominence of musicians in the cultural elite? This is one of the questions that Kiril Tomoff seeks to answer in Creative Union, the first book about any of the professional unions that dominated Soviet cultural life at the time. Drawing on hitherto untapped archives, he shows how the Union of Soviet Composers established control over the music profession and negotiated the relationship between composers and the Communist Party leadership. Central to Tomoff's argument is the institutional authority and prestige that the musical profession accrued and deployed within Soviet society, enabling musicians to withstand the postwar disciplinary campaigns that were so crippling in other artistic and literary spheres.Most accounts of Soviet musical life focus on famous individuals or the campaign against Shostakovich's Lady Macbeth and Zhdanov's postwar attack on musical formalism. Tomoff's approach, while not downplaying these notorious events, shows that the Union was able to develop and direct a musical profession that enjoyed enormous social prestige. The Union's leadership was able to use its expertise to determine the criteria of musical value with a degree of independence. Tomoff's book reveals the complex and mutable interaction of creative intelligentsia and political elite in a period hitherto characterized as one of totalitarian control In English Labor History Musical Arts & Ethnomusicology HISTORY / Russia & the Former Soviet Union bisacsh Music and state Soviet Union Music Soviet Union History and criticism Musicians Labor unions Soviet Union https://doi.org/10.1515/9781501730023 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Tomoff, Kiril Creative Union The Professional Organization of Soviet Composers, 1939-1953 Labor History Musical Arts & Ethnomusicology HISTORY / Russia & the Former Soviet Union bisacsh Music and state Soviet Union Music Soviet Union History and criticism Musicians Labor unions Soviet Union |
| title | Creative Union The Professional Organization of Soviet Composers, 1939-1953 |
| title_auth | Creative Union The Professional Organization of Soviet Composers, 1939-1953 |
| title_exact_search | Creative Union The Professional Organization of Soviet Composers, 1939-1953 |
| title_exact_search_txtP | Creative Union The Professional Organization of Soviet Composers, 1939-1953 |
| title_full | Creative Union The Professional Organization of Soviet Composers, 1939-1953 Kiril Tomoff |
| title_fullStr | Creative Union The Professional Organization of Soviet Composers, 1939-1953 Kiril Tomoff |
| title_full_unstemmed | Creative Union The Professional Organization of Soviet Composers, 1939-1953 Kiril Tomoff |
| title_short | Creative Union |
| title_sort | creative union the professional organization of soviet composers 1939 1953 |
| title_sub | The Professional Organization of Soviet Composers, 1939-1953 |
| topic | Labor History Musical Arts & Ethnomusicology HISTORY / Russia & the Former Soviet Union bisacsh Music and state Soviet Union Music Soviet Union History and criticism Musicians Labor unions Soviet Union |
| topic_facet | Labor History Musical Arts & Ethnomusicology HISTORY / Russia & the Former Soviet Union Music and state Soviet Union Music Soviet Union History and criticism Musicians Labor unions Soviet Union |
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