Promiscuous Media: Film and Visual Culture in Imperial Japan, 1926-1945
In Promiscuous Media, Hikari Hori makes a compelling case that the visual culture of Showa-era Japan articulated urgent issues of modernity rather than serving as a simple expression of nationalism. Hori makes clear that the Japanese cinema of the time was in fact almost wholly built on a foundation...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2018]
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| Schriftenreihe: | Studies of the Weatherhead East Asian Institute, Columbia University
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| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Zusammenfassung: | In Promiscuous Media, Hikari Hori makes a compelling case that the visual culture of Showa-era Japan articulated urgent issues of modernity rather than serving as a simple expression of nationalism. Hori makes clear that the Japanese cinema of the time was in fact almost wholly built on a foundation of Russian and British film theory as well as American film genres and techniques. Hori provides a range of examples that illustrate how maternal melodrama and animated features, akin to those popularized by Disney, were adopted wholesale by Japanese filmmakers.Emperor Hirohito's image, Hori argues, was inseparable from the development of mass media; he was the first emperor whose public appearances were covered by media ranging from postcards to radio broadcasts. Worship of the emperor through viewing his image, Hori shows, taught the Japanese people how to look at images and primed their enjoyment of early animation and documentary films alike. Promiscuous Media links the political and the cultural closely in a way that illuminates the nature of twentieth-century Japanese society |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) |
| Beschreibung: | 1 online resource (312 pages) 23 b&w halftones |
| ISBN: | 9781501709524 |
| DOI: | 10.1515/9781501709524 |
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Datensatz im Suchindex
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| author | Hori, Hikari |
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| dewey-sort | 3791.430952 |
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| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9781501709524 |
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| id | DE-604.BV047667344 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:54:16Z |
| indexdate | 2025-02-19T17:32:22Z |
| institution | BVB |
| isbn | 9781501709524 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033052065 |
| oclc_num | 1165610794 |
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| owner_facet | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 DE-BY-UBG |
| physical | 1 online resource (312 pages) 23 b&w halftones |
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| publishDate | 2018 |
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| series2 | Studies of the Weatherhead East Asian Institute, Columbia University |
| spelling | Hori, Hikari Verfasser aut Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 Hikari Hori Ithaca, NY Cornell University Press [2018] © 2017 1 online resource (312 pages) 23 b&w halftones txt rdacontent c rdamedia cr rdacarrier Studies of the Weatherhead East Asian Institute, Columbia University Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) In Promiscuous Media, Hikari Hori makes a compelling case that the visual culture of Showa-era Japan articulated urgent issues of modernity rather than serving as a simple expression of nationalism. Hori makes clear that the Japanese cinema of the time was in fact almost wholly built on a foundation of Russian and British film theory as well as American film genres and techniques. Hori provides a range of examples that illustrate how maternal melodrama and animated features, akin to those popularized by Disney, were adopted wholesale by Japanese filmmakers.Emperor Hirohito's image, Hori argues, was inseparable from the development of mass media; he was the first emperor whose public appearances were covered by media ranging from postcards to radio broadcasts. Worship of the emperor through viewing his image, Hori shows, taught the Japanese people how to look at images and primed their enjoyment of early animation and documentary films alike. Promiscuous Media links the political and the cultural closely in a way that illuminates the nature of twentieth-century Japanese society In English Asian Studies Film History PERFORMING ARTS / Film & Video / History & Criticism bisacsh Japan-History-1926-1945 Mass media and nationalism Japan History 20th century Mass media and nationalism-Japan-History-20th century Motion pictures Political aspects Japan History 20th century Motion pictures Japan History 20th century Motion pictures-Japan-History-20th century Motion pictures-Political aspects-Japan-History-20th century Nationalism and the arts Japan History 20th century Nationalism and the arts-Japan-History-20th century https://doi.org/10.1515/9781501709524 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hori, Hikari Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 Asian Studies Film History PERFORMING ARTS / Film & Video / History & Criticism bisacsh Japan-History-1926-1945 Mass media and nationalism Japan History 20th century Mass media and nationalism-Japan-History-20th century Motion pictures Political aspects Japan History 20th century Motion pictures Japan History 20th century Motion pictures-Japan-History-20th century Motion pictures-Political aspects-Japan-History-20th century Nationalism and the arts Japan History 20th century Nationalism and the arts-Japan-History-20th century |
| title | Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 |
| title_auth | Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 |
| title_exact_search | Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 |
| title_exact_search_txtP | Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 |
| title_full | Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 Hikari Hori |
| title_fullStr | Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 Hikari Hori |
| title_full_unstemmed | Promiscuous Media Film and Visual Culture in Imperial Japan, 1926-1945 Hikari Hori |
| title_short | Promiscuous Media |
| title_sort | promiscuous media film and visual culture in imperial japan 1926 1945 |
| title_sub | Film and Visual Culture in Imperial Japan, 1926-1945 |
| topic | Asian Studies Film History PERFORMING ARTS / Film & Video / History & Criticism bisacsh Japan-History-1926-1945 Mass media and nationalism Japan History 20th century Mass media and nationalism-Japan-History-20th century Motion pictures Political aspects Japan History 20th century Motion pictures Japan History 20th century Motion pictures-Japan-History-20th century Motion pictures-Political aspects-Japan-History-20th century Nationalism and the arts Japan History 20th century Nationalism and the arts-Japan-History-20th century |
| topic_facet | Asian Studies Film History PERFORMING ARTS / Film & Video / History & Criticism Japan-History-1926-1945 Mass media and nationalism Japan History 20th century Mass media and nationalism-Japan-History-20th century Motion pictures Political aspects Japan History 20th century Motion pictures Japan History 20th century Motion pictures-Japan-History-20th century Motion pictures-Political aspects-Japan-History-20th century Nationalism and the arts Japan History 20th century Nationalism and the arts-Japan-History-20th century |
| url | https://doi.org/10.1515/9781501709524 |
| work_keys_str_mv | AT horihikari promiscuousmediafilmandvisualcultureinimperialjapan19261945 |