The Art of Philosophy: Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment
The first book to explore the role of images in philosophical thought and teaching in the early modern periodDelving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the ma...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2017]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | The first book to explore the role of images in philosophical thought and teaching in the early modern periodDelving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history.Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Léonard Gaultier, Abraham Bosse, Dürer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy.Featuring previously unpublished prints and drawings from the early modern period and lavish gatefolds, The Art of Philosophy reveals the essential connections between visual commentary and philosophical thought |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) |
| Beschreibung: | 1 online resource (352 pages) 30 color illus. 169 halftones |
| ISBN: | 9781400885121 |
| DOI: | 10.1515/9781400885121 |
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| 520 | |a The first book to explore the role of images in philosophical thought and teaching in the early modern periodDelving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history.Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Léonard Gaultier, Abraham Bosse, Dürer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy.Featuring previously unpublished prints and drawings from the early modern period and lavish gatefolds, The Art of Philosophy reveals the essential connections between visual commentary and philosophical thought | ||
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Datensatz im Suchindex
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| adam_txt | |
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| author | Berger, Susanna |
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| dewey-full | 190 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 190 - Modern western philosophy |
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| index_date | 2024-07-03T18:54:16Z |
| indexdate | 2024-07-10T09:18:46Z |
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| isbn | 9781400885121 |
| language | English |
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| spelling | Berger, Susanna Verfasser aut The Art of Philosophy Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment Susanna Berger Princeton, NJ Princeton University Press [2017] © 2017 1 online resource (352 pages) 30 color illus. 169 halftones txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) The first book to explore the role of images in philosophical thought and teaching in the early modern periodDelving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history.Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Léonard Gaultier, Abraham Bosse, Dürer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy.Featuring previously unpublished prints and drawings from the early modern period and lavish gatefolds, The Art of Philosophy reveals the essential connections between visual commentary and philosophical thought In English ART / History / Renaissance bisacsh Aesthetics, Modern 17th century Aesthetics, Modern 18th century Art and philosophy Europe Art, Modern 18th century Art, Renaissance Visual communication in art Europe History https://doi.org/10.1515/9781400885121 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Berger, Susanna The Art of Philosophy Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment ART / History / Renaissance bisacsh Aesthetics, Modern 17th century Aesthetics, Modern 18th century Art and philosophy Europe Art, Modern 18th century Art, Renaissance Visual communication in art Europe History |
| title | The Art of Philosophy Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment |
| title_auth | The Art of Philosophy Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment |
| title_exact_search | The Art of Philosophy Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment |
| title_exact_search_txtP | The Art of Philosophy Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment |
| title_full | The Art of Philosophy Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment Susanna Berger |
| title_fullStr | The Art of Philosophy Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment Susanna Berger |
| title_full_unstemmed | The Art of Philosophy Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment Susanna Berger |
| title_short | The Art of Philosophy |
| title_sort | the art of philosophy visual thinking in europe from the late renaissance to the early enlightenment |
| title_sub | Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment |
| topic | ART / History / Renaissance bisacsh Aesthetics, Modern 17th century Aesthetics, Modern 18th century Art and philosophy Europe Art, Modern 18th century Art, Renaissance Visual communication in art Europe History |
| topic_facet | ART / History / Renaissance Aesthetics, Modern 17th century Aesthetics, Modern 18th century Art and philosophy Europe Art, Modern 18th century Art, Renaissance Visual communication in art Europe History |
| url | https://doi.org/10.1515/9781400885121 |
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