The Political Poetess: Victorian Femininity, Race, and the Legacy of Separate Spheres
The Political Poetess challenges familiar accounts of the figure of the nineteenth-century Poetess, offering new readings of Poetess performance and criticism. In performing the Poetry of Woman, the mythic Poetess has long staked her claims as a creature of "separate spheres"-one exempt fr...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2016]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | The Political Poetess challenges familiar accounts of the figure of the nineteenth-century Poetess, offering new readings of Poetess performance and criticism. In performing the Poetry of Woman, the mythic Poetess has long staked her claims as a creature of "separate spheres"-one exempt from emerging readings of nineteenth-century women's political poetics. Turning such assumptions on their heads, Tricia Lootens models a nineteenth-century domestic or private sphere whose imaginary, apolitical heart is also the heart of nation and empire, and, as revisionist histories increasingly attest, is traumatized and haunted by histories of slavery. Setting aside late Victorian attempts to forget the unfulfilled, sentimental promises of early antislavery victories, The Political Poetess restores Poetess performances like Julia Ward Howe's "Battle Hymn of the Republic" and Emma Lazarus's "The New Colossus" to view-and with them, the vitality of the Black Poetess within African-American public life.Crossing boundaries of nation, period, and discipline to "connect the dots" of Poetess performance, Lootens demonstrates how new histories and ways of reading position poetic texts by Felicia Dorothea Hemans, Elizabeth Barrett Browning, Dinah Mulock Craik, George Eliot, and Frances E. W. Harper as convergence points for larger engagements ranging from Germaine de Staël to G.W.F. Hegel, Virginia Woolf, Elizabeth Bishop, Alice Walker, and beyond |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) |
| Beschreibung: | 1 online resource (344 pages) |
| ISBN: | 9781400883721 |
| DOI: | 10.1515/9781400883721 |
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| 520 | |a The Political Poetess challenges familiar accounts of the figure of the nineteenth-century Poetess, offering new readings of Poetess performance and criticism. In performing the Poetry of Woman, the mythic Poetess has long staked her claims as a creature of "separate spheres"-one exempt from emerging readings of nineteenth-century women's political poetics. Turning such assumptions on their heads, Tricia Lootens models a nineteenth-century domestic or private sphere whose imaginary, apolitical heart is also the heart of nation and empire, and, as revisionist histories increasingly attest, is traumatized and haunted by histories of slavery. Setting aside late Victorian attempts to forget the unfulfilled, sentimental promises of early antislavery victories, The Political Poetess restores Poetess performances like Julia Ward Howe's "Battle Hymn of the Republic" and Emma Lazarus's "The New Colossus" to view-and with them, the vitality of the Black Poetess within African-American public life.Crossing boundaries of nation, period, and discipline to "connect the dots" of Poetess performance, Lootens demonstrates how new histories and ways of reading position poetic texts by Felicia Dorothea Hemans, Elizabeth Barrett Browning, Dinah Mulock Craik, George Eliot, and Frances E. W. Harper as convergence points for larger engagements ranging from Germaine de Staël to G.W.F. Hegel, Virginia Woolf, Elizabeth Bishop, Alice Walker, and beyond | ||
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| index_date | 2024-07-03T18:54:16Z |
| indexdate | 2024-07-10T09:18:45Z |
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| spelling | Lootens, Tricia Verfasser aut The Political Poetess Victorian Femininity, Race, and the Legacy of Separate Spheres Tricia Lootens Princeton, NJ Princeton University Press [2016] © 2017 1 online resource (344 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) The Political Poetess challenges familiar accounts of the figure of the nineteenth-century Poetess, offering new readings of Poetess performance and criticism. In performing the Poetry of Woman, the mythic Poetess has long staked her claims as a creature of "separate spheres"-one exempt from emerging readings of nineteenth-century women's political poetics. Turning such assumptions on their heads, Tricia Lootens models a nineteenth-century domestic or private sphere whose imaginary, apolitical heart is also the heart of nation and empire, and, as revisionist histories increasingly attest, is traumatized and haunted by histories of slavery. Setting aside late Victorian attempts to forget the unfulfilled, sentimental promises of early antislavery victories, The Political Poetess restores Poetess performances like Julia Ward Howe's "Battle Hymn of the Republic" and Emma Lazarus's "The New Colossus" to view-and with them, the vitality of the Black Poetess within African-American public life.Crossing boundaries of nation, period, and discipline to "connect the dots" of Poetess performance, Lootens demonstrates how new histories and ways of reading position poetic texts by Felicia Dorothea Hemans, Elizabeth Barrett Browning, Dinah Mulock Craik, George Eliot, and Frances E. W. Harper as convergence points for larger engagements ranging from Germaine de Staël to G.W.F. Hegel, Virginia Woolf, Elizabeth Bishop, Alice Walker, and beyond In English LITERARY CRITICISM / Subjects & Themes / Women bisacsh English poetry Women authors History and criticism English poetry 19th century History and criticism Feminism and literature Great Britain History 19th century https://doi.org/10.1515/9781400883721 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Lootens, Tricia The Political Poetess Victorian Femininity, Race, and the Legacy of Separate Spheres LITERARY CRITICISM / Subjects & Themes / Women bisacsh English poetry Women authors History and criticism English poetry 19th century History and criticism Feminism and literature Great Britain History 19th century |
| title | The Political Poetess Victorian Femininity, Race, and the Legacy of Separate Spheres |
| title_auth | The Political Poetess Victorian Femininity, Race, and the Legacy of Separate Spheres |
| title_exact_search | The Political Poetess Victorian Femininity, Race, and the Legacy of Separate Spheres |
| title_exact_search_txtP | The Political Poetess Victorian Femininity, Race, and the Legacy of Separate Spheres |
| title_full | The Political Poetess Victorian Femininity, Race, and the Legacy of Separate Spheres Tricia Lootens |
| title_fullStr | The Political Poetess Victorian Femininity, Race, and the Legacy of Separate Spheres Tricia Lootens |
| title_full_unstemmed | The Political Poetess Victorian Femininity, Race, and the Legacy of Separate Spheres Tricia Lootens |
| title_short | The Political Poetess |
| title_sort | the political poetess victorian femininity race and the legacy of separate spheres |
| title_sub | Victorian Femininity, Race, and the Legacy of Separate Spheres |
| topic | LITERARY CRITICISM / Subjects & Themes / Women bisacsh English poetry Women authors History and criticism English poetry 19th century History and criticism Feminism and literature Great Britain History 19th century |
| topic_facet | LITERARY CRITICISM / Subjects & Themes / Women English poetry Women authors History and criticism English poetry 19th century History and criticism Feminism and literature Great Britain History 19th century |
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