The Music of the Heavens: Kepler's Harmonic Astronomy
Valued today for its development of the third law of planetary motion, Harmonice mundi (1619) was intended by Kepler to expand on ancient efforts to discern a Creator's plan for the planetary system--an arrangement thought to be based on harmonic relationships. Challenging critics who character...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Princeton University Press
[2014]
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| Ausgabe: | Course Book |
| Schriftenreihe: | Princeton Legacy Library
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| Zusammenfassung: | Valued today for its development of the third law of planetary motion, Harmonice mundi (1619) was intended by Kepler to expand on ancient efforts to discern a Creator's plan for the planetary system--an arrangement thought to be based on harmonic relationships. Challenging critics who characterize Kepler's theories of harmonic astronomy as "mystical," Bruce Stephenson offers the first thorough technical analysis of the music the astronomer thought the heavens made, and the logic that led him to find musical patterns in his data. In so doing, Stephenson illuminates crucial aspects of Kepler's intellectual development, particularly his ways of classifying and drawing inferences.Beginning with a survey of similar theories associating music with the cyclic motions of planets, from Plato to Boethius, the author highlights Ptolemy's Harmonics, a source of inspiration for Kepler's later work. Turning to Kepler himself, Stephenson gives an account of his polyhedral theory, which explains the number and sizes of the planetary orbits in terms of the five regular poly-hedral. He then examines in detail an early theory that relates the planets' vel-ocities to a musical chord, and analyzes Kepler's unpublished commentary on Ptolemy's Harmonics. Devoting most of his attention to Book Five of Harmonice mundi, in which Kepler elaborated on the musical structure of the planetary system, Stephenson lays important groundwork for any further evaluation of Kepler's scientific thought.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) |
| Beschreibung: | 1 online resource (274 pages) 21 line illus |
| ISBN: | 9781400863822 |
| DOI: | 10.1515/9781400863822 |
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| 520 | |a Valued today for its development of the third law of planetary motion, Harmonice mundi (1619) was intended by Kepler to expand on ancient efforts to discern a Creator's plan for the planetary system--an arrangement thought to be based on harmonic relationships. Challenging critics who characterize Kepler's theories of harmonic astronomy as "mystical," Bruce Stephenson offers the first thorough technical analysis of the music the astronomer thought the heavens made, and the logic that led him to find musical patterns in his data. In so doing, Stephenson illuminates crucial aspects of Kepler's intellectual development, particularly his ways of classifying and drawing inferences.Beginning with a survey of similar theories associating music with the cyclic motions of planets, from Plato to Boethius, the author highlights Ptolemy's Harmonics, a source of inspiration for Kepler's later work. | ||
| 520 | |a Turning to Kepler himself, Stephenson gives an account of his polyhedral theory, which explains the number and sizes of the planetary orbits in terms of the five regular poly-hedral. He then examines in detail an early theory that relates the planets' vel-ocities to a musical chord, and analyzes Kepler's unpublished commentary on Ptolemy's Harmonics. Devoting most of his attention to Book Five of Harmonice mundi, in which Kepler elaborated on the musical structure of the planetary system, Stephenson lays important groundwork for any further evaluation of Kepler's scientific thought.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. | ||
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| spelling | Stephenson, Bruce Verfasser aut The Music of the Heavens Kepler's Harmonic Astronomy Bruce Stephenson Course Book Princeton, NJ Princeton University Press [2014] © 1994 1 online resource (274 pages) 21 line illus txt rdacontent c rdamedia cr rdacarrier Princeton Legacy Library 228 Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) Valued today for its development of the third law of planetary motion, Harmonice mundi (1619) was intended by Kepler to expand on ancient efforts to discern a Creator's plan for the planetary system--an arrangement thought to be based on harmonic relationships. Challenging critics who characterize Kepler's theories of harmonic astronomy as "mystical," Bruce Stephenson offers the first thorough technical analysis of the music the astronomer thought the heavens made, and the logic that led him to find musical patterns in his data. In so doing, Stephenson illuminates crucial aspects of Kepler's intellectual development, particularly his ways of classifying and drawing inferences.Beginning with a survey of similar theories associating music with the cyclic motions of planets, from Plato to Boethius, the author highlights Ptolemy's Harmonics, a source of inspiration for Kepler's later work. Turning to Kepler himself, Stephenson gives an account of his polyhedral theory, which explains the number and sizes of the planetary orbits in terms of the five regular poly-hedral. He then examines in detail an early theory that relates the planets' vel-ocities to a musical chord, and analyzes Kepler's unpublished commentary on Ptolemy's Harmonics. Devoting most of his attention to Book Five of Harmonice mundi, in which Kepler elaborated on the musical structure of the planetary system, Stephenson lays important groundwork for any further evaluation of Kepler's scientific thought.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 In English SCIENCE / History bisacsh Planetary theory https://doi.org/10.1515/9781400863822 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Stephenson, Bruce The Music of the Heavens Kepler's Harmonic Astronomy SCIENCE / History bisacsh Planetary theory |
| title | The Music of the Heavens Kepler's Harmonic Astronomy |
| title_auth | The Music of the Heavens Kepler's Harmonic Astronomy |
| title_exact_search | The Music of the Heavens Kepler's Harmonic Astronomy |
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| title_full | The Music of the Heavens Kepler's Harmonic Astronomy Bruce Stephenson |
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| title_full_unstemmed | The Music of the Heavens Kepler's Harmonic Astronomy Bruce Stephenson |
| title_short | The Music of the Heavens |
| title_sort | the music of the heavens kepler s harmonic astronomy |
| title_sub | Kepler's Harmonic Astronomy |
| topic | SCIENCE / History bisacsh Planetary theory |
| topic_facet | SCIENCE / History Planetary theory |
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