Women Through the Lens: Gender and Nation in a Century of Chinese Cinema
Women Through the Lens raises the question of how gender, especially the image of woman, acts as a visual and discursive sign in the creation of the nation-state in twentieth-century China. Tracing the history of Chinese cinema through the last hundred years from the perspective of transnational fem...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2003]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Women Through the Lens raises the question of how gender, especially the image of woman, acts as a visual and discursive sign in the creation of the nation-state in twentieth-century China. Tracing the history of Chinese cinema through the last hundred years from the perspective of transnational feminism, Shuqin Cui reveals how women have been granted a "privileged visibility" on screen while being denied discursive positions as subjects. In addition, her careful attention to the visual language system of cinema shows how "woman" has served as the site for the narration of nation in the context of China's changing social and political climate. Placing gender and nation in a historical framework, the book first shows how early productions had their roots in shadow plays, a popular form of public entertainment. In examining the "Red Classics" of socialist cinema as a mass cultural form, the book shows how the utopian vision of emancipating the entire proletariat, women included, produced a collective ideology that declared an end to gender difference. Cui then documents and discusses the cinematic spectacle of woman as essential to such widely popular films as Chen Kaige's "Farewell My Concubine" and Zhang Yimou's "Ju Do." Finally, the author brings a feminist perspective to the issues of gender and nation by turning her attention to women directors and their self-representations |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (336 pages) |
| ISBN: | 9780824865634 |
| DOI: | 10.1515/9780824865634 |
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Datensatz im Suchindex
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| dewey-search | 791.43/0951 |
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| index_date | 2024-07-03T18:54:15Z |
| indexdate | 2024-07-10T09:18:45Z |
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| isbn | 9780824865634 |
| language | English |
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| spelling | Cui, Shuqin Verfasser aut Women Through the Lens Gender and Nation in a Century of Chinese Cinema Shuqin Cui Honolulu University of Hawaii Press [2003] © 2003 1 online resource (336 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Women Through the Lens raises the question of how gender, especially the image of woman, acts as a visual and discursive sign in the creation of the nation-state in twentieth-century China. Tracing the history of Chinese cinema through the last hundred years from the perspective of transnational feminism, Shuqin Cui reveals how women have been granted a "privileged visibility" on screen while being denied discursive positions as subjects. In addition, her careful attention to the visual language system of cinema shows how "woman" has served as the site for the narration of nation in the context of China's changing social and political climate. Placing gender and nation in a historical framework, the book first shows how early productions had their roots in shadow plays, a popular form of public entertainment. In examining the "Red Classics" of socialist cinema as a mass cultural form, the book shows how the utopian vision of emancipating the entire proletariat, women included, produced a collective ideology that declared an end to gender difference. Cui then documents and discusses the cinematic spectacle of woman as essential to such widely popular films as Chen Kaige's "Farewell My Concubine" and Zhang Yimou's "Ju Do." Finally, the author brings a feminist perspective to the issues of gender and nation by turning her attention to women directors and their self-representations In English SOCIAL SCIENCE / Women's Studies bisacsh Cinéma Histoire Chine Femmes au cinéma Motion pictures History China Motion pictures China History Rôle selon le sexe au cinéma China Sex role in motion pictures Women in motion pictures https://doi.org/10.1515/9780824865634 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Cui, Shuqin Women Through the Lens Gender and Nation in a Century of Chinese Cinema SOCIAL SCIENCE / Women's Studies bisacsh Cinéma Histoire Chine Femmes au cinéma Motion pictures History China Motion pictures China History Rôle selon le sexe au cinéma China Sex role in motion pictures Women in motion pictures |
| title | Women Through the Lens Gender and Nation in a Century of Chinese Cinema |
| title_auth | Women Through the Lens Gender and Nation in a Century of Chinese Cinema |
| title_exact_search | Women Through the Lens Gender and Nation in a Century of Chinese Cinema |
| title_exact_search_txtP | Women Through the Lens Gender and Nation in a Century of Chinese Cinema |
| title_full | Women Through the Lens Gender and Nation in a Century of Chinese Cinema Shuqin Cui |
| title_fullStr | Women Through the Lens Gender and Nation in a Century of Chinese Cinema Shuqin Cui |
| title_full_unstemmed | Women Through the Lens Gender and Nation in a Century of Chinese Cinema Shuqin Cui |
| title_short | Women Through the Lens |
| title_sort | women through the lens gender and nation in a century of chinese cinema |
| title_sub | Gender and Nation in a Century of Chinese Cinema |
| topic | SOCIAL SCIENCE / Women's Studies bisacsh Cinéma Histoire Chine Femmes au cinéma Motion pictures History China Motion pictures China History Rôle selon le sexe au cinéma China Sex role in motion pictures Women in motion pictures |
| topic_facet | SOCIAL SCIENCE / Women's Studies Cinéma Histoire Chine Femmes au cinéma Motion pictures History China Motion pictures China History Rôle selon le sexe au cinéma China Sex role in motion pictures Women in motion pictures |
| url | https://doi.org/10.1515/9780824865634 |
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