Transnational Chinese Cinemas: Identity, Nationhood, Gender
Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chin...
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[1997]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (432 pages) |
| ISBN: | 9780824865290 |
| DOI: | 10.1515/9780824865290 |
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| index_date | 2024-07-03T18:54:15Z |
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| isbn | 9780824865290 |
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| spelling | Lu, Sheldon Hsiao-peng Verfasser aut Transnational Chinese Cinemas Identity, Nationhood, Gender Sheldon Hsiao-peng Lu Honolulu University of Hawaii Press [1997] © 1997 1 online resource (432 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture In English PERFORMING ARTS / Film & Video / General bisacsh Motion pictures China Hong Kong Motion pictures China Motion pictures Taiwan Ciecko, Anne T. Sonstige oth Cui, Shuqin Sonstige oth Dariotis, Wei Ming Sonstige oth Fore, Steve Sonstige oth Fung, Eileen Sonstige oth Harris, Kristine Sonstige oth Kaplan, E. Ann Sonstige oth Kowallis, Jon Sonstige oth Larson, Wendy Sonstige oth Lu, Sheldon H. Sonstige oth Lu, Sheldon Hsiao-peng Sonstige oth Marchetti, Gina Sonstige oth Wang, May M. Sonstige oth Xiao, Zhiwei Sonstige oth Yip, June Sonstige oth Zhang, Yingjin Sonstige oth Zheng, Yi Sonstige oth https://doi.org/10.1515/9780824865290 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Lu, Sheldon Hsiao-peng Transnational Chinese Cinemas Identity, Nationhood, Gender PERFORMING ARTS / Film & Video / General bisacsh Motion pictures China Hong Kong Motion pictures China Motion pictures Taiwan |
| title | Transnational Chinese Cinemas Identity, Nationhood, Gender |
| title_auth | Transnational Chinese Cinemas Identity, Nationhood, Gender |
| title_exact_search | Transnational Chinese Cinemas Identity, Nationhood, Gender |
| title_exact_search_txtP | Transnational Chinese Cinemas Identity, Nationhood, Gender |
| title_full | Transnational Chinese Cinemas Identity, Nationhood, Gender Sheldon Hsiao-peng Lu |
| title_fullStr | Transnational Chinese Cinemas Identity, Nationhood, Gender Sheldon Hsiao-peng Lu |
| title_full_unstemmed | Transnational Chinese Cinemas Identity, Nationhood, Gender Sheldon Hsiao-peng Lu |
| title_short | Transnational Chinese Cinemas |
| title_sort | transnational chinese cinemas identity nationhood gender |
| title_sub | Identity, Nationhood, Gender |
| topic | PERFORMING ARTS / Film & Video / General bisacsh Motion pictures China Hong Kong Motion pictures China Motion pictures Taiwan |
| topic_facet | PERFORMING ARTS / Film & Video / General Motion pictures China Hong Kong Motion pictures China Motion pictures Taiwan |
| url | https://doi.org/10.1515/9780824865290 |
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