Bridges to the Ancestors: Music, Myth, and Cultural Politics at an Indonesian Festival
The spectacular Lingsar festival is held annually at a village temple complex built above the most abundant water springs on the island of Lombok, near Bali. Participants come to the festival not only for the efficacy of its rites but also for its spiritual, social, and musical experience. A nexus o...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Honolulu
University of Hawaii Press
[2005]
|
Schlagworte: | |
Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
Zusammenfassung: | The spectacular Lingsar festival is held annually at a village temple complex built above the most abundant water springs on the island of Lombok, near Bali. Participants come to the festival not only for the efficacy of its rites but also for its spiritual, social, and musical experience. A nexus of religious, political, artistic, and agrarian interests, the festival also serves to harmonize relations between indigenous Sasak Muslims and migrant Balinese Hindus. Ethnic tensions, however, lie beneath the surface of cooperative behavior, and struggles regularly erupt over which group--Balinese or Sasak--owns the past and dominates the present. Bridges to the Ancestors is a broad ethnographic study of the festival based on over two decades of research. The work addresses the festival's players, performing arts, rites, and histories, and considers its relationship to the island's sociocultural and political trends. Music, the most public icon of the festival, has been largely responsible for overcoming differences between the island's two ethnic groups. Through the intermingling of Balinese and Sasak musics at the festival, a profound union has been forged, which participants confirm has been the event's primary social role. Bridges to the Ancestors effectively reveals the Lingsar festival as a site of cultural struggle as the author explores how history, identity, and power are constructed and negotiated. He addresses the fascinating interaction between music and myth and the forces of modernity, globalization, authenticity, tourism, religion, regionalism, and nationalism in maintaining "tradition. |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
Beschreibung: | 1 online resource (280 pages) |
ISBN: | 9780824861674 |
DOI: | 10.1515/9780824861674 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV047666870 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 220112s2005 xx o|||| 00||| eng d | ||
020 | |a 9780824861674 |9 978-0-8248-6167-4 | ||
024 | 7 | |a 10.1515/9780824861674 |2 doi | |
035 | |a (ZDB-23-DGG)9780824861674 | ||
035 | |a (OCoLC)994403394 | ||
035 | |a (DE-599)BVBBV047666870 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-1043 |a DE-858 |a DE-859 |a DE-860 |a DE-739 |a DE-473 | ||
082 | 0 | |a 394.265/09598/6 |2 22 | |
100 | 1 | |a Harnish, David D. |e Verfasser |4 aut | |
245 | 1 | 0 | |a Bridges to the Ancestors |b Music, Myth, and Cultural Politics at an Indonesian Festival |c David D. Harnish |
264 | 1 | |a Honolulu |b University of Hawaii Press |c [2005] | |
264 | 4 | |c © 2005 | |
300 | |a 1 online resource (280 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) | ||
520 | |a The spectacular Lingsar festival is held annually at a village temple complex built above the most abundant water springs on the island of Lombok, near Bali. Participants come to the festival not only for the efficacy of its rites but also for its spiritual, social, and musical experience. A nexus of religious, political, artistic, and agrarian interests, the festival also serves to harmonize relations between indigenous Sasak Muslims and migrant Balinese Hindus. Ethnic tensions, however, lie beneath the surface of cooperative behavior, and struggles regularly erupt over which group--Balinese or Sasak--owns the past and dominates the present. Bridges to the Ancestors is a broad ethnographic study of the festival based on over two decades of research. The work addresses the festival's players, performing arts, rites, and histories, and considers its relationship to the island's sociocultural and political trends. Music, the most public icon of the festival, has been largely responsible for overcoming differences between the island's two ethnic groups. Through the intermingling of Balinese and Sasak musics at the festival, a profound union has been forged, which participants confirm has been the event's primary social role. Bridges to the Ancestors effectively reveals the Lingsar festival as a site of cultural struggle as the author explores how history, identity, and power are constructed and negotiated. He addresses the fascinating interaction between music and myth and the forces of modernity, globalization, authenticity, tourism, religion, regionalism, and nationalism in maintaining "tradition. | ||
546 | |a In English | ||
650 | 7 | |a SOCIAL SCIENCE / Anthropology / Cultural & Social |2 bisacsh | |
650 | 4 | |a Fasts and feasts |z Indonesia |z Lombok | |
650 | 4 | |a Hindus |z Indonesia |z Lombok | |
650 | 4 | |a Muslims |z Indonesia |z Lombok | |
650 | 4 | |a Mythology, Balinese |z Indonesia |z Lombok | |
650 | 4 | |a Political culture |z Indonesia |z Lombok | |
650 | 4 | |a Sasak (Indonesian people) |z Indonesia |z Lombok |x Religion | |
650 | 4 | |a Sasak (Indonesian people) |z Indonesia |z Lombok |x Rites and ceremonies | |
650 | 4 | |a Songs, Balinese |z Indonesia |z Lombok | |
856 | 4 | 0 | |u https://doi.org/10.1515/9780824861674 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033051589 | |
966 | e | |u https://doi.org/10.1515/9780824861674 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780824861674 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780824861674 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780824861674 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780824861674 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780824861674 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780824861674 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1824507917462667264 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Harnish, David D. |
author_facet | Harnish, David D. |
author_role | aut |
author_sort | Harnish, David D. |
author_variant | d d h dd ddh |
building | Verbundindex |
bvnumber | BV047666870 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9780824861674 (OCoLC)994403394 (DE-599)BVBBV047666870 |
dewey-full | 394.265/09598/6 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 394 - General customs |
dewey-raw | 394.265/09598/6 |
dewey-search | 394.265/09598/6 |
dewey-sort | 3394.265 49598 16 |
dewey-tens | 390 - Customs, etiquette, folklore |
discipline | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
discipline_str_mv | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
doi_str_mv | 10.1515/9780824861674 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV047666870</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220112s2005 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780824861674</subfield><subfield code="9">978-0-8248-6167-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780824861674</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780824861674</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)994403394</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047666870</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">394.265/09598/6</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Harnish, David D.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Bridges to the Ancestors</subfield><subfield code="b">Music, Myth, and Cultural Politics at an Indonesian Festival</subfield><subfield code="c">David D. Harnish</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Honolulu</subfield><subfield code="b">University of Hawaii Press</subfield><subfield code="c">[2005]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2005</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (280 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The spectacular Lingsar festival is held annually at a village temple complex built above the most abundant water springs on the island of Lombok, near Bali. Participants come to the festival not only for the efficacy of its rites but also for its spiritual, social, and musical experience. A nexus of religious, political, artistic, and agrarian interests, the festival also serves to harmonize relations between indigenous Sasak Muslims and migrant Balinese Hindus. Ethnic tensions, however, lie beneath the surface of cooperative behavior, and struggles regularly erupt over which group--Balinese or Sasak--owns the past and dominates the present. Bridges to the Ancestors is a broad ethnographic study of the festival based on over two decades of research. The work addresses the festival's players, performing arts, rites, and histories, and considers its relationship to the island's sociocultural and political trends. Music, the most public icon of the festival, has been largely responsible for overcoming differences between the island's two ethnic groups. Through the intermingling of Balinese and Sasak musics at the festival, a profound union has been forged, which participants confirm has been the event's primary social role. Bridges to the Ancestors effectively reveals the Lingsar festival as a site of cultural struggle as the author explores how history, identity, and power are constructed and negotiated. He addresses the fascinating interaction between music and myth and the forces of modernity, globalization, authenticity, tourism, religion, regionalism, and nationalism in maintaining "tradition.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Anthropology / Cultural & Social</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fasts and feasts</subfield><subfield code="z">Indonesia</subfield><subfield code="z">Lombok</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Hindus</subfield><subfield code="z">Indonesia</subfield><subfield code="z">Lombok</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Muslims</subfield><subfield code="z">Indonesia</subfield><subfield code="z">Lombok</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mythology, Balinese</subfield><subfield code="z">Indonesia</subfield><subfield code="z">Lombok</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Political culture</subfield><subfield code="z">Indonesia</subfield><subfield code="z">Lombok</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sasak (Indonesian people)</subfield><subfield code="z">Indonesia</subfield><subfield code="z">Lombok</subfield><subfield code="x">Religion</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sasak (Indonesian people)</subfield><subfield code="z">Indonesia</subfield><subfield code="z">Lombok</subfield><subfield code="x">Rites and ceremonies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Songs, Balinese</subfield><subfield code="z">Indonesia</subfield><subfield code="z">Lombok</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780824861674</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033051589</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824861674</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824861674</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824861674</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824861674</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824861674</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824861674</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824861674</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV047666870 |
illustrated | Not Illustrated |
index_date | 2024-07-03T18:54:15Z |
indexdate | 2025-02-19T17:32:20Z |
institution | BVB |
isbn | 9780824861674 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033051589 |
oclc_num | 994403394 |
open_access_boolean | |
owner | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 DE-BY-UBG |
owner_facet | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 DE-BY-UBG |
physical | 1 online resource (280 pages) |
psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
publishDate | 2005 |
publishDateSearch | 2005 |
publishDateSort | 2005 |
publisher | University of Hawaii Press |
record_format | marc |
spelling | Harnish, David D. Verfasser aut Bridges to the Ancestors Music, Myth, and Cultural Politics at an Indonesian Festival David D. Harnish Honolulu University of Hawaii Press [2005] © 2005 1 online resource (280 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) The spectacular Lingsar festival is held annually at a village temple complex built above the most abundant water springs on the island of Lombok, near Bali. Participants come to the festival not only for the efficacy of its rites but also for its spiritual, social, and musical experience. A nexus of religious, political, artistic, and agrarian interests, the festival also serves to harmonize relations between indigenous Sasak Muslims and migrant Balinese Hindus. Ethnic tensions, however, lie beneath the surface of cooperative behavior, and struggles regularly erupt over which group--Balinese or Sasak--owns the past and dominates the present. Bridges to the Ancestors is a broad ethnographic study of the festival based on over two decades of research. The work addresses the festival's players, performing arts, rites, and histories, and considers its relationship to the island's sociocultural and political trends. Music, the most public icon of the festival, has been largely responsible for overcoming differences between the island's two ethnic groups. Through the intermingling of Balinese and Sasak musics at the festival, a profound union has been forged, which participants confirm has been the event's primary social role. Bridges to the Ancestors effectively reveals the Lingsar festival as a site of cultural struggle as the author explores how history, identity, and power are constructed and negotiated. He addresses the fascinating interaction between music and myth and the forces of modernity, globalization, authenticity, tourism, religion, regionalism, and nationalism in maintaining "tradition. In English SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Fasts and feasts Indonesia Lombok Hindus Indonesia Lombok Muslims Indonesia Lombok Mythology, Balinese Indonesia Lombok Political culture Indonesia Lombok Sasak (Indonesian people) Indonesia Lombok Religion Sasak (Indonesian people) Indonesia Lombok Rites and ceremonies Songs, Balinese Indonesia Lombok https://doi.org/10.1515/9780824861674 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Harnish, David D. Bridges to the Ancestors Music, Myth, and Cultural Politics at an Indonesian Festival SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Fasts and feasts Indonesia Lombok Hindus Indonesia Lombok Muslims Indonesia Lombok Mythology, Balinese Indonesia Lombok Political culture Indonesia Lombok Sasak (Indonesian people) Indonesia Lombok Religion Sasak (Indonesian people) Indonesia Lombok Rites and ceremonies Songs, Balinese Indonesia Lombok |
title | Bridges to the Ancestors Music, Myth, and Cultural Politics at an Indonesian Festival |
title_auth | Bridges to the Ancestors Music, Myth, and Cultural Politics at an Indonesian Festival |
title_exact_search | Bridges to the Ancestors Music, Myth, and Cultural Politics at an Indonesian Festival |
title_exact_search_txtP | Bridges to the Ancestors Music, Myth, and Cultural Politics at an Indonesian Festival |
title_full | Bridges to the Ancestors Music, Myth, and Cultural Politics at an Indonesian Festival David D. Harnish |
title_fullStr | Bridges to the Ancestors Music, Myth, and Cultural Politics at an Indonesian Festival David D. Harnish |
title_full_unstemmed | Bridges to the Ancestors Music, Myth, and Cultural Politics at an Indonesian Festival David D. Harnish |
title_short | Bridges to the Ancestors |
title_sort | bridges to the ancestors music myth and cultural politics at an indonesian festival |
title_sub | Music, Myth, and Cultural Politics at an Indonesian Festival |
topic | SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Fasts and feasts Indonesia Lombok Hindus Indonesia Lombok Muslims Indonesia Lombok Mythology, Balinese Indonesia Lombok Political culture Indonesia Lombok Sasak (Indonesian people) Indonesia Lombok Religion Sasak (Indonesian people) Indonesia Lombok Rites and ceremonies Songs, Balinese Indonesia Lombok |
topic_facet | SOCIAL SCIENCE / Anthropology / Cultural & Social Fasts and feasts Indonesia Lombok Hindus Indonesia Lombok Muslims Indonesia Lombok Mythology, Balinese Indonesia Lombok Political culture Indonesia Lombok Sasak (Indonesian people) Indonesia Lombok Religion Sasak (Indonesian people) Indonesia Lombok Rites and ceremonies Songs, Balinese Indonesia Lombok |
url | https://doi.org/10.1515/9780824861674 |
work_keys_str_mv | AT harnishdavidd bridgestotheancestorsmusicmythandculturalpoliticsatanindonesianfestival |