Art as Politics: Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia
Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa'dan Toraja, a predominantly Christian minority group in the world's...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2006]
|
| Schriftenreihe: | Southeast Asia: Politics, Meaning, and Memory
2 |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa'dan Toraja, a predominantly Christian minority group in the world's most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations.In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished "traditional" objects-as well as monumental displays, museums, UNESCO ideas about "word heritage," and the World Wide Web-to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders-be they tourists, art collectors, members of rival ethnic groups, or government officials-have appropriated and reframed Toraja art objects for their own purposes. Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval.Ultimately, this insightful work prompts readers to rethink persistent and pernicious popular assumptions-that tourism invariably brings a loss of agency to local communities or that tourist art is a compromised form of expression. Art as Politics promises to be a favorite with students and scholars of anthropology, sociology, cultural studies, ethnic relations, art, and Asian studies |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (304 pages) 35 illus., 15 in color |
| ISBN: | 9780824861483 |
| DOI: | 10.1515/9780824861483 |
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| 520 | |a Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa'dan Toraja, a predominantly Christian minority group in the world's most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations.In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished "traditional" objects-as well as monumental displays, museums, UNESCO ideas about "word heritage," and the World Wide Web-to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders-be they tourists, art collectors, members of rival ethnic groups, or government officials-have appropriated and reframed Toraja art objects for their own purposes. Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval.Ultimately, this insightful work prompts readers to rethink persistent and pernicious popular assumptions-that tourism invariably brings a loss of agency to local communities or that tourist art is a compromised form of expression. Art as Politics promises to be a favorite with students and scholars of anthropology, sociology, cultural studies, ethnic relations, art, and Asian studies | ||
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Datensatz im Suchindex
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| id | DE-604.BV047666868 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:54:15Z |
| indexdate | 2024-07-10T09:18:45Z |
| institution | BVB |
| isbn | 9780824861483 |
| language | English |
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| physical | 1 online resource (304 pages) 35 illus., 15 in color |
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| series2 | Southeast Asia: Politics, Meaning, and Memory |
| spelling | Adams, Kathleen M. Verfasser aut Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia Kathleen M. Adams Honolulu University of Hawaii Press [2006] © 2006 1 online resource (304 pages) 35 illus., 15 in color txt rdacontent c rdamedia cr rdacarrier Southeast Asia: Politics, Meaning, and Memory 2 Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa'dan Toraja, a predominantly Christian minority group in the world's most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations.In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished "traditional" objects-as well as monumental displays, museums, UNESCO ideas about "word heritage," and the World Wide Web-to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders-be they tourists, art collectors, members of rival ethnic groups, or government officials-have appropriated and reframed Toraja art objects for their own purposes. Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval.Ultimately, this insightful work prompts readers to rethink persistent and pernicious popular assumptions-that tourism invariably brings a loss of agency to local communities or that tourist art is a compromised form of expression. Art as Politics promises to be a favorite with students and scholars of anthropology, sociology, cultural studies, ethnic relations, art, and Asian studies In English SOCIAL SCIENCE / Anthropology / General bisacsh Architecture, Toraja Indonesia Sulawesi Culture and tourism Indonesia Sulawesi Toraja (Indonesian people) Ethnic identity Toraja (Indonesian people) Social life and customs Wood-carving, Toraja Indonesia Sulawesi https://doi.org/10.1515/9780824861483 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Adams, Kathleen M. Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia SOCIAL SCIENCE / Anthropology / General bisacsh Architecture, Toraja Indonesia Sulawesi Culture and tourism Indonesia Sulawesi Toraja (Indonesian people) Ethnic identity Toraja (Indonesian people) Social life and customs Wood-carving, Toraja Indonesia Sulawesi |
| title | Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia |
| title_auth | Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia |
| title_exact_search | Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia |
| title_exact_search_txtP | Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia |
| title_full | Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia Kathleen M. Adams |
| title_fullStr | Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia Kathleen M. Adams |
| title_full_unstemmed | Art as Politics Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia Kathleen M. Adams |
| title_short | Art as Politics |
| title_sort | art as politics re crafting identities tourism and power in tana toraja indonesia |
| title_sub | Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia |
| topic | SOCIAL SCIENCE / Anthropology / General bisacsh Architecture, Toraja Indonesia Sulawesi Culture and tourism Indonesia Sulawesi Toraja (Indonesian people) Ethnic identity Toraja (Indonesian people) Social life and customs Wood-carving, Toraja Indonesia Sulawesi |
| topic_facet | SOCIAL SCIENCE / Anthropology / General Architecture, Toraja Indonesia Sulawesi Culture and tourism Indonesia Sulawesi Toraja (Indonesian people) Ethnic identity Toraja (Indonesian people) Social life and customs Wood-carving, Toraja Indonesia Sulawesi |
| url | https://doi.org/10.1515/9780824861483 |
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