In Search of Korean Traditional Opera: Discourses of Changguk
This is the first book on Korean opera in a language other than Korean. Its subject is ch'angguk, a form of musical theater that has developed over the last hundred years from the older narrative singing tradition of p'ansori. Andrew Killick examines the history and current practice of ch&...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2010]
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| Schriftenreihe: | Studies of the International Center for Korean Studies, Korea University
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | This is the first book on Korean opera in a language other than Korean. Its subject is ch'angguk, a form of musical theater that has developed over the last hundred years from the older narrative singing tradition of p'ansori. Andrew Killick examines the history and current practice of ch'angguk as an ongoing attempt to invent a traditional Korean opera form to compare with those of neighboring China and Japan. In this, the work addresses a growing interest within the fields of ethnomusicology and Asian studies in the adaptation of traditional arts to conditions in the modern world. Ch'angguk presents an intriguing case in that, unlike the "invented traditions" described in Hobsbawm and Ranger's influential book that were firmly established within a few years of their invention, ch'angguk remains in a marginal position relative to recognized traditional art forms such as South Korea's "Important Intangible Cultural Properties" after more than a century. Performers, writers, directors, and historians have looked for ways to make the genre more traditional, including looking outside Korea for comparisons with traditional theater forms in other countries and for recognition of ch'angguk as a national art form by international audiences.For the benefit of readers who have not seen ch'angguk performed, the author begins with a detailed description of a typical performance, illustrated with photographs and musical examples, followed by a history of the genre-from its still disputed origins in the early twentieth century through a major revival under Japanese colonial rule and the flourishing of an all-female version (yosong kukkuk) after Liberation to the efforts of the National Changgeuk Company and others to establish ch'angguk as Korean traditional opera. Killick concludes with analyses of the stories and music of ch'angguk and a personal view on developing a Korean national theater form for international audiences |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (288 pages) 43 b&w illustrations, 8 color plates |
| ISBN: | 9780824860806 |
| DOI: | 10.1515/9780824860806 |
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| 520 | |a This is the first book on Korean opera in a language other than Korean. Its subject is ch'angguk, a form of musical theater that has developed over the last hundred years from the older narrative singing tradition of p'ansori. Andrew Killick examines the history and current practice of ch'angguk as an ongoing attempt to invent a traditional Korean opera form to compare with those of neighboring China and Japan. In this, the work addresses a growing interest within the fields of ethnomusicology and Asian studies in the adaptation of traditional arts to conditions in the modern world. Ch'angguk presents an intriguing case in that, unlike the "invented traditions" described in Hobsbawm and Ranger's influential book that were firmly established within a few years of their invention, ch'angguk remains in a marginal position relative to recognized traditional art forms such as South Korea's "Important Intangible Cultural Properties" after more than a century. Performers, writers, directors, and historians have looked for ways to make the genre more traditional, including looking outside Korea for comparisons with traditional theater forms in other countries and for recognition of ch'angguk as a national art form by international audiences.For the benefit of readers who have not seen ch'angguk performed, the author begins with a detailed description of a typical performance, illustrated with photographs and musical examples, followed by a history of the genre-from its still disputed origins in the early twentieth century through a major revival under Japanese colonial rule and the flourishing of an all-female version (yosong kukkuk) after Liberation to the efforts of the National Changgeuk Company and others to establish ch'angguk as Korean traditional opera. Killick concludes with analyses of the stories and music of ch'angguk and a personal view on developing a Korean national theater form for international audiences | ||
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Datensatz im Suchindex
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| author | Killick, Andrew |
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| dewey-sort | 3782.109519 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
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| doi_str_mv | 10.1515/9780824860806 |
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| isbn | 9780824860806 |
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| series2 | Studies of the International Center for Korean Studies, Korea University |
| spelling | Killick, Andrew Verfasser aut In Search of Korean Traditional Opera Discourses of Changguk Andrew Killick Honolulu University of Hawaii Press [2010] © 2010 1 online resource (288 pages) 43 b&w illustrations, 8 color plates txt rdacontent c rdamedia cr rdacarrier Studies of the International Center for Korean Studies, Korea University Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) This is the first book on Korean opera in a language other than Korean. Its subject is ch'angguk, a form of musical theater that has developed over the last hundred years from the older narrative singing tradition of p'ansori. Andrew Killick examines the history and current practice of ch'angguk as an ongoing attempt to invent a traditional Korean opera form to compare with those of neighboring China and Japan. In this, the work addresses a growing interest within the fields of ethnomusicology and Asian studies in the adaptation of traditional arts to conditions in the modern world. Ch'angguk presents an intriguing case in that, unlike the "invented traditions" described in Hobsbawm and Ranger's influential book that were firmly established within a few years of their invention, ch'angguk remains in a marginal position relative to recognized traditional art forms such as South Korea's "Important Intangible Cultural Properties" after more than a century. Performers, writers, directors, and historians have looked for ways to make the genre more traditional, including looking outside Korea for comparisons with traditional theater forms in other countries and for recognition of ch'angguk as a national art form by international audiences.For the benefit of readers who have not seen ch'angguk performed, the author begins with a detailed description of a typical performance, illustrated with photographs and musical examples, followed by a history of the genre-from its still disputed origins in the early twentieth century through a major revival under Japanese colonial rule and the flourishing of an all-female version (yosong kukkuk) after Liberation to the efforts of the National Changgeuk Company and others to establish ch'angguk as Korean traditional opera. Killick concludes with analyses of the stories and music of ch'angguk and a personal view on developing a Korean national theater form for international audiences In English MUSIC / Genres & Styles / Opera bisacsh https://doi.org/10.1515/9780824860806 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Killick, Andrew In Search of Korean Traditional Opera Discourses of Changguk MUSIC / Genres & Styles / Opera bisacsh |
| title | In Search of Korean Traditional Opera Discourses of Changguk |
| title_auth | In Search of Korean Traditional Opera Discourses of Changguk |
| title_exact_search | In Search of Korean Traditional Opera Discourses of Changguk |
| title_exact_search_txtP | In Search of Korean Traditional Opera Discourses of Changguk |
| title_full | In Search of Korean Traditional Opera Discourses of Changguk Andrew Killick |
| title_fullStr | In Search of Korean Traditional Opera Discourses of Changguk Andrew Killick |
| title_full_unstemmed | In Search of Korean Traditional Opera Discourses of Changguk Andrew Killick |
| title_short | In Search of Korean Traditional Opera |
| title_sort | in search of korean traditional opera discourses of changguk |
| title_sub | Discourses of Changguk |
| topic | MUSIC / Genres & Styles / Opera bisacsh |
| topic_facet | MUSIC / Genres & Styles / Opera |
| url | https://doi.org/10.1515/9780824860806 |
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