DV-Made China: Digital Subjects and Social Transformations after Independent Film
In 1990s post-Reform China, a growing number of people armed with video cameras poured out upon the Chinese landscape to both observe and contribute to the social changes then underway. Happening upon the crucial platform of an older independent film movement, this digital turn has given us a "...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2015]
|
| Schriftenreihe: | Critical Interventions
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | In 1990s post-Reform China, a growing number of people armed with video cameras poured out upon the Chinese landscape to both observe and contribute to the social changes then underway. Happening upon the crucial platform of an older independent film movement, this digital turn has given us a "DV China" that includes film and media communities across different social strata and disenfranchised groups, including ethnic and religious minorities and LGBTQ communities. DV-Made China takes stock of these phenomena by surveying the social and cultural landscape of grassroots and alternative cinema practices after the digital turn around the beginning of the new century.The volume shows how Chinese independent, amateur, and activist filmmakers energize the tension between old and new media, performance and representation, fiction and non-fiction, art and politics, China and the world. Essays by scholars in cinema and media studies, anthropology, history, Asian and Tibetan studies bring innovative interdisciplinary methodologies to critically expand upon existing scholarship on contemporary Chinese independent documentary. Their inquiries then extend to narrative feature, activist video, animation, and other digital hybrids. At every turn, the book confronts digital ironies: On the one hand, its portability facilitates forms of radically private film production and audience habits of small-screen consumption. Yet it also simultaneously links up makers and consumers, curators and censors allowing for speedier circulation, more discussion, and quicker formations of public political and aesthetic discourses. DV-Made China introduces new frameworks in a Chinese setting that range from aesthetics to ethical activism, from digital shooting and editing techniques to the politics of film circulation in festivals and online. Politics, the authors urge, travels along paths of aesthetic excitement, and aesthetic choices, conversely, always bear ethical consequences. The films, their makers, their audiences and their distributional pathways all harbor implications for social change that are closely intertwined with the fate of media culture in the new century of a world that both contains and is influenced by China |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) |
| Beschreibung: | 1 online resource (400 pages) 60 illustrations |
| ISBN: | 9780824854317 |
| DOI: | 10.1515/9780824854317 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047666823 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220112s2015 |||| o||u| ||||||eng d | ||
| 020 | |a 9780824854317 |9 978-0-8248-5431-7 | ||
| 024 | 7 | |a 10.1515/9780824854317 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780824854317 | ||
| 035 | |a (OCoLC)1101921091 | ||
| 035 | |a (DE-599)BVBBV047666823 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1043 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-739 |a DE-473 | ||
| 082 | 0 | |a 791.430951 |2 23 | |
| 245 | 1 | 0 | |a DV-Made China |b Digital Subjects and Social Transformations after Independent Film |c ed. by Angela Zito, Sheldon Hsiao-peng Lu, Zhen Zhang |
| 264 | 1 | |a Honolulu |b University of Hawaii Press |c [2015] | |
| 264 | 4 | |c © 2015 | |
| 300 | |a 1 online resource (400 pages) |b 60 illustrations | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Critical Interventions | |
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) | ||
| 520 | |a In 1990s post-Reform China, a growing number of people armed with video cameras poured out upon the Chinese landscape to both observe and contribute to the social changes then underway. Happening upon the crucial platform of an older independent film movement, this digital turn has given us a "DV China" that includes film and media communities across different social strata and disenfranchised groups, including ethnic and religious minorities and LGBTQ communities. DV-Made China takes stock of these phenomena by surveying the social and cultural landscape of grassroots and alternative cinema practices after the digital turn around the beginning of the new century.The volume shows how Chinese independent, amateur, and activist filmmakers energize the tension between old and new media, performance and representation, fiction and non-fiction, art and politics, China and the world. | ||
| 520 | |a Essays by scholars in cinema and media studies, anthropology, history, Asian and Tibetan studies bring innovative interdisciplinary methodologies to critically expand upon existing scholarship on contemporary Chinese independent documentary. Their inquiries then extend to narrative feature, activist video, animation, and other digital hybrids. At every turn, the book confronts digital ironies: On the one hand, its portability facilitates forms of radically private film production and audience habits of small-screen consumption. Yet it also simultaneously links up makers and consumers, curators and censors allowing for speedier circulation, more discussion, and quicker formations of public political and aesthetic discourses. DV-Made China introduces new frameworks in a Chinese setting that range from aesthetics to ethical activism, from digital shooting and editing techniques to the politics of film circulation in festivals and online. | ||
| 520 | |a Politics, the authors urge, travels along paths of aesthetic excitement, and aesthetic choices, conversely, always bear ethical consequences. The films, their makers, their audiences and their distributional pathways all harbor implications for social change that are closely intertwined with the fate of media culture in the new century of a world that both contains and is influenced by China | ||
| 546 | |a In English | ||
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 4 | |a Digital cinematography |z China | |
| 650 | 4 | |a Independent films |z China | |
| 700 | 1 | |a Barnett, Robert |e Sonstige |4 oth | |
| 700 | 1 | |a Cho, Ting-Wu |e Sonstige |4 oth | |
| 700 | 1 | |a Gao, Dan |e Sonstige |4 oth | |
| 700 | 1 | |a Li, Jie |e Sonstige |4 oth | |
| 700 | 1 | |a Lu, Sheldon Hsiao-peng |e Sonstige |4 oth | |
| 700 | 1 | |a Nornes, Abé Mark |e Sonstige |4 oth | |
| 700 | 1 | |a Reynaud, Bérénice |e Sonstige |4 oth | |
| 700 | 1 | |a Robinson, Luke |e Sonstige |4 oth | |
| 700 | 1 | |a Shen, Shuang |e Sonstige |4 oth | |
| 700 | 1 | |a Sniadecki, J. P. |e Sonstige |4 oth | |
| 700 | 1 | |a Voci, Paola |e Sonstige |4 oth | |
| 700 | 1 | |a Wang, Qi |e Sonstige |4 oth | |
| 700 | 1 | |a Zhang, Zhen |e Sonstige |4 oth | |
| 700 | 1 | |a Zhen, Zhang |e Sonstige |4 oth | |
| 700 | 1 | |a Zito, Angela |e Sonstige |4 oth | |
| 700 | 1 | |a Zito, Angela |e Sonstige |4 oth | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780824854317 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033051543 | ||
| 966 | e | |u https://doi.org/10.1515/9780824854317 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780824854317 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780824854317 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780824854317 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780824854317 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780824854317 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780824854317 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780824854317 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183142988251136 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| building | Verbundindex |
| bvnumber | BV047666823 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780824854317 (OCoLC)1101921091 (DE-599)BVBBV047666823 |
| dewey-full | 791.430951 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430951 |
| dewey-search | 791.430951 |
| dewey-sort | 3791.430951 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9780824854317 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05318nmm a2200709zc 4500</leader><controlfield tag="001">BV047666823</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220112s2015 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780824854317</subfield><subfield code="9">978-0-8248-5431-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780824854317</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780824854317</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1101921091</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047666823</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.430951</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">DV-Made China</subfield><subfield code="b">Digital Subjects and Social Transformations after Independent Film</subfield><subfield code="c">ed. by Angela Zito, Sheldon Hsiao-peng Lu, Zhen Zhang</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Honolulu</subfield><subfield code="b">University of Hawaii Press</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (400 pages)</subfield><subfield code="b">60 illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Critical Interventions</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In 1990s post-Reform China, a growing number of people armed with video cameras poured out upon the Chinese landscape to both observe and contribute to the social changes then underway. Happening upon the crucial platform of an older independent film movement, this digital turn has given us a "DV China" that includes film and media communities across different social strata and disenfranchised groups, including ethnic and religious minorities and LGBTQ communities. DV-Made China takes stock of these phenomena by surveying the social and cultural landscape of grassroots and alternative cinema practices after the digital turn around the beginning of the new century.The volume shows how Chinese independent, amateur, and activist filmmakers energize the tension between old and new media, performance and representation, fiction and non-fiction, art and politics, China and the world. </subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Essays by scholars in cinema and media studies, anthropology, history, Asian and Tibetan studies bring innovative interdisciplinary methodologies to critically expand upon existing scholarship on contemporary Chinese independent documentary. Their inquiries then extend to narrative feature, activist video, animation, and other digital hybrids. At every turn, the book confronts digital ironies: On the one hand, its portability facilitates forms of radically private film production and audience habits of small-screen consumption. Yet it also simultaneously links up makers and consumers, curators and censors allowing for speedier circulation, more discussion, and quicker formations of public political and aesthetic discourses. DV-Made China introduces new frameworks in a Chinese setting that range from aesthetics to ethical activism, from digital shooting and editing techniques to the politics of film circulation in festivals and online. </subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Politics, the authors urge, travels along paths of aesthetic excitement, and aesthetic choices, conversely, always bear ethical consequences. The films, their makers, their audiences and their distributional pathways all harbor implications for social change that are closely intertwined with the fate of media culture in the new century of a world that both contains and is influenced by China</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Digital cinematography</subfield><subfield code="z">China</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Independent films</subfield><subfield code="z">China</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Barnett, Robert</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cho, Ting-Wu</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gao, Dan</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Li, Jie</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lu, Sheldon Hsiao-peng</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Nornes, Abé Mark</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Reynaud, Bérénice</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Robinson, Luke</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Shen, Shuang</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sniadecki, J. P.</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Voci, Paola</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wang, Qi</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Zhang, Zhen</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Zhen, Zhang</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Zito, Angela</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Zito, Angela</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780824854317</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033051543</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824854317</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824854317</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824854317</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824854317</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824854317</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824854317</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824854317</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780824854317</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047666823 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:54:15Z |
| indexdate | 2024-07-10T09:18:44Z |
| institution | BVB |
| isbn | 9780824854317 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033051543 |
| oclc_num | 1101921091 |
| open_access_boolean | |
| owner | DE-1046 DE-1043 DE-858 DE-Aug4 DE-859 DE-860 DE-739 DE-473 DE-BY-UBG |
| owner_facet | DE-1046 DE-1043 DE-858 DE-Aug4 DE-859 DE-860 DE-739 DE-473 DE-BY-UBG |
| physical | 1 online resource (400 pages) 60 illustrations |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | University of Hawaii Press |
| record_format | marc |
| series2 | Critical Interventions |
| spelling | DV-Made China Digital Subjects and Social Transformations after Independent Film ed. by Angela Zito, Sheldon Hsiao-peng Lu, Zhen Zhang Honolulu University of Hawaii Press [2015] © 2015 1 online resource (400 pages) 60 illustrations txt rdacontent c rdamedia cr rdacarrier Critical Interventions Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) In 1990s post-Reform China, a growing number of people armed with video cameras poured out upon the Chinese landscape to both observe and contribute to the social changes then underway. Happening upon the crucial platform of an older independent film movement, this digital turn has given us a "DV China" that includes film and media communities across different social strata and disenfranchised groups, including ethnic and religious minorities and LGBTQ communities. DV-Made China takes stock of these phenomena by surveying the social and cultural landscape of grassroots and alternative cinema practices after the digital turn around the beginning of the new century.The volume shows how Chinese independent, amateur, and activist filmmakers energize the tension between old and new media, performance and representation, fiction and non-fiction, art and politics, China and the world. Essays by scholars in cinema and media studies, anthropology, history, Asian and Tibetan studies bring innovative interdisciplinary methodologies to critically expand upon existing scholarship on contemporary Chinese independent documentary. Their inquiries then extend to narrative feature, activist video, animation, and other digital hybrids. At every turn, the book confronts digital ironies: On the one hand, its portability facilitates forms of radically private film production and audience habits of small-screen consumption. Yet it also simultaneously links up makers and consumers, curators and censors allowing for speedier circulation, more discussion, and quicker formations of public political and aesthetic discourses. DV-Made China introduces new frameworks in a Chinese setting that range from aesthetics to ethical activism, from digital shooting and editing techniques to the politics of film circulation in festivals and online. Politics, the authors urge, travels along paths of aesthetic excitement, and aesthetic choices, conversely, always bear ethical consequences. The films, their makers, their audiences and their distributional pathways all harbor implications for social change that are closely intertwined with the fate of media culture in the new century of a world that both contains and is influenced by China In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Digital cinematography China Independent films China Barnett, Robert Sonstige oth Cho, Ting-Wu Sonstige oth Gao, Dan Sonstige oth Li, Jie Sonstige oth Lu, Sheldon Hsiao-peng Sonstige oth Nornes, Abé Mark Sonstige oth Reynaud, Bérénice Sonstige oth Robinson, Luke Sonstige oth Shen, Shuang Sonstige oth Sniadecki, J. P. Sonstige oth Voci, Paola Sonstige oth Wang, Qi Sonstige oth Zhang, Zhen Sonstige oth Zhen, Zhang Sonstige oth Zito, Angela Sonstige oth https://doi.org/10.1515/9780824854317 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | DV-Made China Digital Subjects and Social Transformations after Independent Film PERFORMING ARTS / Film & Video / History & Criticism bisacsh Digital cinematography China Independent films China |
| title | DV-Made China Digital Subjects and Social Transformations after Independent Film |
| title_auth | DV-Made China Digital Subjects and Social Transformations after Independent Film |
| title_exact_search | DV-Made China Digital Subjects and Social Transformations after Independent Film |
| title_exact_search_txtP | DV-Made China Digital Subjects and Social Transformations after Independent Film |
| title_full | DV-Made China Digital Subjects and Social Transformations after Independent Film ed. by Angela Zito, Sheldon Hsiao-peng Lu, Zhen Zhang |
| title_fullStr | DV-Made China Digital Subjects and Social Transformations after Independent Film ed. by Angela Zito, Sheldon Hsiao-peng Lu, Zhen Zhang |
| title_full_unstemmed | DV-Made China Digital Subjects and Social Transformations after Independent Film ed. by Angela Zito, Sheldon Hsiao-peng Lu, Zhen Zhang |
| title_short | DV-Made China |
| title_sort | dv made china digital subjects and social transformations after independent film |
| title_sub | Digital Subjects and Social Transformations after Independent Film |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Digital cinematography China Independent films China |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Digital cinematography China Independent films China |
| url | https://doi.org/10.1515/9780824854317 |
| work_keys_str_mv | AT barnettrobert dvmadechinadigitalsubjectsandsocialtransformationsafterindependentfilm AT chotingwu dvmadechinadigitalsubjectsandsocialtransformationsafterindependentfilm AT gaodan dvmadechinadigitalsubjectsandsocialtransformationsafterindependentfilm AT lijie dvmadechinadigitalsubjectsandsocialtransformationsafterindependentfilm AT lusheldonhsiaopeng dvmadechinadigitalsubjectsandsocialtransformationsafterindependentfilm AT nornesabemark dvmadechinadigitalsubjectsandsocialtransformationsafterindependentfilm AT reynaudberenice dvmadechinadigitalsubjectsandsocialtransformationsafterindependentfilm AT robinsonluke dvmadechinadigitalsubjectsandsocialtransformationsafterindependentfilm AT shenshuang dvmadechinadigitalsubjectsandsocialtransformationsafterindependentfilm AT sniadeckijp dvmadechinadigitalsubjectsandsocialtransformationsafterindependentfilm AT vocipaola dvmadechinadigitalsubjectsandsocialtransformationsafterindependentfilm AT wangqi dvmadechinadigitalsubjectsandsocialtransformationsafterindependentfilm AT zhangzhen dvmadechinadigitalsubjectsandsocialtransformationsafterindependentfilm AT zhenzhang dvmadechinadigitalsubjectsandsocialtransformationsafterindependentfilm AT zitoangela dvmadechinadigitalsubjectsandsocialtransformationsafterindependentfilm |