Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood
From melodrama to Cantonese opera, from silents to 3D animated film, Remaking Chinese Cinema traces cross-Pacific film remaking over the last eight decades. Through the refractive prism of Hollywood, Shanghai, and Hong Kong, Yiman Wang revolutionizes our understanding of Chinese cinema as national c...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2013]
|
| Schriftenreihe: | Critical Interventions
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | From melodrama to Cantonese opera, from silents to 3D animated film, Remaking Chinese Cinema traces cross-Pacific film remaking over the last eight decades. Through the refractive prism of Hollywood, Shanghai, and Hong Kong, Yiman Wang revolutionizes our understanding of Chinese cinema as national cinema. Against the diffusion model of national cinema spreading from a central point-Shanghai in the Chinese case-she argues for a multi-local process of co-constitution and reconstitution. In this spirit, Wang analyzes how southern Chinese cinema (huanan dianying) morphed into Hong Kong cinema through trans-regional and trans-national interactions that also produced a vision of Chinese cinema.Among the book's highlights are a rereading of The Goddess-one of the best-known silent Chinese films in the West-from the perspective of its wartime Mandarin-Cantonese remake; the excavation of a hybrid genre (the Western costume Cantonese opera film) inspired by Hollywood's fantasy films of the 1930s and produced in Hong Kong well into the mid-twentieth century; and a rumination on Hollywood's remake of Hong Kong's Infernal Affairs and the wholesale incorporation of "Chinese elements" in Kung Fu Panda 2.Positing a structural analogy between the utopic vision, the national cinema, and the location-specific collective subject position, the author traces their shared urge to infinitesimally approach, but never fully and finitely reach a projected goal. This energy precipitates the ongoing processes of cross-Pacific film remaking, which constitute a crucial site for imagining and enacting (without absolving) issues of national and regional border politics. These issues unfold in relation to global formations such as colonialism, Cold War ideology, and postcolonial, postsocialist globalization. As such, Remaking Chinese Cinema contributes to the ongoing debate on (trans-)national cinema from the unique perspective of century-long border-crossing film remaking |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) |
| Beschreibung: | 1 online resource (264 pages) 34 illus |
| ISBN: | 9780824837846 |
| DOI: | 10.1515/9780824837846 |
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| 520 | |a From melodrama to Cantonese opera, from silents to 3D animated film, Remaking Chinese Cinema traces cross-Pacific film remaking over the last eight decades. Through the refractive prism of Hollywood, Shanghai, and Hong Kong, Yiman Wang revolutionizes our understanding of Chinese cinema as national cinema. Against the diffusion model of national cinema spreading from a central point-Shanghai in the Chinese case-she argues for a multi-local process of co-constitution and reconstitution. In this spirit, Wang analyzes how southern Chinese cinema (huanan dianying) morphed into Hong Kong cinema through trans-regional and trans-national interactions that also produced a vision of Chinese cinema.Among the book's highlights are a rereading of The Goddess-one of the best-known silent Chinese films in the West-from the perspective of its wartime Mandarin-Cantonese remake; the excavation of a hybrid genre (the Western costume Cantonese opera film) inspired by Hollywood's fantasy films of the 1930s and produced in Hong Kong well into the mid-twentieth century; and a rumination on Hollywood's remake of Hong Kong's Infernal Affairs and the wholesale incorporation of "Chinese elements" in Kung Fu Panda 2.Positing a structural analogy between the utopic vision, the national cinema, and the location-specific collective subject position, the author traces their shared urge to infinitesimally approach, but never fully and finitely reach a projected goal. This energy precipitates the ongoing processes of cross-Pacific film remaking, which constitute a crucial site for imagining and enacting (without absolving) issues of national and regional border politics. These issues unfold in relation to global formations such as colonialism, Cold War ideology, and postcolonial, postsocialist globalization. As such, Remaking Chinese Cinema contributes to the ongoing debate on (trans-)national cinema from the unique perspective of century-long border-crossing film remaking | ||
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Datensatz im Suchindex
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:54:14Z |
| indexdate | 2024-07-10T09:18:44Z |
| institution | BVB |
| isbn | 9780824837846 |
| language | English |
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| spelling | Wang, Yiman Verfasser aut Remaking Chinese Cinema Through the Prism of Shanghai, Hong Kong, and Hollywood Yiman Wang Honolulu University of Hawaii Press [2013] © 2013 1 online resource (264 pages) 34 illus txt rdacontent c rdamedia cr rdacarrier Critical Interventions Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) From melodrama to Cantonese opera, from silents to 3D animated film, Remaking Chinese Cinema traces cross-Pacific film remaking over the last eight decades. Through the refractive prism of Hollywood, Shanghai, and Hong Kong, Yiman Wang revolutionizes our understanding of Chinese cinema as national cinema. Against the diffusion model of national cinema spreading from a central point-Shanghai in the Chinese case-she argues for a multi-local process of co-constitution and reconstitution. In this spirit, Wang analyzes how southern Chinese cinema (huanan dianying) morphed into Hong Kong cinema through trans-regional and trans-national interactions that also produced a vision of Chinese cinema.Among the book's highlights are a rereading of The Goddess-one of the best-known silent Chinese films in the West-from the perspective of its wartime Mandarin-Cantonese remake; the excavation of a hybrid genre (the Western costume Cantonese opera film) inspired by Hollywood's fantasy films of the 1930s and produced in Hong Kong well into the mid-twentieth century; and a rumination on Hollywood's remake of Hong Kong's Infernal Affairs and the wholesale incorporation of "Chinese elements" in Kung Fu Panda 2.Positing a structural analogy between the utopic vision, the national cinema, and the location-specific collective subject position, the author traces their shared urge to infinitesimally approach, but never fully and finitely reach a projected goal. This energy precipitates the ongoing processes of cross-Pacific film remaking, which constitute a crucial site for imagining and enacting (without absolving) issues of national and regional border politics. These issues unfold in relation to global formations such as colonialism, Cold War ideology, and postcolonial, postsocialist globalization. As such, Remaking Chinese Cinema contributes to the ongoing debate on (trans-)national cinema from the unique perspective of century-long border-crossing film remaking In English PERFORMING ARTS / Film & Video / General bisacsh Film remakes China History and criticism Motion pictures China History 20th century https://doi.org/10.1515/9780824837846 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Wang, Yiman Remaking Chinese Cinema Through the Prism of Shanghai, Hong Kong, and Hollywood PERFORMING ARTS / Film & Video / General bisacsh Film remakes China History and criticism Motion pictures China History 20th century |
| title | Remaking Chinese Cinema Through the Prism of Shanghai, Hong Kong, and Hollywood |
| title_auth | Remaking Chinese Cinema Through the Prism of Shanghai, Hong Kong, and Hollywood |
| title_exact_search | Remaking Chinese Cinema Through the Prism of Shanghai, Hong Kong, and Hollywood |
| title_exact_search_txtP | Remaking Chinese Cinema Through the Prism of Shanghai, Hong Kong, and Hollywood |
| title_full | Remaking Chinese Cinema Through the Prism of Shanghai, Hong Kong, and Hollywood Yiman Wang |
| title_fullStr | Remaking Chinese Cinema Through the Prism of Shanghai, Hong Kong, and Hollywood Yiman Wang |
| title_full_unstemmed | Remaking Chinese Cinema Through the Prism of Shanghai, Hong Kong, and Hollywood Yiman Wang |
| title_short | Remaking Chinese Cinema |
| title_sort | remaking chinese cinema through the prism of shanghai hong kong and hollywood |
| title_sub | Through the Prism of Shanghai, Hong Kong, and Hollywood |
| topic | PERFORMING ARTS / Film & Video / General bisacsh Film remakes China History and criticism Motion pictures China History 20th century |
| topic_facet | PERFORMING ARTS / Film & Video / General Film remakes China History and criticism Motion pictures China History 20th century |
| url | https://doi.org/10.1515/9780824837846 |
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