Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema
Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author's experience in Beijing and New York-global cities with extensive access to an emergent transnational Chi...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Honolulu
University of Hawaii Press
[2009]
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Schriftenreihe: | Critical Interventions
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Schlagworte: | |
Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author's experience in Beijing and New York-global cities with extensive access to an emergent transnational Chinese visual culture-this work situates selected artworks and films in the context of Chinese nationalism and post-socialism and against the background of the capitalist globalization that has so radically affected contemporary China. It juxtaposes and compares artists and independent filmmakers from a number of intertwined perspectives, particularly in their shared avant-garde postures and perceptions.Xiaoping Lin provides illuminating close readings of a variety of visual texts and artistic practices, including installation, performance, painting, photography, video, and film. Throughout he sustains a theoretical discussion of representative artworks and films and succeeds in delineating a variegated postsocialist cultural landscape saturated by market forces, confused values, and lost faith. This refreshing approach is due to Lin's ability to tackle both Chinese art and cinema rigorously within a shared discursive space. He, for example, aptly conceptualizes a central thematic concern in both genres as "postsocialist trauma" aggravated by capitalist globalization. By thus focusing exclusively on the two parallel and often intersecting movements or phenomena in the visual arts, his work brings about a fruitful dialogue between the narrow field of traditional art history and visual studies more generally.Children of Marx and Coca-Cola will be a major contribution to China studies, art history, film studies, and cultural studies. Multiple audiences-specialists, teachers, and students in these disciplines, as well as general readers with an interest in contemporary Chinese society and culture-will find that this work fulfills an urgent need for sophisticated analysis of China's cultural production as it assumes a key role in capitalist globalization |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
Beschreibung: | 1 online resource (320 pages) 30 b&w images |
ISBN: | 9780824837631 |
DOI: | 10.1515/9780824837631 |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Lin, Xiaoping |
author_facet | Lin, Xiaoping |
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discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
doi_str_mv | 10.1515/9780824837631 |
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index_date | 2024-07-03T18:54:14Z |
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institution | BVB |
isbn | 9780824837631 |
language | English |
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series2 | Critical Interventions |
spelling | Lin, Xiaoping Verfasser aut Children of Marx and Coca-Cola Chinese Avant-garde Art and Independent Cinema Xiaoping Lin Honolulu University of Hawaii Press [2009] © 2009 1 online resource (320 pages) 30 b&w images txt rdacontent c rdamedia cr rdacarrier Critical Interventions Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author's experience in Beijing and New York-global cities with extensive access to an emergent transnational Chinese visual culture-this work situates selected artworks and films in the context of Chinese nationalism and post-socialism and against the background of the capitalist globalization that has so radically affected contemporary China. It juxtaposes and compares artists and independent filmmakers from a number of intertwined perspectives, particularly in their shared avant-garde postures and perceptions.Xiaoping Lin provides illuminating close readings of a variety of visual texts and artistic practices, including installation, performance, painting, photography, video, and film. Throughout he sustains a theoretical discussion of representative artworks and films and succeeds in delineating a variegated postsocialist cultural landscape saturated by market forces, confused values, and lost faith. This refreshing approach is due to Lin's ability to tackle both Chinese art and cinema rigorously within a shared discursive space. He, for example, aptly conceptualizes a central thematic concern in both genres as "postsocialist trauma" aggravated by capitalist globalization. By thus focusing exclusively on the two parallel and often intersecting movements or phenomena in the visual arts, his work brings about a fruitful dialogue between the narrow field of traditional art history and visual studies more generally.Children of Marx and Coca-Cola will be a major contribution to China studies, art history, film studies, and cultural studies. Multiple audiences-specialists, teachers, and students in these disciplines, as well as general readers with an interest in contemporary Chinese society and culture-will find that this work fulfills an urgent need for sophisticated analysis of China's cultural production as it assumes a key role in capitalist globalization In English POLITICAL SCIENCE / Globalization bisacsh Art, Chinese 20th century Art, Chinese 21st century Arts and globalization China Avant-garde (Aesthetics) China Independent films China History and criticism https://doi.org/10.1515/9780824837631 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Lin, Xiaoping Children of Marx and Coca-Cola Chinese Avant-garde Art and Independent Cinema POLITICAL SCIENCE / Globalization bisacsh Art, Chinese 20th century Art, Chinese 21st century Arts and globalization China Avant-garde (Aesthetics) China Independent films China History and criticism |
title | Children of Marx and Coca-Cola Chinese Avant-garde Art and Independent Cinema |
title_auth | Children of Marx and Coca-Cola Chinese Avant-garde Art and Independent Cinema |
title_exact_search | Children of Marx and Coca-Cola Chinese Avant-garde Art and Independent Cinema |
title_exact_search_txtP | Children of Marx and Coca-Cola Chinese Avant-garde Art and Independent Cinema |
title_full | Children of Marx and Coca-Cola Chinese Avant-garde Art and Independent Cinema Xiaoping Lin |
title_fullStr | Children of Marx and Coca-Cola Chinese Avant-garde Art and Independent Cinema Xiaoping Lin |
title_full_unstemmed | Children of Marx and Coca-Cola Chinese Avant-garde Art and Independent Cinema Xiaoping Lin |
title_short | Children of Marx and Coca-Cola |
title_sort | children of marx and coca cola chinese avant garde art and independent cinema |
title_sub | Chinese Avant-garde Art and Independent Cinema |
topic | POLITICAL SCIENCE / Globalization bisacsh Art, Chinese 20th century Art, Chinese 21st century Arts and globalization China Avant-garde (Aesthetics) China Independent films China History and criticism |
topic_facet | POLITICAL SCIENCE / Globalization Art, Chinese 20th century Art, Chinese 21st century Arts and globalization China Avant-garde (Aesthetics) China Independent films China History and criticism |
url | https://doi.org/10.1515/9780824837631 |
work_keys_str_mv | AT linxiaoping childrenofmarxandcocacolachineseavantgardeartandindependentcinema |