The Undiscovered Country: Poetry in the Age of Tin
William Logan has been called both the "preeminent poet-critic of his generation" and the "most hated man in American poetry." For more than a quarter century, in the keen-witted and bare-knuckled reviews that have graced the New York Times Book Review, the Times Literary Supplem...
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Format: | Elektronisch E-Book |
Sprache: | English |
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New York, NY
Columbia University Press
[2008]
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Schlagworte: | |
Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
Zusammenfassung: | William Logan has been called both the "preeminent poet-critic of his generation" and the "most hated man in American poetry." For more than a quarter century, in the keen-witted and bare-knuckled reviews that have graced the New York Times Book Review, the Times Literary Supplement (London), and other journals, William Logan has delivered razor-sharp assessments of poets present and past. Logan, whom James Wolcott of Vanity Fair has praised as being "the best poetry critic in America," vividly assays the most memorable and most damning features of a poet's work. While his occasionally harsh judgments have raised some eyebrows and caused their share of controversy (a number of poets have offered to do him bodily harm), his readings offer the fresh and provocative perspectives of a passionate and uncompromising critic, unafraid to separate the tin from the gold.The longer essays in The Undiscovered Country explore a variety of poets who have shaped and shadowed contemporary verse, measuring the critical and textual traditions of Shakespeare's sonnets, Whitman's use of the American vernacular, the mystery of Marianne Moore, and Milton's invention of personality, as well as offering a thorough reconsideration of Robert Lowell and a groundbreaking analysis of Sylvia Plath's relationship to her father.Logan's unsparing "verse chronicles" present a survey of the successes and failures of contemporary verse. Neither a poet's tepid use of language nor lackadaisical ideas nor indulgence in grotesque sentimentality escapes this critic's eye. While railing against the blandness of much of today's poetry (and the critics who trumpet mediocre work), Logan also celebrates Paul Muldoon's high comedy, Anne Carson's quirky originality, Seamus Heaney's backward glances, Czeslaw Milosz's indictment of Polish poetry, and much more.Praise for Logan's previous works:Desperate Measures (2002)"When it comes to separating the serious from the fraudulent, the ambitious from the complacent, Logan has consistently shown us what is wheat and what is chaff.... The criticism we remember is neither savage nor mandarin.... There is no one in his generation more likely to write it than William Logan."-Adam Kirsch, Oxford AmericanReputations of the Tongue (1999)"Is there today a more stringent, caring reader of American poetry than William Logan? Reputations of the Tongue may, at moments, read harshly. But this edge is one of deeply considered and concerned authority. |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019) |
Beschreibung: | 1 online resource |
ISBN: | 9780231509923 |
DOI: | 10.7312/loga13638 |
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520 | |a While his occasionally harsh judgments have raised some eyebrows and caused their share of controversy (a number of poets have offered to do him bodily harm), his readings offer the fresh and provocative perspectives of a passionate and uncompromising critic, unafraid to separate the tin from the gold.The longer essays in The Undiscovered Country explore a variety of poets who have shaped and shadowed contemporary verse, measuring the critical and textual traditions of Shakespeare's sonnets, Whitman's use of the American vernacular, the mystery of Marianne Moore, and Milton's invention of personality, as well as offering a thorough reconsideration of Robert Lowell and a groundbreaking analysis of Sylvia Plath's relationship to her father.Logan's unsparing "verse chronicles" present a survey of the successes and failures of contemporary verse. Neither a poet's tepid use of language nor lackadaisical ideas nor indulgence in grotesque sentimentality escapes this critic's eye. | ||
520 | |a While railing against the blandness of much of today's poetry (and the critics who trumpet mediocre work), Logan also celebrates Paul Muldoon's high comedy, Anne Carson's quirky originality, Seamus Heaney's backward glances, Czeslaw Milosz's indictment of Polish poetry, and much more.Praise for Logan's previous works:Desperate Measures (2002)"When it comes to separating the serious from the fraudulent, the ambitious from the complacent, Logan has consistently shown us what is wheat and what is chaff.... The criticism we remember is neither savage nor mandarin.... There is no one in his generation more likely to write it than William Logan."-Adam Kirsch, Oxford AmericanReputations of the Tongue (1999)"Is there today a more stringent, caring reader of American poetry than William Logan? Reputations of the Tongue may, at moments, read harshly. But this edge is one of deeply considered and concerned authority. | ||
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author | Logan, William |
author_facet | Logan, William |
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author_sort | Logan, William |
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dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
doi_str_mv | 10.7312/loga13638 |
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language | English |
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spelling | Logan, William Verfasser aut The Undiscovered Country Poetry in the Age of Tin William Logan New York, NY Columbia University Press [2008] © 2008 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019) William Logan has been called both the "preeminent poet-critic of his generation" and the "most hated man in American poetry." For more than a quarter century, in the keen-witted and bare-knuckled reviews that have graced the New York Times Book Review, the Times Literary Supplement (London), and other journals, William Logan has delivered razor-sharp assessments of poets present and past. Logan, whom James Wolcott of Vanity Fair has praised as being "the best poetry critic in America," vividly assays the most memorable and most damning features of a poet's work. While his occasionally harsh judgments have raised some eyebrows and caused their share of controversy (a number of poets have offered to do him bodily harm), his readings offer the fresh and provocative perspectives of a passionate and uncompromising critic, unafraid to separate the tin from the gold.The longer essays in The Undiscovered Country explore a variety of poets who have shaped and shadowed contemporary verse, measuring the critical and textual traditions of Shakespeare's sonnets, Whitman's use of the American vernacular, the mystery of Marianne Moore, and Milton's invention of personality, as well as offering a thorough reconsideration of Robert Lowell and a groundbreaking analysis of Sylvia Plath's relationship to her father.Logan's unsparing "verse chronicles" present a survey of the successes and failures of contemporary verse. Neither a poet's tepid use of language nor lackadaisical ideas nor indulgence in grotesque sentimentality escapes this critic's eye. While railing against the blandness of much of today's poetry (and the critics who trumpet mediocre work), Logan also celebrates Paul Muldoon's high comedy, Anne Carson's quirky originality, Seamus Heaney's backward glances, Czeslaw Milosz's indictment of Polish poetry, and much more.Praise for Logan's previous works:Desperate Measures (2002)"When it comes to separating the serious from the fraudulent, the ambitious from the complacent, Logan has consistently shown us what is wheat and what is chaff.... The criticism we remember is neither savage nor mandarin.... There is no one in his generation more likely to write it than William Logan."-Adam Kirsch, Oxford AmericanReputations of the Tongue (1999)"Is there today a more stringent, caring reader of American poetry than William Logan? Reputations of the Tongue may, at moments, read harshly. But this edge is one of deeply considered and concerned authority. In English LITERARY CRITICISM / Poetry bisacsh American poetry History and criticism English poetry History and criticism https://doi.org/10.7312/loga13638 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Logan, William The Undiscovered Country Poetry in the Age of Tin LITERARY CRITICISM / Poetry bisacsh American poetry History and criticism English poetry History and criticism |
title | The Undiscovered Country Poetry in the Age of Tin |
title_auth | The Undiscovered Country Poetry in the Age of Tin |
title_exact_search | The Undiscovered Country Poetry in the Age of Tin |
title_exact_search_txtP | The Undiscovered Country Poetry in the Age of Tin |
title_full | The Undiscovered Country Poetry in the Age of Tin William Logan |
title_fullStr | The Undiscovered Country Poetry in the Age of Tin William Logan |
title_full_unstemmed | The Undiscovered Country Poetry in the Age of Tin William Logan |
title_short | The Undiscovered Country |
title_sort | the undiscovered country poetry in the age of tin |
title_sub | Poetry in the Age of Tin |
topic | LITERARY CRITICISM / Poetry bisacsh American poetry History and criticism English poetry History and criticism |
topic_facet | LITERARY CRITICISM / Poetry American poetry History and criticism English poetry History and criticism |
url | https://doi.org/10.7312/loga13638 |
work_keys_str_mv | AT loganwilliam theundiscoveredcountrypoetryintheageoftin |