Theatre and cartographies of power: repositioning the Latina/o Americas
From the colonial period to independence and into the twenty-first century, Latin American culture has been mapped as a subordinate "other" to Europe and the United States. This collection reconsiders geographical space and power and the ways in which theatrical and performance histories h...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Carbondale
Southern Illinois University Press
[2018]
|
| Schriftenreihe: | Theater in the Americas
|
| Schlagworte: | |
| Zusammenfassung: | From the colonial period to independence and into the twenty-first century, Latin American culture has been mapped as a subordinate "other" to Europe and the United States. This collection reconsiders geographical space and power and the ways in which theatrical and performance histories have been constructed throughout the Americas. Essays bridge political, racial, gender, class, and national divides that have traditionally restricted and distorted our understanding of Latin American theatre and performance. Contributors--scholars and artists from throughout the Americas, including well-known playwrights, directors, and performers--imagine how to reposition the Latina/o Americas in ways that offer agency to its multiple peoples, cultures, and histories. In addition, they explore the ways artists can create new maps and methods for their creative visions. Building on hemispheric and transnational models, this book demonstrates the capacity of theatre studies to challenge the up-down/North-South approach that dominates scholarship in the United States and presents a strong case for a repositioning of the Latina/o Americas in theatrical histories and practices--back cover |
| Beschreibung: | xii, 302 Seiten Illustrationen 24 cm |
| ISBN: | 9780809336319 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047666253 | ||
| 003 | DE-604 | ||
| 005 | 20220729 | ||
| 007 | t | ||
| 008 | 220112s2018 a||| b||| 00||| eng d | ||
| 020 | |a 9780809336319 |c (pbk.) |9 978-0-8093-3631-9 | ||
| 035 | |a (OCoLC)1310246255 | ||
| 035 | |a (DE-599)BVBBV047666253 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 245 | 1 | 0 | |a Theatre and cartographies of power |b repositioning the Latina/o Americas |c edited by Jimmy A. Noriega and Analola Santana |
| 246 | 1 | 3 | |a Theater and cartographies of power |
| 264 | 1 | |a Carbondale |b Southern Illinois University Press |c [2018] | |
| 300 | |a xii, 302 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Theater in the Americas | |
| 505 | 8 | 0 | |t Introduction: subverting the theatrical map |r Jimmy A. Noriega and Analola Santana |t Crafting theoretical frameworks from beyond the U.S. borders. Photo performance: transient corporalities |r Violeta Luna |t The liminal as constitutive of the theatrical event and the concepts of Teatro-Matriz and Liminal Theatre |r Jorge Dubatti |t Communitas of pain: performativities in mourning |r Ileana Diéguez |t Crisis, tension, and freedom: theatre and the baroque |r Patricio Vallejo Aristizábal |t A personal map/live hieroglyphs |r Gustavo Ott |t Rethinking histories of geography. Remapping Bogotá: Fernando de Orbea's invented narrative of conquest |r Gad Guterman |t To imagine a nuevomexicano theatre history |r Brian Eugenio Herrera |t Radical exposure: Regina José Galindo's Earth |r Diana Taylor |t Searching for home in all the wrong places: why my Nuyorican reality is stateless |r Migdalia Cruz |t The ambiguity of a country that does not think: cartographic exercise of a gay(?) theatre in Peru |r Diego La Hoz |t Siempre norteada |r Virginia Grise |t The historical body : race and ethnicity. Minstrels of empire: blackface and Black labor in Panama, 1850-1914 |r Katherine Zien |t Conquering a territory, occupying the stage: notes on Black theatre and activism in Brazil |r Carlos Cortez Minchillo |t From my universal village: the winged word |r Conchi León |t Repositioning migration: trabajadores desde otro mundo |r Debra A. Castillo |t The power of space |r Elaine Romero |t Rewriting the nation : theatrical methodology and experimentation. Modernity in crisis: Enrique Buenaventura and the new theatre |r Beatriz J. Rizk |
| 505 | 8 | 0 | |t Experiences from the center of Abya Yala |r Roxana Avila Harper |t Contemporary and Andean authorship |r Diego Aramburo |t The flight of the Golden Falcon: a road into war's profound sorrow |r Ana Correa |t Cabaret as a new muralism |r Astrid Hadad |t Cuba: changing stages? |r Eberto García Abreu |t Theatre in motion : global networks and production practices. Breaking the North-South paradigm |r Claudio Valdés Kuri |t Buenos Aires artists and contemporary transnational performance networks: Lola Arias transports the real |r Jean Graham-Jones |t Zoot suit in Mexico City: mapping a new American theatre |r Alma Martinez |t Latina performance north and transnational acciones against feminicide in the Americas |r Natalie Alvarez |t Inner dance. Outer joy. Autology. A route |r Josefina Báez |t The geopolitical challenges of directing bilingual plays: from the mainstream to the streets |r Jorge Huerta |t Notes from a geographer Manqué |r Guillermo Verdecchia |
| 520 | 3 | |a From the colonial period to independence and into the twenty-first century, Latin American culture has been mapped as a subordinate "other" to Europe and the United States. This collection reconsiders geographical space and power and the ways in which theatrical and performance histories have been constructed throughout the Americas. Essays bridge political, racial, gender, class, and national divides that have traditionally restricted and distorted our understanding of Latin American theatre and performance. Contributors--scholars and artists from throughout the Americas, including well-known playwrights, directors, and performers--imagine how to reposition the Latina/o Americas in ways that offer agency to its multiple peoples, cultures, and histories. In addition, they explore the ways artists can create new maps and methods for their creative visions. Building on hemispheric and transnational models, this book demonstrates the capacity of theatre studies to challenge the up-down/North-South approach that dominates scholarship in the United States and presents a strong case for a repositioning of the Latina/o Americas in theatrical histories and practices--back cover | |
| 650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Lateinamerika |0 (DE-588)4074032-8 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Theater / Latin America | |
| 653 | 0 | |a Theater and society / Latin America | |
| 653 | 0 | |a HISTORY / Latin America | |
| 653 | 0 | |a PERFORMING ARTS / Theater / Direction & Production | |
| 653 | 0 | |a PERFORMING ARTS / Theater / History & Criticism | |
| 653 | 0 | |a Theater | |
| 653 | 0 | |a Theater and society | |
| 653 | 2 | |a Latin America | |
| 689 | 0 | 0 | |a Lateinamerika |0 (DE-588)4074032-8 |D g |
| 689 | 0 | 1 | |a Theater |0 (DE-588)4059702-7 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Noriega, Jimmy A. |0 (DE-588)1249240522 |4 edt | |
| 700 | 1 | |a Santana, Analola |0 (DE-588)1231718382 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-8093-3632-6 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033050986 | ||
Datensatz im Suchindex
| _version_ | 1804183141273829376 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Noriega, Jimmy A. Santana, Analola |
| author2_role | edt edt |
| author2_variant | j a n ja jan a s as |
| author_GND | (DE-588)1249240522 (DE-588)1231718382 |
| author_additional | Jimmy A. Noriega and Analola Santana Violeta Luna Jorge Dubatti Ileana Diéguez Patricio Vallejo Aristizábal Gustavo Ott Gad Guterman Brian Eugenio Herrera Diana Taylor Migdalia Cruz Diego La Hoz Virginia Grise Katherine Zien Carlos Cortez Minchillo Conchi León Debra A. Castillo Elaine Romero Beatriz J. Rizk Roxana Avila Harper Diego Aramburo Ana Correa Astrid Hadad Eberto García Abreu Claudio Valdés Kuri Jean Graham-Jones Alma Martinez Natalie Alvarez Josefina Báez Jorge Huerta Guillermo Verdecchia |
| author_facet | Noriega, Jimmy A. Santana, Analola |
| building | Verbundindex |
| bvnumber | BV047666253 |
| contents | Introduction: subverting the theatrical map Crafting theoretical frameworks from beyond the U.S. borders. Photo performance: transient corporalities The liminal as constitutive of the theatrical event and the concepts of Teatro-Matriz and Liminal Theatre Communitas of pain: performativities in mourning Crisis, tension, and freedom: theatre and the baroque A personal map/live hieroglyphs Rethinking histories of geography. Remapping Bogotá: Fernando de Orbea's invented narrative of conquest To imagine a nuevomexicano theatre history Radical exposure: Regina José Galindo's Earth Searching for home in all the wrong places: why my Nuyorican reality is stateless The ambiguity of a country that does not think: cartographic exercise of a gay(?) theatre in Peru Siempre norteada The historical body : race and ethnicity. Minstrels of empire: blackface and Black labor in Panama, 1850-1914 Conquering a territory, occupying the stage: notes on Black theatre and activism in Brazil From my universal village: the winged word Repositioning migration: trabajadores desde otro mundo The power of space Rewriting the nation : theatrical methodology and experimentation. Modernity in crisis: Enrique Buenaventura and the new theatre Experiences from the center of Abya Yala Contemporary and Andean authorship The flight of the Golden Falcon: a road into war's profound sorrow Cabaret as a new muralism Cuba: changing stages? Theatre in motion : global networks and production practices. Breaking the North-South paradigm Buenos Aires artists and contemporary transnational performance networks: Lola Arias transports the real Zoot suit in Mexico City: mapping a new American theatre Latina performance north and transnational acciones against feminicide in the Americas Inner dance. Outer joy. Autology. A route The geopolitical challenges of directing bilingual plays: from the mainstream to the streets Notes from a geographer Manqué |
| ctrlnum | (OCoLC)1310246255 (DE-599)BVBBV047666253 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05388nam a2200493 c 4500</leader><controlfield tag="001">BV047666253</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220729 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220112s2018 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780809336319</subfield><subfield code="c">(pbk.)</subfield><subfield code="9">978-0-8093-3631-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1310246255</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047666253</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Theatre and cartographies of power</subfield><subfield code="b">repositioning the Latina/o Americas</subfield><subfield code="c">edited by Jimmy A. Noriega and Analola Santana</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Theater and cartographies of power</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Carbondale</subfield><subfield code="b">Southern Illinois University Press</subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xii, 302 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Theater in the Americas</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Introduction: subverting the theatrical map</subfield><subfield code="r">Jimmy A. Noriega and Analola Santana</subfield><subfield code="t">Crafting theoretical frameworks from beyond the U.S. borders. Photo performance: transient corporalities</subfield><subfield code="r">Violeta Luna</subfield><subfield code="t">The liminal as constitutive of the theatrical event and the concepts of Teatro-Matriz and Liminal Theatre</subfield><subfield code="r">Jorge Dubatti</subfield><subfield code="t">Communitas of pain: performativities in mourning</subfield><subfield code="r">Ileana Diéguez</subfield><subfield code="t">Crisis, tension, and freedom: theatre and the baroque</subfield><subfield code="r">Patricio Vallejo Aristizábal</subfield><subfield code="t">A personal map/live hieroglyphs</subfield><subfield code="r">Gustavo Ott</subfield><subfield code="t">Rethinking histories of geography. Remapping Bogotá: Fernando de Orbea's invented narrative of conquest</subfield><subfield code="r">Gad Guterman</subfield><subfield code="t">To imagine a nuevomexicano theatre history</subfield><subfield code="r">Brian Eugenio Herrera</subfield><subfield code="t">Radical exposure: Regina José Galindo's Earth</subfield><subfield code="r">Diana Taylor</subfield><subfield code="t">Searching for home in all the wrong places: why my Nuyorican reality is stateless</subfield><subfield code="r">Migdalia Cruz</subfield><subfield code="t">The ambiguity of a country that does not think: cartographic exercise of a gay(?) theatre in Peru</subfield><subfield code="r">Diego La Hoz</subfield><subfield code="t">Siempre norteada</subfield><subfield code="r">Virginia Grise</subfield><subfield code="t">The historical body : race and ethnicity. Minstrels of empire: blackface and Black labor in Panama, 1850-1914</subfield><subfield code="r">Katherine Zien</subfield><subfield code="t">Conquering a territory, occupying the stage: notes on Black theatre and activism in Brazil</subfield><subfield code="r">Carlos Cortez Minchillo</subfield><subfield code="t">From my universal village: the winged word</subfield><subfield code="r">Conchi León</subfield><subfield code="t">Repositioning migration: trabajadores desde otro mundo</subfield><subfield code="r">Debra A. Castillo</subfield><subfield code="t">The power of space</subfield><subfield code="r">Elaine Romero</subfield><subfield code="t">Rewriting the nation : theatrical methodology and experimentation. Modernity in crisis: Enrique Buenaventura and the new theatre</subfield><subfield code="r">Beatriz J. Rizk</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Experiences from the center of Abya Yala</subfield><subfield code="r">Roxana Avila Harper</subfield><subfield code="t">Contemporary and Andean authorship</subfield><subfield code="r">Diego Aramburo</subfield><subfield code="t">The flight of the Golden Falcon: a road into war's profound sorrow</subfield><subfield code="r">Ana Correa</subfield><subfield code="t">Cabaret as a new muralism</subfield><subfield code="r">Astrid Hadad</subfield><subfield code="t">Cuba: changing stages?</subfield><subfield code="r">Eberto García Abreu</subfield><subfield code="t">Theatre in motion : global networks and production practices. Breaking the North-South paradigm</subfield><subfield code="r">Claudio Valdés Kuri</subfield><subfield code="t">Buenos Aires artists and contemporary transnational performance networks: Lola Arias transports the real</subfield><subfield code="r">Jean Graham-Jones</subfield><subfield code="t">Zoot suit in Mexico City: mapping a new American theatre</subfield><subfield code="r">Alma Martinez</subfield><subfield code="t">Latina performance north and transnational acciones against feminicide in the Americas</subfield><subfield code="r">Natalie Alvarez</subfield><subfield code="t">Inner dance. Outer joy. Autology. A route</subfield><subfield code="r">Josefina Báez</subfield><subfield code="t">The geopolitical challenges of directing bilingual plays: from the mainstream to the streets</subfield><subfield code="r">Jorge Huerta</subfield><subfield code="t">Notes from a geographer Manqué</subfield><subfield code="r">Guillermo Verdecchia</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">From the colonial period to independence and into the twenty-first century, Latin American culture has been mapped as a subordinate "other" to Europe and the United States. This collection reconsiders geographical space and power and the ways in which theatrical and performance histories have been constructed throughout the Americas. Essays bridge political, racial, gender, class, and national divides that have traditionally restricted and distorted our understanding of Latin American theatre and performance. Contributors--scholars and artists from throughout the Americas, including well-known playwrights, directors, and performers--imagine how to reposition the Latina/o Americas in ways that offer agency to its multiple peoples, cultures, and histories. In addition, they explore the ways artists can create new maps and methods for their creative visions. Building on hemispheric and transnational models, this book demonstrates the capacity of theatre studies to challenge the up-down/North-South approach that dominates scholarship in the United States and presents a strong case for a repositioning of the Latina/o Americas in theatrical histories and practices--back cover</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Lateinamerika</subfield><subfield code="0">(DE-588)4074032-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theater / Latin America</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theater and society / Latin America</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">HISTORY / Latin America</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">PERFORMING ARTS / Theater / Direction & Production</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">PERFORMING ARTS / Theater / History & Criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theater</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theater and society</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Latin America</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Lateinamerika</subfield><subfield code="0">(DE-588)4074032-8</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Noriega, Jimmy A.</subfield><subfield code="0">(DE-588)1249240522</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Santana, Analola</subfield><subfield code="0">(DE-588)1231718382</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-8093-3632-6</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033050986</subfield></datafield></record></collection> |
| geographic | Lateinamerika (DE-588)4074032-8 gnd |
| geographic_facet | Lateinamerika |
| id | DE-604.BV047666253 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:54:07Z |
| indexdate | 2024-07-10T09:18:43Z |
| institution | BVB |
| isbn | 9780809336319 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033050986 |
| oclc_num | 1310246255 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xii, 302 Seiten Illustrationen 24 cm |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Southern Illinois University Press |
| record_format | marc |
| series2 | Theater in the Americas |
| spelling | Theatre and cartographies of power repositioning the Latina/o Americas edited by Jimmy A. Noriega and Analola Santana Theater and cartographies of power Carbondale Southern Illinois University Press [2018] xii, 302 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Theater in the Americas Introduction: subverting the theatrical map Jimmy A. Noriega and Analola Santana Crafting theoretical frameworks from beyond the U.S. borders. Photo performance: transient corporalities Violeta Luna The liminal as constitutive of the theatrical event and the concepts of Teatro-Matriz and Liminal Theatre Jorge Dubatti Communitas of pain: performativities in mourning Ileana Diéguez Crisis, tension, and freedom: theatre and the baroque Patricio Vallejo Aristizábal A personal map/live hieroglyphs Gustavo Ott Rethinking histories of geography. Remapping Bogotá: Fernando de Orbea's invented narrative of conquest Gad Guterman To imagine a nuevomexicano theatre history Brian Eugenio Herrera Radical exposure: Regina José Galindo's Earth Diana Taylor Searching for home in all the wrong places: why my Nuyorican reality is stateless Migdalia Cruz The ambiguity of a country that does not think: cartographic exercise of a gay(?) theatre in Peru Diego La Hoz Siempre norteada Virginia Grise The historical body : race and ethnicity. Minstrels of empire: blackface and Black labor in Panama, 1850-1914 Katherine Zien Conquering a territory, occupying the stage: notes on Black theatre and activism in Brazil Carlos Cortez Minchillo From my universal village: the winged word Conchi León Repositioning migration: trabajadores desde otro mundo Debra A. Castillo The power of space Elaine Romero Rewriting the nation : theatrical methodology and experimentation. Modernity in crisis: Enrique Buenaventura and the new theatre Beatriz J. Rizk Experiences from the center of Abya Yala Roxana Avila Harper Contemporary and Andean authorship Diego Aramburo The flight of the Golden Falcon: a road into war's profound sorrow Ana Correa Cabaret as a new muralism Astrid Hadad Cuba: changing stages? Eberto García Abreu Theatre in motion : global networks and production practices. Breaking the North-South paradigm Claudio Valdés Kuri Buenos Aires artists and contemporary transnational performance networks: Lola Arias transports the real Jean Graham-Jones Zoot suit in Mexico City: mapping a new American theatre Alma Martinez Latina performance north and transnational acciones against feminicide in the Americas Natalie Alvarez Inner dance. Outer joy. Autology. A route Josefina Báez The geopolitical challenges of directing bilingual plays: from the mainstream to the streets Jorge Huerta Notes from a geographer Manqué Guillermo Verdecchia From the colonial period to independence and into the twenty-first century, Latin American culture has been mapped as a subordinate "other" to Europe and the United States. This collection reconsiders geographical space and power and the ways in which theatrical and performance histories have been constructed throughout the Americas. Essays bridge political, racial, gender, class, and national divides that have traditionally restricted and distorted our understanding of Latin American theatre and performance. Contributors--scholars and artists from throughout the Americas, including well-known playwrights, directors, and performers--imagine how to reposition the Latina/o Americas in ways that offer agency to its multiple peoples, cultures, and histories. In addition, they explore the ways artists can create new maps and methods for their creative visions. Building on hemispheric and transnational models, this book demonstrates the capacity of theatre studies to challenge the up-down/North-South approach that dominates scholarship in the United States and presents a strong case for a repositioning of the Latina/o Americas in theatrical histories and practices--back cover Theater (DE-588)4059702-7 gnd rswk-swf Lateinamerika (DE-588)4074032-8 gnd rswk-swf Theater / Latin America Theater and society / Latin America HISTORY / Latin America PERFORMING ARTS / Theater / Direction & Production PERFORMING ARTS / Theater / History & Criticism Theater Theater and society Latin America Lateinamerika (DE-588)4074032-8 g Theater (DE-588)4059702-7 s DE-604 Noriega, Jimmy A. (DE-588)1249240522 edt Santana, Analola (DE-588)1231718382 edt Erscheint auch als Online-Ausgabe 978-0-8093-3632-6 |
| spellingShingle | Theatre and cartographies of power repositioning the Latina/o Americas Introduction: subverting the theatrical map Crafting theoretical frameworks from beyond the U.S. borders. Photo performance: transient corporalities The liminal as constitutive of the theatrical event and the concepts of Teatro-Matriz and Liminal Theatre Communitas of pain: performativities in mourning Crisis, tension, and freedom: theatre and the baroque A personal map/live hieroglyphs Rethinking histories of geography. Remapping Bogotá: Fernando de Orbea's invented narrative of conquest To imagine a nuevomexicano theatre history Radical exposure: Regina José Galindo's Earth Searching for home in all the wrong places: why my Nuyorican reality is stateless The ambiguity of a country that does not think: cartographic exercise of a gay(?) theatre in Peru Siempre norteada The historical body : race and ethnicity. Minstrels of empire: blackface and Black labor in Panama, 1850-1914 Conquering a territory, occupying the stage: notes on Black theatre and activism in Brazil From my universal village: the winged word Repositioning migration: trabajadores desde otro mundo The power of space Rewriting the nation : theatrical methodology and experimentation. Modernity in crisis: Enrique Buenaventura and the new theatre Experiences from the center of Abya Yala Contemporary and Andean authorship The flight of the Golden Falcon: a road into war's profound sorrow Cabaret as a new muralism Cuba: changing stages? Theatre in motion : global networks and production practices. Breaking the North-South paradigm Buenos Aires artists and contemporary transnational performance networks: Lola Arias transports the real Zoot suit in Mexico City: mapping a new American theatre Latina performance north and transnational acciones against feminicide in the Americas Inner dance. Outer joy. Autology. A route The geopolitical challenges of directing bilingual plays: from the mainstream to the streets Notes from a geographer Manqué Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4074032-8 |
| title | Theatre and cartographies of power repositioning the Latina/o Americas |
| title_alt | Theater and cartographies of power Introduction: subverting the theatrical map Crafting theoretical frameworks from beyond the U.S. borders. Photo performance: transient corporalities The liminal as constitutive of the theatrical event and the concepts of Teatro-Matriz and Liminal Theatre Communitas of pain: performativities in mourning Crisis, tension, and freedom: theatre and the baroque A personal map/live hieroglyphs Rethinking histories of geography. Remapping Bogotá: Fernando de Orbea's invented narrative of conquest To imagine a nuevomexicano theatre history Radical exposure: Regina José Galindo's Earth Searching for home in all the wrong places: why my Nuyorican reality is stateless The ambiguity of a country that does not think: cartographic exercise of a gay(?) theatre in Peru Siempre norteada The historical body : race and ethnicity. Minstrels of empire: blackface and Black labor in Panama, 1850-1914 Conquering a territory, occupying the stage: notes on Black theatre and activism in Brazil From my universal village: the winged word Repositioning migration: trabajadores desde otro mundo The power of space Rewriting the nation : theatrical methodology and experimentation. Modernity in crisis: Enrique Buenaventura and the new theatre Experiences from the center of Abya Yala Contemporary and Andean authorship The flight of the Golden Falcon: a road into war's profound sorrow Cabaret as a new muralism Cuba: changing stages? Theatre in motion : global networks and production practices. Breaking the North-South paradigm Buenos Aires artists and contemporary transnational performance networks: Lola Arias transports the real Zoot suit in Mexico City: mapping a new American theatre Latina performance north and transnational acciones against feminicide in the Americas Inner dance. Outer joy. Autology. A route The geopolitical challenges of directing bilingual plays: from the mainstream to the streets Notes from a geographer Manqué |
| title_auth | Theatre and cartographies of power repositioning the Latina/o Americas |
| title_exact_search | Theatre and cartographies of power repositioning the Latina/o Americas |
| title_exact_search_txtP | Theatre and cartographies of power repositioning the Latina/o Americas |
| title_full | Theatre and cartographies of power repositioning the Latina/o Americas edited by Jimmy A. Noriega and Analola Santana |
| title_fullStr | Theatre and cartographies of power repositioning the Latina/o Americas edited by Jimmy A. Noriega and Analola Santana |
| title_full_unstemmed | Theatre and cartographies of power repositioning the Latina/o Americas edited by Jimmy A. Noriega and Analola Santana |
| title_short | Theatre and cartographies of power |
| title_sort | theatre and cartographies of power repositioning the latina o americas |
| title_sub | repositioning the Latina/o Americas |
| topic | Theater (DE-588)4059702-7 gnd |
| topic_facet | Theater Lateinamerika |
| work_keys_str_mv | AT noriegajimmya theatreandcartographiesofpowerrepositioningthelatinaoamericas AT santanaanalola theatreandcartographiesofpowerrepositioningthelatinaoamericas AT noriegajimmya theaterandcartographiesofpower AT santanaanalola theaterandcartographiesofpower |