Marc Rossignol - the first day:
Marc Rossignol (°1954) developed an artistic practice that is rich and diverse, deploying different conceptual methods and material techniques, like painting, drawing, assemblage, sculpture and performance. Inspired by his encyclopedaedic interest in art history and the cultures of the world, Rossig...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
[Gent]
MER., imprint of Borgerhoff & Lamberigts
[2021]
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Schlagworte: | |
Zusammenfassung: | Marc Rossignol (°1954) developed an artistic practice that is rich and diverse, deploying different conceptual methods and material techniques, like painting, drawing, assemblage, sculpture and performance. Inspired by his encyclopedaedic interest in art history and the cultures of the world, Rossignol incorporates many different influences, among which the ideas of Abby Warburg, systems of signage, geometry and the practice of ?Kolams? (mandala-like shapes, drawn by woman in India using flour, chalk and rice).00Since 2004, Rossignol performs artistic actions by which he paints or draws simultaneously with his right and left hand, while reciting Edouard Glissant, François Cheng or Pasolini. A returning principle in his work and performances is the continuous line, that he employs according to Eulerian principles ? filling the total space of the canvas, ending where the line starts. He draws networks of continuous lines that invade the space, overlap, and become entangled in an inextricable web. Through the performance, a tension is raised; the experience of the body guides the mind, which becomes purely receptive. Both body and mind converge in the creation of an image that is deeply connected to the moment of production. The brush strokes indicate a route, from the source to the end, and thus underline the particular relationship with the time that flows |
Beschreibung: | 117 Seiten |
ISBN: | 9789463935241 946393524X |
Internformat
MARC
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520 | 3 | |a Marc Rossignol (°1954) developed an artistic practice that is rich and diverse, deploying different conceptual methods and material techniques, like painting, drawing, assemblage, sculpture and performance. Inspired by his encyclopedaedic interest in art history and the cultures of the world, Rossignol incorporates many different influences, among which the ideas of Abby Warburg, systems of signage, geometry and the practice of ?Kolams? (mandala-like shapes, drawn by woman in India using flour, chalk and rice).00Since 2004, Rossignol performs artistic actions by which he paints or draws simultaneously with his right and left hand, while reciting Edouard Glissant, François Cheng or Pasolini. A returning principle in his work and performances is the continuous line, that he employs according to Eulerian principles ? filling the total space of the canvas, ending where the line starts. He draws networks of continuous lines that invade the space, overlap, and become entangled in an inextricable web. Through the performance, a tension is raised; the experience of the body guides the mind, which becomes purely receptive. Both body and mind converge in the creation of an image that is deeply connected to the moment of production. The brush strokes indicate a route, from the source to the end, and thus underline the particular relationship with the time that flows | |
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700 | 1 | |a Bossche, Phillip van den |0 (DE-588)141744758 |4 wat | |
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Datensatz im Suchindex
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adam_text | |
adam_txt | |
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author | Rossignol, Marc 1954- |
author_GND | (DE-588)124455149X (DE-588)14350830X (DE-588)141744758 |
author_facet | Rossignol, Marc 1954- |
author_role | aut |
author_sort | Rossignol, Marc 1954- |
author_variant | m r mr |
building | Verbundindex |
bvnumber | BV047662350 |
callnumber-first | N - Fine Arts |
callnumber-label | N6490 |
callnumber-raw | N6490 |
callnumber-search | N6490 |
callnumber-sort | N 46490 |
callnumber-subject | N - Visual Arts |
classification_rvk | LI 99999 |
ctrlnum | (OCoLC)1291612189 (DE-599)KXP177574647X |
dewey-full | 700.411 |
dewey-hundreds | 700 - The arts |
dewey-ones | 700 - The arts |
dewey-raw | 700.411 |
dewey-search | 700.411 |
dewey-sort | 3700.411 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
format | Book |
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illustrated | Not Illustrated |
index_date | 2024-07-03T18:52:54Z |
indexdate | 2024-09-23T20:23:54Z |
institution | BVB |
isbn | 9789463935241 946393524X |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033047139 |
oclc_num | 1291612189 |
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owner | DE-255 |
owner_facet | DE-255 |
physical | 117 Seiten |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | MER., imprint of Borgerhoff & Lamberigts |
record_format | marc |
spelling | Rossignol, Marc 1954- (DE-588)124455149X art aut Marc Rossignol - the first day authors: Kate Christina Mayne, Marc Rossignol, Phillip Van den Bossche The first day [Gent] MER., imprint of Borgerhoff & Lamberigts [2021] 117 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier Marc Rossignol (°1954) developed an artistic practice that is rich and diverse, deploying different conceptual methods and material techniques, like painting, drawing, assemblage, sculpture and performance. Inspired by his encyclopedaedic interest in art history and the cultures of the world, Rossignol incorporates many different influences, among which the ideas of Abby Warburg, systems of signage, geometry and the practice of ?Kolams? (mandala-like shapes, drawn by woman in India using flour, chalk and rice).00Since 2004, Rossignol performs artistic actions by which he paints or draws simultaneously with his right and left hand, while reciting Edouard Glissant, François Cheng or Pasolini. A returning principle in his work and performances is the continuous line, that he employs according to Eulerian principles ? filling the total space of the canvas, ending where the line starts. He draws networks of continuous lines that invade the space, overlap, and become entangled in an inextricable web. Through the performance, a tension is raised; the experience of the body guides the mind, which becomes purely receptive. Both body and mind converge in the creation of an image that is deeply connected to the moment of production. The brush strokes indicate a route, from the source to the end, and thus underline the particular relationship with the time that flows Rossignol, Marc 1954- (DE-588)124455149X gnd rswk-swf Acrylmalerei (DE-588)4132048-7 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Rossignol, Marc 1954- (DE-588)124455149X p Acrylmalerei (DE-588)4132048-7 s DE-604 Mayne, Kate 1973- (DE-588)14350830X wat Bossche, Phillip van den (DE-588)141744758 wat |
spellingShingle | Rossignol, Marc 1954- Marc Rossignol - the first day Rossignol, Marc 1954- (DE-588)124455149X gnd Acrylmalerei (DE-588)4132048-7 gnd |
subject_GND | (DE-588)124455149X (DE-588)4132048-7 (DE-588)4145395-5 |
title | Marc Rossignol - the first day |
title_alt | The first day |
title_auth | Marc Rossignol - the first day |
title_exact_search | Marc Rossignol - the first day |
title_exact_search_txtP | Marc Rossignol - the first day |
title_full | Marc Rossignol - the first day authors: Kate Christina Mayne, Marc Rossignol, Phillip Van den Bossche |
title_fullStr | Marc Rossignol - the first day authors: Kate Christina Mayne, Marc Rossignol, Phillip Van den Bossche |
title_full_unstemmed | Marc Rossignol - the first day authors: Kate Christina Mayne, Marc Rossignol, Phillip Van den Bossche |
title_short | Marc Rossignol - the first day |
title_sort | marc rossignol the first day |
topic | Rossignol, Marc 1954- (DE-588)124455149X gnd Acrylmalerei (DE-588)4132048-7 gnd |
topic_facet | Rossignol, Marc 1954- Acrylmalerei Bildband |
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