The Oxford handbook of time in music:
As the art that calls most attention to temporality, music provides us with profound insight into the nature of time, and time equally offers us one of the richest lenses through which to interrogate musical practice and thought. In this volume, musical time, arrayed across a spectrum of genres and...
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Weitere Verfasser: | , , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York, NY
Oxford University Press
2021
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Schriftenreihe: | Oxford handbooks online
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Schlagworte: | |
Online-Zugang: | BSB01 KUBA1 KUBA4 UBM01 UBW01 Volltext |
Zusammenfassung: | As the art that calls most attention to temporality, music provides us with profound insight into the nature of time, and time equally offers us one of the richest lenses through which to interrogate musical practice and thought. In this volume, musical time, arrayed across a spectrum of genres and performance/compositional contexts is explored from a multiplicity of perspectives. The contributions to the volume all register the centrality of time to our understanding of music and music-making and offer perspectives on time in music, particularly though not exclusively attending to contemporary forms of musical work. In sharing insights drawn from philosophy, music theory, ethnomusicology, psychology of performance and cultural studies, the book articulates a range of understandings on the metrics, politics and socialities woven into musical time |
Beschreibung: | Includes bibliographical references and index Time in music and philosophy - Andrew Bowie -- - Cross-modality and embodiment of tempo and timing - Renee Timmers -- - Towards a cognitively-based quantification of metrical dissonance - Mark Gotham -- - The mind is a DJ: Rhythmic entrainment in beatmatching and embodied temporal processing - Maria A. G. Witek -- - Music, evolution, and the experience of time - John C. Bispham -- - Timescales and the temporal emergence of musicking - Juan M. Loaiza -- - Maelzel, the metronome, and the modern mechanics of musical time - Alexander E. Bonus -- - Time and ensemble dynamics in indeterminacy: John Cage's Concert for Piano and Orchestra - Emily Payne -- - Rhythm quantization: Notes on the history of a technocultural practice - Landon Morrison -- - Metrical displacement and group interaction in 'Evidence' by the Thelonious Monk Quartet - Ryan D. W. Bruce -- - The politics of musical time in the everyday life of ballet dancers - Jonathan Still -- - 11, 12 and 13 bar blues: Time and African-American country blues recordings (1925-38) - Andrew Bowsher -- - Non-isochronous meter in music from Mali - Rainer Polak -- - Temporalities of North Indian classical listening: How listeners use music to construct time - Chloe Alaghband-Zadeh -- - Timing in palaran: Coordination, control, and excitement in Javanese collaborative vocal accompaniment - Jonathan Roberts -- - Here at the bottom of the sky...: Negotiating time through phrase, form, and tradition within a New York performance network - Nathan C. Bakkum -- - Musical time in a fast world - Samuel Wilson -- - 'Making, not filling time': Time and notation in improvised musical performance - Floris Schuiling -- - The radical temporality of drum and bass - Toby Young -- - Music as time, music as timeless - Kristina Knowles -- - Introduction - Mark Doffman, Toby Young, Emily Payne -- - Distracted attention, temporal switches, and the consolations of performing - Anthony Gritten -- - Politicking musical time - Chris Stover -- - To be in time: Repetition, temporality, and the musical work - Nathan Mercieca -- - Forms of time in nineteenth-century music: Geology, the railway, and the novel - Lawrence Kramer -- - Rhythm, time, and presence - Anne Danielsen -- - Understanding musical instants - Rolf Inge God y |
Beschreibung: | 1 Online-Ressource (XII, 601 Seiten) Illustrationen |
ISBN: | 9780190947309 9780190947293 |
DOI: | 10.1093/oxfordhb/9780190947279.001.0001 |
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520 | |a As the art that calls most attention to temporality, music provides us with profound insight into the nature of time, and time equally offers us one of the richest lenses through which to interrogate musical practice and thought. In this volume, musical time, arrayed across a spectrum of genres and performance/compositional contexts is explored from a multiplicity of perspectives. The contributions to the volume all register the centrality of time to our understanding of music and music-making and offer perspectives on time in music, particularly though not exclusively attending to contemporary forms of musical work. In sharing insights drawn from philosophy, music theory, ethnomusicology, psychology of performance and cultural studies, the book articulates a range of understandings on the metrics, politics and socialities woven into musical time | ||
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author2 | Doffman, Mark ca. 20./21. Jh Payne, Emily 1985- Young, Toby 1990- |
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isbn | 9780190947309 9780190947293 |
language | English |
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record_format | marc |
series2 | Oxford handbooks online |
spelling | The Oxford handbook of time in music edited by Mark Doffman, Emily Payne, and Toby Young Time in music New York, NY Oxford University Press 2021 1 Online-Ressource (XII, 601 Seiten) Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier Oxford handbooks online Includes bibliographical references and index Time in music and philosophy - Andrew Bowie -- - Cross-modality and embodiment of tempo and timing - Renee Timmers -- - Towards a cognitively-based quantification of metrical dissonance - Mark Gotham -- - The mind is a DJ: Rhythmic entrainment in beatmatching and embodied temporal processing - Maria A. G. Witek -- - Music, evolution, and the experience of time - John C. Bispham -- - Timescales and the temporal emergence of musicking - Juan M. Loaiza -- - Maelzel, the metronome, and the modern mechanics of musical time - Alexander E. Bonus -- - Time and ensemble dynamics in indeterminacy: John Cage's Concert for Piano and Orchestra - Emily Payne -- - Rhythm quantization: Notes on the history of a technocultural practice - Landon Morrison -- - Metrical displacement and group interaction in 'Evidence' by the Thelonious Monk Quartet - Ryan D. W. Bruce -- - The politics of musical time in the everyday life of ballet dancers - Jonathan Still -- - 11, 12 and 13 bar blues: Time and African-American country blues recordings (1925-38) - Andrew Bowsher -- - Non-isochronous meter in music from Mali - Rainer Polak -- - Temporalities of North Indian classical listening: How listeners use music to construct time - Chloe Alaghband-Zadeh -- - Timing in palaran: Coordination, control, and excitement in Javanese collaborative vocal accompaniment - Jonathan Roberts -- - Here at the bottom of the sky...: Negotiating time through phrase, form, and tradition within a New York performance network - Nathan C. Bakkum -- - Musical time in a fast world - Samuel Wilson -- - 'Making, not filling time': Time and notation in improvised musical performance - Floris Schuiling -- - The radical temporality of drum and bass - Toby Young -- - Music as time, music as timeless - Kristina Knowles -- - Introduction - Mark Doffman, Toby Young, Emily Payne -- - Distracted attention, temporal switches, and the consolations of performing - Anthony Gritten -- - Politicking musical time - Chris Stover -- - To be in time: Repetition, temporality, and the musical work - Nathan Mercieca -- - Forms of time in nineteenth-century music: Geology, the railway, and the novel - Lawrence Kramer -- - Rhythm, time, and presence - Anne Danielsen -- - Understanding musical instants - Rolf Inge God y As the art that calls most attention to temporality, music provides us with profound insight into the nature of time, and time equally offers us one of the richest lenses through which to interrogate musical practice and thought. In this volume, musical time, arrayed across a spectrum of genres and performance/compositional contexts is explored from a multiplicity of perspectives. The contributions to the volume all register the centrality of time to our understanding of music and music-making and offer perspectives on time in music, particularly though not exclusively attending to contemporary forms of musical work. In sharing insights drawn from philosophy, music theory, ethnomusicology, psychology of performance and cultural studies, the book articulates a range of understandings on the metrics, politics and socialities woven into musical time Musical meter and rhythm Music / Psychological aspects Musik (DE-588)4040802-4 gnd rswk-swf Zeit (DE-588)4067461-7 gnd rswk-swf Zeit (DE-588)4067461-7 s Musik (DE-588)4040802-4 s DE-604 Doffman, Mark ca. 20./21. Jh. (DE-588)1032911840 edt Payne, Emily 1985- (DE-588)1155980271 edt Young, Toby 1990- (DE-588)1114331910 edt Erscheint auch als Druck-Ausgabe 978-0-19-094727-9 https://doi.org/10.1093/oxfordhb/9780190947279.001.0001 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | The Oxford handbook of time in music Time in music Musical meter and rhythm Music / Psychological aspects Musik (DE-588)4040802-4 gnd Zeit (DE-588)4067461-7 gnd |
subject_GND | (DE-588)4040802-4 (DE-588)4067461-7 |
title | The Oxford handbook of time in music |
title_alt | Time in music |
title_auth | The Oxford handbook of time in music |
title_exact_search | The Oxford handbook of time in music |
title_exact_search_txtP | The Oxford handbook of time in music |
title_full | The Oxford handbook of time in music edited by Mark Doffman, Emily Payne, and Toby Young |
title_fullStr | The Oxford handbook of time in music edited by Mark Doffman, Emily Payne, and Toby Young |
title_full_unstemmed | The Oxford handbook of time in music edited by Mark Doffman, Emily Payne, and Toby Young |
title_short | The Oxford handbook of time in music |
title_sort | the oxford handbook of time in music |
topic | Time in music Musical meter and rhythm Music / Psychological aspects Musik (DE-588)4040802-4 gnd Zeit (DE-588)4067461-7 gnd |
topic_facet | Time in music Musical meter and rhythm Music / Psychological aspects Musik Zeit |
url | https://doi.org/10.1093/oxfordhb/9780190947279.001.0001 |
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