Routledge handbook of art, science, and technology studies:
Gespeichert in:
Weitere Verfasser: | , , , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
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Schriftenreihe: | Routledge international handbooks
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | xxxv, 666 Seiten Illustrationen, Diagramme, Notenbeispiele (teilweise farbig) |
ISBN: | 9781138347304 9780367564926 |
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Contents List offigures List of tables Foreword by Caroline A. Jones Foreword by Trevor Pinch Notes on contributors XV xvi XX xxvi Introduction: The past, present, arid future of Art, Science, and Technology Studies Hannah Star Rogers and Megan K. Halpern 1 SECTION 1 Constructing borders and borders at the intersections of art and science Hannah Star Rogers 47 1 What counts as data and for whom: The role of the modest witness in art-science collaboration Silvia Casini 49 2 What can science and technology studies learn from art and design? Reflections on ‘Synthetic Aesthetics’ Jane Calvert and Pablo Schyfter 63 3 The skin of a living thought: art, science, and STS in practice Hanna Rose Shell 81 4 Aesthetic strategies for engaging with environmental governance Christian Nold and Karolina Sobecka 91
Contents SECTION 2 Making multidisciplinary histories Hannah Star Rogers 5 The art—science complex Chris Salter 103 105 124 6 Infrastructural inversions in sound art and STS Owen Marshall 7 Emotion, affect and participation: why science communication practitioners should embrace a feminist ethics of care in their work. Britt PEray 130 8 Robert Hooke’s Micrographia: a historical guide to navigating contemporary images Nina Sellars 141 9 The Xenopus pregnancy test: a performative experiment Eben Kirksey, Dehlia Hannah, Charlie Lotternian, and Lisa Jean Moore 163 SECTION 3 Methods and modes Megan K. Halpern 179 10 Doing research by means of art Regula Valérie Burri 183 11 More than human trading zones in design research and pedagogy Laura Forlano and Carla Sedini 198 12 Discovering alternative technological futures through literature Jennifer L. Lieberman 214 13 Art ’s Work in the Age of Biotechnology: how art can make arguments in science and technology studies Hannah Star Rogers 228 14 Recipes for Technoutopia: on hospitality and infrastructure as experimental performance Stephanie Beth Jordan 239 vi
Contents 15 Reflexivity practiced daily: theatricality in the performative doing of STS 249 Yelena Ghizman SECTION 4 Collaborations and collisions in art-science Megan K. Halpern 16 Trading between science and art worlds: from biology laboratory to art exhibition Nora S. Vaage 273 277 17 Art, artists, and the wrong kind of science education Kathryn de Ridder-Kignone 295 18 Negotiations and love songs: integration, fairness, and balance in an art-science collaboration Megan K. Halpern 319 19 Transdisciplinary со-inquiry as curatorial methodology: from the Canadian Arctic to the Calder Valley, Yorkshire Nicola Triscott and Anna Santomauro 335 SECTION 5 Institutions and infrastructures Kathryn de Ridder-Vignone 355 20 ArtSciLab: experimental publishing and knowledge production in collaborative transdisciplinary practices Alex Garcia Topete, Chaz Lilly, Cassini Nazir, and Roger F. Malina 359 21 Polymathic pedagogies: creating the conditions for interdisciplinary enquiry in art and science Heather Barnett, Nathan Cohen, and Adrian Holme 369 22 The future of arts integrative work: creating new avenues for advancing and expanding the field Edgar Cardenas, Sandra Rodegher, and Kevin Hamilton 384 23 Feasting the Lab and other projects: art and science that skirts the limits of institutional frameworks Jennifer ll’illet 396 vii
Contents SECTION б Democracy and activism Hannah Star Rogers 24 We’re all living in an Estroworld Mary Maggie 407 411 25 Rustbelt Theater and citizen science: children’s environmental justice narratives Lissette Lorenz 415 26 Artificial intelligence experience: participatory art workshops to explore AI imaginaries Christopher Wood 426 27 Human germline gene editing is bioart: an open letter to Lulu and Nana Adam Zaretsky 450 SECTION 7 Art as partner and critic Hannah Star Rogers 465 28 The power of generative critique in art—energy projects Lea Schick 469 29 Hemlock Hospice: landscape ecology, art, and design as science communication Aaron Μ. Ellison and David Buckley Borden 488 30 Horizons of engagement: infrastructures of art and scholarship Alexandra Lakind, Nicole Bennett, and Robert Lundberg 503 31 Big pigs, small wings: on genohype and artistic autonomy lonat Zurr and Oron Catts 510 SECTION 8 Exposure to the elements Deklia Hannah 523 32 In the Middle of Something: in Search of Meso-Aesthetics Andrew S. Yang 528 viii
Contents 33 Curating in-between systems Politics, ecology, and art Stefanie Hessler 542 34 The future now: three tales of ocean plastic Heather Danis 549 35 Becoming disaster literate: reflections on X AND BEYOND (2015-2017) Jacob Lillemose 557 36 An Anthropocene journey: walking as embodied research Nick Shepherd and Christian Ernsten 563 37 As we used to float: within Bikini Atoll Nadim Samman and Julian Charrière 577 SECTION 9 Atmospherics Dchlia Hannah 591 38 Archiving Atmosphere James Graham 597 39 Becoming tornadic: a meteorologyof media Brett Zehner 608 40 Environ/mental ecologies innewmedia art Anne Sophie Witzke and Jonas Fritsch 616 41 Changing imaginaries and new technoecologies of urban air Hanna Hnsberg and Agata Marzecona 627 42 Variations on air Anne Sophie Witzke and Dehlia Hannah 639 SECTION 10 Gallery Hannah Star Rogers Design by Molly Renda Index 647 651 ix |
adam_txt |
Contents List offigures List of tables Foreword by Caroline A. Jones Foreword by Trevor Pinch Notes on contributors XV xvi XX xxvi Introduction: The past, present, arid future of Art, Science, and Technology Studies Hannah Star Rogers and Megan K. Halpern 1 SECTION 1 Constructing borders and borders at the intersections of art and science Hannah Star Rogers 47 1 What counts as data and for whom: The role of the modest witness in art-science collaboration Silvia Casini 49 2 What can science and technology studies learn from art and design? Reflections on ‘Synthetic Aesthetics’ Jane Calvert and Pablo Schyfter 63 3 The skin of a living thought: art, science, and STS in practice Hanna Rose Shell 81 4 Aesthetic strategies for engaging with environmental governance Christian Nold and Karolina Sobecka 91
Contents SECTION 2 Making multidisciplinary histories Hannah Star Rogers 5 The art—science complex Chris Salter 103 105 124 6 Infrastructural inversions in sound art and STS Owen Marshall 7 Emotion, affect and participation: why science communication practitioners should embrace a feminist ethics of care in their work. Britt PEray 130 8 Robert Hooke’s Micrographia: a historical guide to navigating contemporary images Nina Sellars 141 9 The Xenopus pregnancy test: a performative experiment Eben Kirksey, Dehlia Hannah, Charlie Lotternian, and Lisa Jean Moore 163 SECTION 3 Methods and modes Megan K. Halpern 179 10 Doing research by means of art Regula Valérie Burri 183 11 More than human trading zones in design research and pedagogy Laura Forlano and Carla Sedini 198 12 Discovering alternative technological futures through literature Jennifer L. Lieberman 214 13 Art ’s Work in the Age of Biotechnology: how art can make arguments in science and technology studies Hannah Star Rogers 228 14 Recipes for Technoutopia: on hospitality and infrastructure as experimental performance Stephanie Beth Jordan 239 vi
Contents 15 Reflexivity practiced daily: theatricality in the performative doing of STS 249 Yelena Ghizman SECTION 4 Collaborations and collisions in art-science Megan K. Halpern 16 Trading between science and art worlds: from biology laboratory to art exhibition Nora S. Vaage 273 277 17 Art, artists, and the wrong kind of science education Kathryn de Ridder-Kignone 295 18 Negotiations and love songs: integration, fairness, and balance in an art-science collaboration Megan K. Halpern 319 19 Transdisciplinary со-inquiry as curatorial methodology: from the Canadian Arctic to the Calder Valley, Yorkshire Nicola Triscott and Anna Santomauro 335 SECTION 5 Institutions and infrastructures Kathryn de Ridder-Vignone 355 20 ArtSciLab: experimental publishing and knowledge production in collaborative transdisciplinary practices Alex Garcia Topete, Chaz Lilly, Cassini Nazir, and Roger F. Malina 359 21 Polymathic pedagogies: creating the conditions for interdisciplinary enquiry in art and science Heather Barnett, Nathan Cohen, and Adrian Holme 369 22 The future of arts integrative work: creating new avenues for advancing and expanding the field Edgar Cardenas, Sandra Rodegher, and Kevin Hamilton 384 23 Feasting the Lab and other projects: art and science that skirts the limits of institutional frameworks Jennifer ll’illet 396 vii
Contents SECTION б Democracy and activism Hannah Star Rogers 24 We’re all living in an Estroworld Mary Maggie 407 411 25 Rustbelt Theater and citizen science: children’s environmental justice narratives Lissette Lorenz 415 26 Artificial intelligence experience: participatory art workshops to explore AI imaginaries Christopher Wood 426 27 Human germline gene editing is bioart: an open letter to Lulu and Nana Adam Zaretsky 450 SECTION 7 Art as partner and critic Hannah Star Rogers 465 28 The power of generative critique in art—energy projects Lea Schick 469 29 Hemlock Hospice: landscape ecology, art, and design as science communication Aaron Μ. Ellison and David Buckley Borden 488 30 Horizons of engagement: infrastructures of art and scholarship Alexandra Lakind, Nicole Bennett, and Robert Lundberg 503 31 Big pigs, small wings: on genohype and artistic autonomy lonat Zurr and Oron Catts 510 SECTION 8 Exposure to the elements Deklia Hannah 523 32 In the Middle of Something: in Search of Meso-Aesthetics Andrew S. Yang 528 viii
Contents 33 Curating in-between systems Politics, ecology, and art Stefanie Hessler 542 34 The future now: three tales of ocean plastic Heather Danis 549 35 Becoming disaster literate: reflections on X AND BEYOND (2015-2017) Jacob Lillemose 557 36 An Anthropocene journey: walking as embodied research Nick Shepherd and Christian Ernsten 563 37 As we used to float: within Bikini Atoll Nadim Samman and Julian Charrière 577 SECTION 9 Atmospherics Dchlia Hannah 591 38 Archiving Atmosphere James Graham 597 39 Becoming tornadic: a meteorologyof media Brett Zehner 608 40 Environ/mental ecologies innewmedia art Anne Sophie Witzke and Jonas Fritsch 616 41 Changing imaginaries and new technoecologies of urban air Hanna Hnsberg and Agata Marzecona 627 42 Variations on air Anne Sophie Witzke and Dehlia Hannah 639 SECTION 10 Gallery Hannah Star Rogers Design by Molly Renda Index 647 651 ix |
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spelling | Routledge handbook of art, science, and technology studies edited by Hannah Star Rogers, Megan K. Halpern, Dehlia Hannah, and Kathryn de Ridder-Vignone Handbook of art, science, and technology studies London ; New York Routledge, Taylor & Francis Group 2021 xxxv, 666 Seiten Illustrationen, Diagramme, Notenbeispiele (teilweise farbig) txt rdacontent n rdamedia nc rdacarrier Routledge international handbooks Science and Technology Studies (DE-588)1308455038 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Naturwissenschaften (DE-588)4041421-8 gnd rswk-swf Wissenschaft (DE-588)4066562-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Wissenschaft (DE-588)4066562-8 s Naturwissenschaften (DE-588)4041421-8 s Kunst (DE-588)4114333-4 s Science and Technology Studies (DE-588)1308455038 s DE-604 Rogers, Hannah Star (DE-588)1220298107 edt Halpern, Megan K. (DE-588)1279527234 edt Hannah, Dehlia (DE-588)1197331549 edt Ridder-Vignone, Kathryn de (DE-588)1262018870 edt Erscheint auch als Online-Ausgabe 978-0-429-43706-9 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033046373&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Routledge handbook of art, science, and technology studies Science and Technology Studies (DE-588)1308455038 gnd Kunst (DE-588)4114333-4 gnd Naturwissenschaften (DE-588)4041421-8 gnd Wissenschaft (DE-588)4066562-8 gnd |
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title | Routledge handbook of art, science, and technology studies |
title_alt | Handbook of art, science, and technology studies |
title_auth | Routledge handbook of art, science, and technology studies |
title_exact_search | Routledge handbook of art, science, and technology studies |
title_exact_search_txtP | Routledge handbook of art, science, and technology studies |
title_full | Routledge handbook of art, science, and technology studies edited by Hannah Star Rogers, Megan K. Halpern, Dehlia Hannah, and Kathryn de Ridder-Vignone |
title_fullStr | Routledge handbook of art, science, and technology studies edited by Hannah Star Rogers, Megan K. Halpern, Dehlia Hannah, and Kathryn de Ridder-Vignone |
title_full_unstemmed | Routledge handbook of art, science, and technology studies edited by Hannah Star Rogers, Megan K. Halpern, Dehlia Hannah, and Kathryn de Ridder-Vignone |
title_short | Routledge handbook of art, science, and technology studies |
title_sort | routledge handbook of art science and technology studies |
topic | Science and Technology Studies (DE-588)1308455038 gnd Kunst (DE-588)4114333-4 gnd Naturwissenschaften (DE-588)4041421-8 gnd Wissenschaft (DE-588)4066562-8 gnd |
topic_facet | Science and Technology Studies Kunst Naturwissenschaften Wissenschaft Aufsatzsammlung |
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