Truth in visual media: aesthetics, ethics and politics
This book investigates the interrelations between aesthetics, ethics and politics in a variety of visual media forms, ranging across art installations, film and television, interactive documentaries, painting, photography, social media and videogames. An international mix of emerging and established...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book investigates the interrelations between aesthetics, ethics and politics in a variety of visual media forms, ranging across art installations, film and television, interactive documentaries, painting, photography, social media and videogames. An international mix of emerging and established authors, with interdisciplinary expertise, explores how different ethical questions, political implications and aesthetic pleasures arise and shape one another in distinct visual media. Investigating themes such as the use of cinema as a medium for ethical and political thought, how documentary subjects both conceal and reveal truth, the new ethical challenges arising from interactive media and the role of images in responding to political events and trauma, this is a groundbreaking work about the interrelations of aesthetic, ethical and political values in visual media. |
| Beschreibung: | viii, 256 Seiten Illustrationen 24 cm |
| ISBN: | 9781474474467 9781474474474 |
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| 520 | 3 | |a This book investigates the interrelations between aesthetics, ethics and politics in a variety of visual media forms, ranging across art installations, film and television, interactive documentaries, painting, photography, social media and videogames. An international mix of emerging and established authors, with interdisciplinary expertise, explores how different ethical questions, political implications and aesthetic pleasures arise and shape one another in distinct visual media. Investigating themes such as the use of cinema as a medium for ethical and political thought, how documentary subjects both conceal and reveal truth, the new ethical challenges arising from interactive media and the role of images in responding to political events and trauma, this is a groundbreaking work about the interrelations of aesthetic, ethical and political values in visual media. | |
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CONTENTS List of Figures Notes on Contributors v vi Introduction Marguerite La Caze and Ted Nannicelli 1 PARTONE AESTHETICS 1. Repair and the Irreparable in Contemporary Aboriginal Art Susan Best 15 2. Circulating Bodies: Retelling the Trauma of the Algerian War through Photography and Art Amy L. Hubbell 36 3. An i for an Eye: The Collective Shaping of Experience in the Age of Machine-Mediated Art Ellen Marie Saethre-McGuirk 58 PART TWO ETHICS 4. The Ethics of Filmmaking: How the Genetic History of Works Affects Their Value Mette Hjort 5. The Look of Silence and the Ethics of Atonement Marguerite La Caze 79 104
CONTENTS 6. 7. Truth, Performance and the Close-Up: Paradoxical Candour in Errol Morris’s ‘Interrotron' Interviews Robert Sinnerbrink Mindhunter: The Possibility of Knowing Evil Damian Cox 124 146 PART THREE POLITICS 8. 9. Interactive Documentary, Narrative Scepticism and the Values of Documentary Film Ted Nannicelli 167 Won’t Somebody Please Think of the Children! On the Moralisation of Video Game Violence Grant Tavinor 189 10. Re-reading Personal Influence in an Age of Social Media Tom O’Regan 209 11. Principles of Exchange: Free Speech in the Era of Fake News Kris Fallon 229 Index 249 iv |
| adam_txt |
CONTENTS List of Figures Notes on Contributors v vi Introduction Marguerite La Caze and Ted Nannicelli 1 PARTONE AESTHETICS 1. Repair and the Irreparable in Contemporary Aboriginal Art Susan Best 15 2. Circulating Bodies: Retelling the Trauma of the Algerian War through Photography and Art Amy L. Hubbell 36 3. An i for an Eye: The Collective Shaping of Experience in the Age of Machine-Mediated Art Ellen Marie Saethre-McGuirk 58 PART TWO ETHICS 4. The Ethics of Filmmaking: How the Genetic History of Works Affects Their Value Mette Hjort 5. The Look of Silence and the Ethics of Atonement Marguerite La Caze 79 104
CONTENTS 6. 7. Truth, Performance and the Close-Up: Paradoxical Candour in Errol Morris’s ‘Interrotron' Interviews Robert Sinnerbrink Mindhunter: The Possibility of Knowing Evil Damian Cox 124 146 PART THREE POLITICS 8. 9. Interactive Documentary, Narrative Scepticism and the Values of Documentary Film Ted Nannicelli 167 Won’t Somebody Please Think of the Children! On the Moralisation of Video Game Violence Grant Tavinor 189 10. Re-reading Personal Influence in an Age of Social Media Tom O’Regan 209 11. Principles of Exchange: Free Speech in the Era of Fake News Kris Fallon 229 Index 249 iv |
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| spellingShingle | La Caze, Marguerite Nannicelli, Ted Truth in visual media aesthetics, ethics and politics Politik (DE-588)4046514-7 gnd Visuelle Medien (DE-588)4188423-1 gnd Ethik (DE-588)4015602-3 gnd Ästhetik (DE-588)4000626-8 gnd |
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| title | Truth in visual media aesthetics, ethics and politics |
| title_auth | Truth in visual media aesthetics, ethics and politics |
| title_exact_search | Truth in visual media aesthetics, ethics and politics |
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| title_full | Truth in visual media aesthetics, ethics and politics edited by Marguerite La Caze and Ted Nannicelli |
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| title_full_unstemmed | Truth in visual media aesthetics, ethics and politics edited by Marguerite La Caze and Ted Nannicelli |
| title_short | Truth in visual media |
| title_sort | truth in visual media aesthetics ethics and politics |
| title_sub | aesthetics, ethics and politics |
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