Kulturna politika i stimulacija filmske proizvodnje u Srbiji:
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Beograd
Filmski centar Srbije
2021.
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| Schriftenreihe: | Edicija Pogledi i traganja
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| Online-Zugang: | Inhaltsverzeichnis Abstract Literaturverzeichnis |
| Beschreibung: | Tiraž 200. - Literaturverzeichnis Seite 178-184 |
| Beschreibung: | 192 Seiten |
| ISBN: | 9788672271171 |
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Datensatz im Suchindex
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Sadržaj APSTRAKT. 9 ABSTRACT. 11 1. UVOD. 13 1.1. Naučni probiem. 15 1.2. Ključni pojmovi.17 Tranzicija.17 KuLturna politika. 18 Kinematografija. 20 Film.20 Proizvodnja i produkcija. 22 Kulturne industrije.23 Strategije stimulacija proizvodnog procesa. 26 2. SOCIOKULTURNI CIKLUS SAVREMENE FILMSKE PROIZVODNJE U SRBIJI 28 2.1. Filmska publika.29 2.2. Umetničko obrazovanje i razvoj filmske
publike.32 2.2.1. Edukacija rukovodilaca institucija kulture u Srbiji. 35 2.3. Stvaralaštvo kao proces.35 2.3.1. Podsticajno okruženje. 37 2.4. Faze procesa filmske proizvodnje. 38 2.5. Kulturni proizvod - film. 41 2.6. Uloga difuzije.42 2.8. Obaveza arhiviranja.49 Zaključak poglavlja. 50 2.9. PROIZVODNI PROCES FILMA. 52 2.9.1. Faza pretpripreme.58 2.9.1.1. Ideja i pisanje scenarija.58 2.9.1.2, Razvoj projekta.60 2.9.2. Faza pripreme. 63 2.9.3. Faza produkcije. 66 2.9.4. Faza
postprodukcije.69 2.9.5. Faza distribucije. 71 2.9.6. Faza prikazivanja. 73 Zaključak poglavlja.75 5
3. PROIZVODNJA FILMOVA U SRBIJI.82 3.1. Proizvodnja filmova u socijalističkom periodu. 85 3.1.1. Centar fUmskih radnih zajednica. 88 3.1.2. Filmska proizvodnja devedesetih godina.92 3.2. Proizvodnja filmova u tranziciji.93 3.2.1. Filmski centar Srbije ֊ razvoj . 96 3.3. Zaključak poglavlja.97 4. ZNAČAJ KULTURNE POLITIKE ZA FILMSKU PROIZVODNJU.102 4.1. Kulturna politika u odnosu na kinematografiju.103 4.2. Podsticajni instrumenti i strategije filmske proizvodnje u Srbiji - istorijska analiza. 105 4.2.1. Pravno-politički instrumenti.105 4.2.1. Ekonomski instrumenti.108 4.2.3. Vrednosno-idejni instrumenti.111 4.2.4. Organizacioni instrumenti. 113 4.2.5.1. Partnerstvo javnog, privatnog i nevladinog sektora. 118 4.2.6. Strategije postizanja održivosti. 121 4.2.7. Programsko-organizaciono
kompetitivne strategije.123 5. LANAC VREDNOSTI FILMSKE PROIZVODNJE. 125 5.1. Promocija kulturne raznolikosti . 127 5.2. Novi trendovi u javnim praktičnim politikama.130 5.3. Stimulacija lanca vrednosti filmske proizvodnje. 130 5.3.1. Stvaralaštvo i grantoví za umetnike.130 5.3.2. Proizvodnja i poreske olakšice za pokretanje proizvodnje . 132 5.3.3. Distribucija i kvote audio-vizuelnogsadržaja.135 5.4. Participacija i redukcija cena . 138 Zaključak poglavlja.140 6. STIMULACIJA FILMSKE PROIZVODNJE.142 6.1. Neposredna stimulacija filmske proizvodnje.142 6.1.2. Diversifikacija izvora finansiranja. 143 6.2. Posredna stimulacija filmske proizvodnje.145 6.2.1. Stimulacija infrastrukture.145 6.2.2. Stimulacija ljudskih resursa.148 6.2.3. Stimulacija tehničkog i tehnološkog razvoja. 150 6.3. Novi model stimulacije filmske
proizvodnje. 151 Stimulacija ljudskih resursa. 157 7. ZAKLJUČAK. 161 6
8. NAUČNO-TEORIJSKI DOPRINOS. 175 Metodologija. 176 9. LITERATURA. 178 Pravni akti.181 Vebografija. 183 Hrvoje Hribar - U potrazi za filmskim penicilinom. 185 Tomislav Gavrić.187 Biografija. 190 7
ABSTRACT The first chapter in this doctoral dissertation is an introduc tion which, after considering the political, economic and cultural context of the topic, defines the benchmark of scientific research: the scientific problem, subject and the objectives of the work, the conceptual and hypothetical framework, the research questions and the methodology used. The second chapter, coming from the perspective of film pro duction management, looks at the socio-cultural cycle of film as a circle composed of individual elements completed whole, created from equal parts lined up in a row (the cultural needs of the film audience, art education and the education of the cultural leaders, film creativity and a supportive environment, production and film as a product, diffusion through film festivals and the like, the anima tion film audience, and the archiving and digitalization of film). The second part of the chapter provides comprehensive insight into all the phases of the film production process, which, in addition to preproduction preparations, includes the production, post-production, distribution and exhibition of films. The third chapter makes a historical analysis of film producti on in Serbia, conducted during two time periods of intersection: the period of socialism during the second half of the 20th century and the period of transition during the beginning of the 21st century viewed in terms of management and film production activities thro ugh the Center of Working Film Professionals and the Film Center of Serbia. The fourth chapter of this doctoral dissertation is
an analysis of the cultural policy in relationship to filmmaking, focused on the review of the instruments and strategies behind film production in Serbia. This includes an analysis of the legal and political, econo mic, and evaluative conceptual and organizational instruments of culture policy in the field of film which is, also, as in the previous chapter, conducted through two time periods of intersection (so cialism, transition). The second part of this chapter studies the key strategies of cultural policy and cultural management indicating the necessary synergy that the state institutions and film productions leverage in order to reduce their funding from the state budget, 11
while they enable them to operate in the market. Studied strategy is around connecting the public, private and civil sectors, achie ving sustainable privatization in order for the economy to become a strategic partner of the public sector and finally, programming and organizational strategies aimed at increasing the volume of produc tion and services, audience development and market expansion, the diversification of programs, program focus, and the diversification of resources. The fifth chapter is devoted to the study of the modern con cept of the ”value chain” which, in the realm of cultural policy and the management of cultural policies, involves a system of incen tives directed, in addition to creation, and in the manufacturing, distribution and participation. It analyzes various aspects of the principles of promoting the diversity of cultural expressions rela ting to film production, as well as new trends in the public policy of those countries that have ratified the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, among which is Serbia. The sixth chapter represents modeling of new, more effective and efficient stimulation of film production that has adapted to the changed political, economic, social and cultural circumstances in Serbia and the international environment. It includes the modeling of direct stimulation of the budget through financing and indirect stimulation for the development of infrastructure, human resources and technological capacity of archiving and digitizing film. The seventh chapter brings the
conclusion drawn on the ba sis of the conducted theoretical and empirical research which states that Serbia is in a transitional period, stimulates the development of film exclusively using the economic instrument of direct or indirect funding, while all other available instruments and strategies, accor ding to the theory of cultural policy and cultural management - are completely ignored. This also confirmed the starting hypothesis that the country in the transition process must use a variety of instru ments and strategies to stimulate all stages of the process and allow for the continuity of film production until she is strong enough to independently operate on the market without compromising the quality and uniqueness of film as a work of art. 12
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i srodnim pravima, Službeni glasnik RS, 104/09, 11. Decembar 2009. • Zakon о delatnostima od opšteg interesa iz oblasti kulture, Službeni glasnik RS, br 49/92 • Zakon о kinematografiji, Službeni glasnik RS, 99/11, ispravka 2/12 • Zakon о kulturi, Službeni glasnik RS 72/2009 • Zakon о porezu na dobit pravnih lica, Službeni glasnik RS br. 25/01, 80/02 - dr. zakon 80/02, 43/03, 84/04, 18/10, 101/11, 119/12, 47/13, 108/13, 68/14, dr. zakon 142/14, 91/15 - autentično tumačenje 112/15 • Zakon о porezu na dodatu vrednost, Službeni glasnik RS br. 84/04, 86/04- ispravka61/05, 61/07, 93/12, 108/13, 68/14 - dr. zakon 142/14, 83/15,108/16; član 23; alineja 12. • Zakon о porezu na dohodak građana, Službeni glasnik RS br. 24/01, 80/02 - dr. zakon 80/02, 135/04, 62/06, 65/06 - ispravka 31/09, 44/09, 182
18/10, 50/11, 91/11 ֊ US, 93/12, 114/12 Us, 47/13, 48/13 - ispravka 108/13, 57/14, 68/14 - dr zakon, 112/15 tar za izdavačku delatnost Ekonomskog fakulteta u Beogradu, 2009. Beograd (str. 65) • Zakon о proizvodnji optičkih diskova, Službeni glasnik RS 52/1 • Zakon о javnim nabavkama, Službeni glasnik RS,br. 124/2012,14/2015 i 68/2015. Vebografija • Austrian Film Institute, Funding Guidelines, July 1st, 2016. Vienna https://www.fHminstitut.at/en/ • Arhiva Srpskih i Jugoslovenskih službenih izdanja 1813 ֊ 1944, Službeni glasnik http://digitdHzovanaizdanja.sluzbenenovine.rs/ • Filmski centar Srbije http://www.fcs.rs/ • Europa Cinemas https://www.europa-cinemas.org/en/cinemas/map • El Instituto de la Cinematografia y de las Artes audiovisuales https:// www.mecd.gob.es/cultura-mecd/areas-cuitura/cine/et-icaa.html • Film Commission Poland, Regional film founds, httpf/filmcommissionpotand.pl/funding/regional-film-funds/ • Polish Film Institute, http://en.pisf.pl/ • Cineuropa, Article: 14 films supported by the Polish Film Institute, By Dorota Hartwich; 21.04.2016. http://cineuropa.org/nw.aspx?t=newsdetaií6j=e n(řdid=307726 • UniFrance http://www.unifrance.org/ • Centre national du cinema et de l’image animee - CNC http://www.cnc.fr/ web/en • Conseil Superieur De ĽAudiovisuel http://www.csa.fr/Le-CSA/Presentation֊ du-Conseil • Results 2016, Films, televisión programms, production, distribution, exhibition, exports, video, new media, May 2017. Centre national du cinema et de l’image animee - CNC http://www.cncfr/web/en/publications/V ressources/i ì 904307 • • SOFICA - Le Sociétés de
financement de l’industrie cinématographique et de l’audiovisuel http://www.cgpp.fr/produits/sofica.html Kancelarija za saradnju sa civilnim društvom, Vlada Republike Srbije http://dvilnodrustvo.gov.rs • Compendium http://www.culturalpolicies.net/web/index.php • Creative Europe httpsf/ec.europa.eu/programmes/creative-europe/ 183
• IMDB http://www.imdb.com/ • IMDB, Movie Terminology Glossary http://www.imdb.com/Qlossaiy/ • Moving Cinema http://movingcinema.eu/es/partners/a-bao-a-qu/ • Vlada Republike Srbije strije.php 184 https://www.srbija.gov.rs/tekst/329887/kreativne-indu- |
| adam_txt |
Sadržaj APSTRAKT. 9 ABSTRACT. 11 1. UVOD. 13 1.1. Naučni probiem. 15 1.2. Ključni pojmovi.17 Tranzicija.17 KuLturna politika. 18 Kinematografija. 20 Film.20 Proizvodnja i produkcija. 22 Kulturne industrije.23 Strategije stimulacija proizvodnog procesa. 26 2. SOCIOKULTURNI CIKLUS SAVREMENE FILMSKE PROIZVODNJE U SRBIJI 28 2.1. Filmska publika.29 2.2. Umetničko obrazovanje i razvoj filmske
publike.32 2.2.1. Edukacija rukovodilaca institucija kulture u Srbiji. 35 2.3. Stvaralaštvo kao proces.35 2.3.1. Podsticajno okruženje. 37 2.4. Faze procesa filmske proizvodnje. 38 2.5. Kulturni proizvod - film. 41 2.6. Uloga difuzije.42 2.8. Obaveza arhiviranja.49 Zaključak poglavlja. 50 2.9. PROIZVODNI PROCES FILMA. 52 2.9.1. Faza pretpripreme.58 2.9.1.1. Ideja i pisanje scenarija.58 2.9.1.2, Razvoj projekta.60 2.9.2. Faza pripreme. 63 2.9.3. Faza produkcije. 66 2.9.4. Faza
postprodukcije.69 2.9.5. Faza distribucije. 71 2.9.6. Faza prikazivanja. 73 Zaključak poglavlja.75 5
3. PROIZVODNJA FILMOVA U SRBIJI.82 3.1. Proizvodnja filmova u socijalističkom periodu. 85 3.1.1. Centar fUmskih radnih zajednica. 88 3.1.2. Filmska proizvodnja devedesetih godina.92 3.2. Proizvodnja filmova u tranziciji.93 3.2.1. Filmski centar Srbije ֊ razvoj . 96 3.3. Zaključak poglavlja.97 4. ZNAČAJ KULTURNE POLITIKE ZA FILMSKU PROIZVODNJU.102 4.1. Kulturna politika u odnosu na kinematografiju.103 4.2. Podsticajni instrumenti i strategije filmske proizvodnje u Srbiji - istorijska analiza. 105 4.2.1. Pravno-politički instrumenti.105 4.2.1. Ekonomski instrumenti.108 4.2.3. Vrednosno-idejni instrumenti.111 4.2.4. Organizacioni instrumenti. 113 4.2.5.1. Partnerstvo javnog, privatnog i nevladinog sektora. 118 4.2.6. Strategije postizanja održivosti. 121 4.2.7. Programsko-organizaciono
kompetitivne strategije.123 5. LANAC VREDNOSTI FILMSKE PROIZVODNJE. 125 5.1. Promocija kulturne raznolikosti . 127 5.2. Novi trendovi u javnim praktičnim politikama.130 5.3. Stimulacija lanca vrednosti filmske proizvodnje. 130 5.3.1. Stvaralaštvo i grantoví za umetnike.130 5.3.2. Proizvodnja i poreske olakšice za pokretanje proizvodnje . 132 5.3.3. Distribucija i kvote audio-vizuelnogsadržaja.135 5.4. Participacija i redukcija cena . 138 Zaključak poglavlja.140 6. STIMULACIJA FILMSKE PROIZVODNJE.142 6.1. Neposredna stimulacija filmske proizvodnje.142 6.1.2. Diversifikacija izvora finansiranja. 143 6.2. Posredna stimulacija filmske proizvodnje.145 6.2.1. Stimulacija infrastrukture.145 6.2.2. Stimulacija ljudskih resursa.148 6.2.3. Stimulacija tehničkog i tehnološkog razvoja. 150 6.3. Novi model stimulacije filmske
proizvodnje. 151 Stimulacija ljudskih resursa. 157 7. ZAKLJUČAK. 161 6
8. NAUČNO-TEORIJSKI DOPRINOS. 175 Metodologija. 176 9. LITERATURA. 178 Pravni akti.181 Vebografija. 183 Hrvoje Hribar - U potrazi za filmskim penicilinom. 185 Tomislav Gavrić.187 Biografija. 190 7
ABSTRACT The first chapter in this doctoral dissertation is an introduc tion which, after considering the political, economic and cultural context of the topic, defines the benchmark of scientific research: the scientific problem, subject and the objectives of the work, the conceptual and hypothetical framework, the research questions and the methodology used. The second chapter, coming from the perspective of film pro duction management, looks at the socio-cultural cycle of film as a circle composed of individual elements completed whole, created from equal parts lined up in a row (the cultural needs of the film audience, art education and the education of the cultural leaders, film creativity and a supportive environment, production and film as a product, diffusion through film festivals and the like, the anima tion film audience, and the archiving and digitalization of film). The second part of the chapter provides comprehensive insight into all the phases of the film production process, which, in addition to preproduction preparations, includes the production, post-production, distribution and exhibition of films. The third chapter makes a historical analysis of film producti on in Serbia, conducted during two time periods of intersection: the period of socialism during the second half of the 20th century and the period of transition during the beginning of the 21st century viewed in terms of management and film production activities thro ugh the Center of Working Film Professionals and the Film Center of Serbia. The fourth chapter of this doctoral dissertation is
an analysis of the cultural policy in relationship to filmmaking, focused on the review of the instruments and strategies behind film production in Serbia. This includes an analysis of the legal and political, econo mic, and evaluative conceptual and organizational instruments of culture policy in the field of film which is, also, as in the previous chapter, conducted through two time periods of intersection (so cialism, transition). The second part of this chapter studies the key strategies of cultural policy and cultural management indicating the necessary synergy that the state institutions and film productions leverage in order to reduce their funding from the state budget, 11
while they enable them to operate in the market. Studied strategy is around connecting the public, private and civil sectors, achie ving sustainable privatization in order for the economy to become a strategic partner of the public sector and finally, programming and organizational strategies aimed at increasing the volume of produc tion and services, audience development and market expansion, the diversification of programs, program focus, and the diversification of resources. The fifth chapter is devoted to the study of the modern con cept of the ”value chain” which, in the realm of cultural policy and the management of cultural policies, involves a system of incen tives directed, in addition to creation, and in the manufacturing, distribution and participation. It analyzes various aspects of the principles of promoting the diversity of cultural expressions rela ting to film production, as well as new trends in the public policy of those countries that have ratified the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, among which is Serbia. The sixth chapter represents modeling of new, more effective and efficient stimulation of film production that has adapted to the changed political, economic, social and cultural circumstances in Serbia and the international environment. It includes the modeling of direct stimulation of the budget through financing and indirect stimulation for the development of infrastructure, human resources and technological capacity of archiving and digitizing film. The seventh chapter brings the
conclusion drawn on the ba sis of the conducted theoretical and empirical research which states that Serbia is in a transitional period, stimulates the development of film exclusively using the economic instrument of direct or indirect funding, while all other available instruments and strategies, accor ding to the theory of cultural policy and cultural management - are completely ignored. This also confirmed the starting hypothesis that the country in the transition process must use a variety of instru ments and strategies to stimulate all stages of the process and allow for the continuity of film production until she is strong enough to independently operate on the market without compromising the quality and uniqueness of film as a work of art. 12
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18/10, 50/11, 91/11 ֊ US, 93/12, 114/12 Us, 47/13, 48/13 - ispravka 108/13, 57/14, 68/14 - dr zakon, 112/15 tar za izdavačku delatnost Ekonomskog fakulteta u Beogradu, 2009. Beograd (str. 65) • Zakon о proizvodnji optičkih diskova, Službeni glasnik RS 52/1 • Zakon о javnim nabavkama, Službeni glasnik RS,br. 124/2012,14/2015 i 68/2015. Vebografija • Austrian Film Institute, Funding Guidelines, July 1st, 2016. Vienna https://www.fHminstitut.at/en/ • Arhiva Srpskih i Jugoslovenskih službenih izdanja 1813 ֊ 1944, Službeni glasnik http://digitdHzovanaizdanja.sluzbenenovine.rs/ • Filmski centar Srbije http://www.fcs.rs/ • Europa Cinemas https://www.europa-cinemas.org/en/cinemas/map • El Instituto de la Cinematografia y de las Artes audiovisuales https:// www.mecd.gob.es/cultura-mecd/areas-cuitura/cine/et-icaa.html • Film Commission Poland, Regional film founds, httpf/filmcommissionpotand.pl/funding/regional-film-funds/ • Polish Film Institute, http://en.pisf.pl/ • Cineuropa, Article: 14 films supported by the Polish Film Institute, By Dorota Hartwich; 21.04.2016. http://cineuropa.org/nw.aspx?t=newsdetaií6j=e n(řdid=307726 • UniFrance http://www.unifrance.org/ • Centre national du cinema et de l’image animee - CNC http://www.cnc.fr/ web/en • Conseil Superieur De ĽAudiovisuel http://www.csa.fr/Le-CSA/Presentation֊ du-Conseil • Results 2016, Films, televisión programms, production, distribution, exhibition, exports, video, new media, May 2017. Centre national du cinema et de l’image animee - CNC http://www.cncfr/web/en/publications/V ressources/i ì 904307 • • SOFICA - Le Sociétés de
financement de l’industrie cinématographique et de l’audiovisuel http://www.cgpp.fr/produits/sofica.html Kancelarija za saradnju sa civilnim društvom, Vlada Republike Srbije http://dvilnodrustvo.gov.rs • Compendium http://www.culturalpolicies.net/web/index.php • Creative Europe httpsf/ec.europa.eu/programmes/creative-europe/ 183
• IMDB http://www.imdb.com/ • IMDB, Movie Terminology Glossary http://www.imdb.com/Qlossaiy/ • Moving Cinema http://movingcinema.eu/es/partners/a-bao-a-qu/ • Vlada Republike Srbije strije.php 184 https://www.srbija.gov.rs/tekst/329887/kreativne-indu- |
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| id | DE-604.BV047659458 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:52:06Z |
| indexdate | 2024-07-20T04:28:16Z |
| institution | BVB |
| isbn | 9788672271171 |
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| physical | 192 Seiten |
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| publisher | Filmski centar Srbije |
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| series2 | Edicija Pogledi i traganja |
| spelling | Bajić Božović, Darja Verfasser aut Kulturna politika i stimulacija filmske proizvodnje u Srbiji Darja Bajić Božović Beograd Filmski centar Srbije 2021. 192 Seiten txt rdacontent n rdamedia nc rdacarrier Edicija Pogledi i traganja Tiraž 200. - Literaturverzeichnis Seite 178-184 Englische Zusammenfassung Filmförderung (DE-588)4017117-6 gnd rswk-swf Kulturpolitik (DE-588)4033581-1 gnd rswk-swf Serbien (DE-588)4054598-2 gnd rswk-swf Serbien (DE-588)4054598-2 g Filmförderung (DE-588)4017117-6 s Kulturpolitik (DE-588)4033581-1 s DE-604 Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033044312&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033044312&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033044312&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis |
| spellingShingle | Bajić Božović, Darja Kulturna politika i stimulacija filmske proizvodnje u Srbiji Filmförderung (DE-588)4017117-6 gnd Kulturpolitik (DE-588)4033581-1 gnd |
| subject_GND | (DE-588)4017117-6 (DE-588)4033581-1 (DE-588)4054598-2 |
| title | Kulturna politika i stimulacija filmske proizvodnje u Srbiji |
| title_auth | Kulturna politika i stimulacija filmske proizvodnje u Srbiji |
| title_exact_search | Kulturna politika i stimulacija filmske proizvodnje u Srbiji |
| title_exact_search_txtP | Kulturna politika i stimulacija filmske proizvodnje u Srbiji |
| title_full | Kulturna politika i stimulacija filmske proizvodnje u Srbiji Darja Bajić Božović |
| title_fullStr | Kulturna politika i stimulacija filmske proizvodnje u Srbiji Darja Bajić Božović |
| title_full_unstemmed | Kulturna politika i stimulacija filmske proizvodnje u Srbiji Darja Bajić Božović |
| title_short | Kulturna politika i stimulacija filmske proizvodnje u Srbiji |
| title_sort | kulturna politika i stimulacija filmske proizvodnje u srbiji |
| topic | Filmförderung (DE-588)4017117-6 gnd Kulturpolitik (DE-588)4033581-1 gnd |
| topic_facet | Filmförderung Kulturpolitik Serbien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033044312&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033044312&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033044312&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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