Mapping the sensible: distribution, inscription, cinematic thinking
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
[2023]
|
| Schriftenreihe: | Cinepoetics essay
volume 3 |
| Schlagworte: | |
| Online-Zugang: | Volltext Volltext Inhaltsverzeichnis |
| Beschreibung: | Erscheint als Open Access bei De Gruyter |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9783110769012 9783110769050 |
| DOI: | 10.1515/9783110769012 |
Internformat
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| 245 | 1 | 0 | |a Mapping the sensible |b distribution, inscription, cinematic thinking |c Erica Carter, Bettina Malcomess, Eileen Rositzka |
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Datensatz im Suchindex
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| adam_text |
CONTENTS
PREFACE
AND
ACKNOWLEDGEMENTS
-
V
INTRODUCTION:
MAPPING
THE
SENSIBLE
-
1
ERICA
CARTER,
BETTINA
MALCOMESS,
EILEEN
ROSITZKA
ASSEMBLAGE,
PROVINCIALISING,
TRAVELLING
-
3
ESSAY
WRITING
AS
MAPPING
----
12
SIGNPOSTS:
DISTRIBUTION,
INSCRIPTION,
CINEMATIC
THINKING
----
14
WHITE
BODIES
IN
MOTION:
MAPPING
CINEMA
AND
WHITENESS
IN
THE
POSTWAR
BAHAMAS
-
23
ERICA
CARTER
WHITE
BODIES
IN
MOTION
----
23
COLONIAL
LIFEWORLDS:
A
CINEMATIC
HISTORY
-
25
JOURNEYS
IN
WRITING
1-4
-----30
WHY
ERNA?
MAPPING
THE
COMMONWEALTH
----
32
CINEMA,
WHITENESS,
MOBILITY
-
38
ROOTS
TO
ROUTES:
UNDERWATER
FILM
IN
THE
BAHAMAS
----
41
FROM
PANOPTIC
VISION
TO
THE
DISTRIBUTION
OF
THE
SENSIBLE
-
46
MOVIEGOING
AS
RACIAL
MAPPING
-
48
NAVIGATING
SEGREGATION
-
52
LANDMARK,
LIMIT,
EDGE
----
53
IMMERSION:
THE
CITY
AS
MISE-EN-SCENE
-
63
CODA:
COUNTER-MAPPING:
PERFORMING
THE
MAP
IN
MARIA
GOVAN
'
S
R
AIN
-
67
THE
ILLEGIBLE
FIELD:
THE
JOURNEY
OF
A
SIGNAL,
A
SOLDIER,
AND
A
CAMERA
-
81
BETTINA
MALCOMESS
JOURNEY
1:
THE
SIGNAL
(POINTS
OF
DEPARTURE
AND
ARRIVAL)
-
84
FROM
MAP
TO
MAPPING:
A
FIELD
OF
INFORMATION
-
89
A
MEDIA
WAR?
-
91
JOURNEY
2:
THE
SCENE
OF
OPERATIONS
-
94
JOURNEY
3:
OPERATORS
AND
INSCRIPTIONS
-
98
THE
LOOK
INTO
THE
CAMERA
AND
CINEMATIC
ENUNCIATION:
DISTANCE,
DEPTH,
FALSE
DEIXIS
----
103
STEREOGRAPHIC
DEPTH:
ARRANGEMENT
AND
DISARRANGEMENT
-
110
JOURNEY
4:
WAR
DIARIES
AND
LETTERS
(INSCRIPTION)
----
117
X
-
CONTENTS
A
SATURN
STATE
OF
MIND:
PATIENCE
(AFTER
S
EBALD
)
-
125
EILEEN
ROSITZKA
MAPPING
SEBALD
-
126
ESSAYISTIC
FILMMAKING
AND/AS
CINEMATIC
THINKING
-
131
MAPPING
OUT
CINEMATIC
RELATIONS
-
133
THINKING
THROUGH
P
ATIENCE
-
136
CONNECTING
THE
DOTS
-
145
CONCLUSION?
----
152
ABOUT
THE
AUTHORS
-
157 |
| adam_txt |
CONTENTS
PREFACE
AND
ACKNOWLEDGEMENTS
-
V
INTRODUCTION:
MAPPING
THE
SENSIBLE
-
1
ERICA
CARTER,
BETTINA
MALCOMESS,
EILEEN
ROSITZKA
ASSEMBLAGE,
PROVINCIALISING,
TRAVELLING
-
3
ESSAY
WRITING
AS
MAPPING
----
12
SIGNPOSTS:
DISTRIBUTION,
INSCRIPTION,
CINEMATIC
THINKING
----
14
WHITE
BODIES
IN
MOTION:
MAPPING
CINEMA
AND
WHITENESS
IN
THE
POSTWAR
BAHAMAS
-
23
ERICA
CARTER
WHITE
BODIES
IN
MOTION
----
23
COLONIAL
LIFEWORLDS:
A
CINEMATIC
HISTORY
-
25
JOURNEYS
IN
WRITING
1-4
-----30
WHY
ERNA?
MAPPING
THE
COMMONWEALTH
----
32
CINEMA,
WHITENESS,
MOBILITY
-
38
ROOTS
TO
ROUTES:
UNDERWATER
FILM
IN
THE
BAHAMAS
----
41
FROM
PANOPTIC
VISION
TO
THE
DISTRIBUTION
OF
THE
SENSIBLE
-
46
MOVIEGOING
AS
RACIAL
MAPPING
-
48
NAVIGATING
SEGREGATION
-
52
LANDMARK,
LIMIT,
EDGE
----
53
IMMERSION:
THE
CITY
AS
MISE-EN-SCENE
-
63
CODA:
COUNTER-MAPPING:
PERFORMING
THE
MAP
IN
MARIA
GOVAN
'
S
R
AIN
-
67
THE
ILLEGIBLE
FIELD:
THE
JOURNEY
OF
A
SIGNAL,
A
SOLDIER,
AND
A
CAMERA
-
81
BETTINA
MALCOMESS
JOURNEY
1:
THE
SIGNAL
(POINTS
OF
DEPARTURE
AND
ARRIVAL)
-
84
FROM
MAP
TO
MAPPING:
A
FIELD
OF
INFORMATION
-
89
A
MEDIA
WAR?
-
91
JOURNEY
2:
THE
SCENE
OF
OPERATIONS
-
94
JOURNEY
3:
OPERATORS
AND
INSCRIPTIONS
-
98
THE
LOOK
INTO
THE
CAMERA
AND
CINEMATIC
ENUNCIATION:
DISTANCE,
DEPTH,
FALSE
DEIXIS
----
103
STEREOGRAPHIC
DEPTH:
ARRANGEMENT
AND
DISARRANGEMENT
-
110
JOURNEY
4:
WAR
DIARIES
AND
LETTERS
(INSCRIPTION)
----
117
X
-
CONTENTS
A
SATURN
STATE
OF
MIND:
PATIENCE
(AFTER
S
EBALD
)
-
125
EILEEN
ROSITZKA
MAPPING
SEBALD
-
126
ESSAYISTIC
FILMMAKING
AND/AS
CINEMATIC
THINKING
-
131
MAPPING
OUT
CINEMATIC
RELATIONS
-
133
THINKING
THROUGH
P
ATIENCE
-
136
CONNECTING
THE
DOTS
-
145
CONCLUSION?
----
152
ABOUT
THE
AUTHORS
-
157 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
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| author_role | aut aut aut |
| author_sort | Carter, Erica 1957- |
| author_variant | e c ec b m bm e r er |
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| series | Cinepoetics essay |
| series2 | Cinepoetics essay |
| spelling | Carter, Erica 1957- Verfasser (DE-588)1018128840 aut Mapping the sensible distribution, inscription, cinematic thinking Erica Carter, Bettina Malcomess, Eileen Rositzka Berlin ; Boston De Gruyter [2023] 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Cinepoetics essay volume 3 Erscheint als Open Access bei De Gruyter Film (DE-588)4017102-4 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf Filmtheorie (DE-588)4071216-3 s DE-604 Film (DE-588)4017102-4 s Philosophie (DE-588)4045791-6 s Malcomess, Bettina Verfasser aut Rositzka, Eileen 1988-2021 Verfasser (DE-588)121896714 aut Erscheint auch als Druck-Ausgabe 978-3-11-076898-5 Cinepoetics essay volume 3 (DE-604)BV045286740 3 https://doi.org/10.1515/9783110769012 Verlag kostenfrei Volltext https://directory.doabooks.org/handle/20.500.12854/96526 Verlag kostenfrei Volltext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033043739&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Carter, Erica 1957- Malcomess, Bettina Rositzka, Eileen 1988-2021 Mapping the sensible distribution, inscription, cinematic thinking Cinepoetics essay Film (DE-588)4017102-4 gnd Philosophie (DE-588)4045791-6 gnd Filmtheorie (DE-588)4071216-3 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4045791-6 (DE-588)4071216-3 |
| title | Mapping the sensible distribution, inscription, cinematic thinking |
| title_auth | Mapping the sensible distribution, inscription, cinematic thinking |
| title_exact_search | Mapping the sensible distribution, inscription, cinematic thinking |
| title_exact_search_txtP | Mapping the sensible distribution, inscription, cinematic thinking |
| title_full | Mapping the sensible distribution, inscription, cinematic thinking Erica Carter, Bettina Malcomess, Eileen Rositzka |
| title_fullStr | Mapping the sensible distribution, inscription, cinematic thinking Erica Carter, Bettina Malcomess, Eileen Rositzka |
| title_full_unstemmed | Mapping the sensible distribution, inscription, cinematic thinking Erica Carter, Bettina Malcomess, Eileen Rositzka |
| title_short | Mapping the sensible |
| title_sort | mapping the sensible distribution inscription cinematic thinking |
| title_sub | distribution, inscription, cinematic thinking |
| topic | Film (DE-588)4017102-4 gnd Philosophie (DE-588)4045791-6 gnd Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Film Philosophie Filmtheorie |
| url | https://doi.org/10.1515/9783110769012 https://directory.doabooks.org/handle/20.500.12854/96526 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033043739&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV045286740 |
| work_keys_str_mv | AT cartererica mappingthesensibledistributioninscriptioncinematicthinking AT malcomessbettina mappingthesensibledistributioninscriptioncinematicthinking AT rositzkaeileen mappingthesensibledistributioninscriptioncinematicthinking |