Carrie Mae Weems:
"Since the 1980s, the artist Carrie Mae Weems has challenged the status of the black female body within the complex social fabric of American society. Her photographic work probes various spaces from the American kitchen table, to the historical archives of the Hampton School, to the ancient la...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; London
The MIT Press
[2021]
|
| Schriftenreihe: | October files
25 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "Since the 1980s, the artist Carrie Mae Weems has challenged the status of the black female body within the complex social fabric of American society. Her photographic work probes various spaces from the American kitchen table, to the historical archives of the Hampton School, to the ancient landscapes of Rome. Tugging at established roots of power that perpetuate violence and injustice, Weems's photographic portraits of her muse have not only become iconic, but she has become a rallying voice for change through her engaged performances, video work, and convenings. This October Files volume brings together critical essays and interviews that explore Weems's work, shedding light on her interventions in the fields of photography, African American art, and the institutions that shape the field of art history at large. Essays by Deborah Willis, Erina Duganne, Sarah Lewis, Robin Kelsey, Katori Hall, Salamishah Tillet, Dawoud Bey, and Jennifer Blessing that probe the underpinnings of photographic history in Weems's work, primarily focusing on her earliest series from the 1980s and 1990s, including The Kitchen Table series. Texts by Yxta Maya Murray, Kimberly Juanita Brown, and Gwendolyn DuBois Shaw that reconsider how Weems engages the photographic archive as in From Here I Saw What Happened series, historical spaces in Roaming and The Louisiana Project, or the legacy of critical aesthetic concepts like the sublime in art history. Engaging beyond the art object, Huey Copeland, Coco Fusco, and Thomas Lax consider Weems's impact of the space of her exhibitions by making connections between installed work and the institutions. Interviews also operate as a critical form of analysis for Weems's body of work, so we have included a variety of more-recent interviews with fellow photographer Dawoud Bey, MET social media manager Kimberly Drew, and acclaimed Curator Thelma Golden, among others. These essays not only provide a clear glimpse at the writing on Weems, but also indicate numerous horizons on how to interpret her work for future scholars"-- |
| Beschreibung: | xviii, 202 Seiten, 8 ungezählte Seiten Tafeln Illustrationen |
| ISBN: | 9780262538596 9780262043762 |
Internformat
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| 520 | 3 | |a "Since the 1980s, the artist Carrie Mae Weems has challenged the status of the black female body within the complex social fabric of American society. Her photographic work probes various spaces from the American kitchen table, to the historical archives of the Hampton School, to the ancient landscapes of Rome. Tugging at established roots of power that perpetuate violence and injustice, Weems's photographic portraits of her muse have not only become iconic, but she has become a rallying voice for change through her engaged performances, video work, and convenings. This October Files volume brings together critical essays and interviews that explore Weems's work, shedding light on her interventions in the fields of photography, African American art, and the institutions that shape the field of art history at large. | |
| 520 | 3 | |a Essays by Deborah Willis, Erina Duganne, Sarah Lewis, Robin Kelsey, Katori Hall, Salamishah Tillet, Dawoud Bey, and Jennifer Blessing that probe the underpinnings of photographic history in Weems's work, primarily focusing on her earliest series from the 1980s and 1990s, including The Kitchen Table series. Texts by Yxta Maya Murray, Kimberly Juanita Brown, and Gwendolyn DuBois Shaw that reconsider how Weems engages the photographic archive as in From Here I Saw What Happened series, historical spaces in Roaming and The Louisiana Project, or the legacy of critical aesthetic concepts like the sublime in art history. Engaging beyond the art object, Huey Copeland, Coco Fusco, and Thomas Lax consider Weems's impact of the space of her exhibitions by making connections between installed work and the institutions. | |
| 520 | 3 | |a Interviews also operate as a critical form of analysis for Weems's body of work, so we have included a variety of more-recent interviews with fellow photographer Dawoud Bey, MET social media manager Kimberly Drew, and acclaimed Curator Thelma Golden, among others. These essays not only provide a clear glimpse at the writing on Weems, but also indicate numerous horizons on how to interpret her work for future scholars"-- | |
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Datensatz im Suchindex
| _version_ | 1811026468748132352 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
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| author | Lewis, Sarah Elizabeth 1979- Garnier, Christine |
| author2 | Lewis, Sarah Elizabeth 1979- Garnier, Christine Weems, Carrie Mae 1953- |
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| author_facet | Lewis, Sarah Elizabeth 1979- Garnier, Christine Lewis, Sarah Elizabeth 1979- Garnier, Christine Weems, Carrie Mae 1953- |
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| dewey-full | 770 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770 |
| dewey-search | 770 |
| dewey-sort | 3770 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte Allgemeines |
| discipline_str_mv | Kunstgeschichte Allgemeines |
| era | Geschichte 1980- gnd |
| era_facet | Geschichte 1980- |
| format | Book |
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| spelling | Carrie Mae Weems edited by Sarah Elizabeth Lewis with Christine Garnier ; essays and interviews by Sarah Elizabeth Lewis [und 19 weitere] Cambridge ; London The MIT Press [2021] © 2021 xviii, 202 Seiten, 8 ungezählte Seiten Tafeln Illustrationen txt rdacontent n rdamedia nc rdacarrier October files 25 "Since the 1980s, the artist Carrie Mae Weems has challenged the status of the black female body within the complex social fabric of American society. Her photographic work probes various spaces from the American kitchen table, to the historical archives of the Hampton School, to the ancient landscapes of Rome. Tugging at established roots of power that perpetuate violence and injustice, Weems's photographic portraits of her muse have not only become iconic, but she has become a rallying voice for change through her engaged performances, video work, and convenings. This October Files volume brings together critical essays and interviews that explore Weems's work, shedding light on her interventions in the fields of photography, African American art, and the institutions that shape the field of art history at large. Essays by Deborah Willis, Erina Duganne, Sarah Lewis, Robin Kelsey, Katori Hall, Salamishah Tillet, Dawoud Bey, and Jennifer Blessing that probe the underpinnings of photographic history in Weems's work, primarily focusing on her earliest series from the 1980s and 1990s, including The Kitchen Table series. Texts by Yxta Maya Murray, Kimberly Juanita Brown, and Gwendolyn DuBois Shaw that reconsider how Weems engages the photographic archive as in From Here I Saw What Happened series, historical spaces in Roaming and The Louisiana Project, or the legacy of critical aesthetic concepts like the sublime in art history. Engaging beyond the art object, Huey Copeland, Coco Fusco, and Thomas Lax consider Weems's impact of the space of her exhibitions by making connections between installed work and the institutions. Interviews also operate as a critical form of analysis for Weems's body of work, so we have included a variety of more-recent interviews with fellow photographer Dawoud Bey, MET social media manager Kimberly Drew, and acclaimed Curator Thelma Golden, among others. These essays not only provide a clear glimpse at the writing on Weems, but also indicate numerous horizons on how to interpret her work for future scholars"-- Weems, Carrie Mae 1953- (DE-588)119362848 gnd rswk-swf Geschichte 1980- gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Person of Color Motiv (DE-588)4440429-3 gnd rswk-swf Frau Motiv (DE-588)4113617-2 gnd rswk-swf Weems, Carrie Mae / 1953- / Criticism and interpretation Photographic criticism (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4027503-6 Interview gnd-content (DE-588)4020713-4 Gespräch gnd-content Weems, Carrie Mae 1953- (DE-588)119362848 p Fotografie (DE-588)4045895-7 s Person of Color Motiv (DE-588)4440429-3 s Frau Motiv (DE-588)4113617-2 s Geschichte 1980- z DE-604 Lewis, Sarah Elizabeth 1979- (DE-588)1021056618 edt aut Garnier, Christine (DE-588)116440511 edt aut Weems, Carrie Mae 1953- (DE-588)119362848 ive pht October files 25 (DE-604)BV013592867 25 https://www.gbv.de/dms/bowker/toc/9780262538596.pdf 2021-10-20 Aggregator Inhaltsverzeichnis V:DE-576;B:DE-14 application/pdf http://swbplus.bsz-bw.de/bsz1668274868inh.htm 20211022193022 Inhaltsverzeichnis |
| spellingShingle | Lewis, Sarah Elizabeth 1979- Garnier, Christine Carrie Mae Weems October files Weems, Carrie Mae 1953- (DE-588)119362848 gnd Fotografie (DE-588)4045895-7 gnd Person of Color Motiv (DE-588)4440429-3 gnd Frau Motiv (DE-588)4113617-2 gnd |
| subject_GND | (DE-588)119362848 (DE-588)4045895-7 (DE-588)4440429-3 (DE-588)4113617-2 (DE-588)4143413-4 (DE-588)4027503-6 (DE-588)4020713-4 |
| title | Carrie Mae Weems |
| title_auth | Carrie Mae Weems |
| title_exact_search | Carrie Mae Weems |
| title_exact_search_txtP | Carrie Mae Weems |
| title_full | Carrie Mae Weems edited by Sarah Elizabeth Lewis with Christine Garnier ; essays and interviews by Sarah Elizabeth Lewis [und 19 weitere] |
| title_fullStr | Carrie Mae Weems edited by Sarah Elizabeth Lewis with Christine Garnier ; essays and interviews by Sarah Elizabeth Lewis [und 19 weitere] |
| title_full_unstemmed | Carrie Mae Weems edited by Sarah Elizabeth Lewis with Christine Garnier ; essays and interviews by Sarah Elizabeth Lewis [und 19 weitere] |
| title_short | Carrie Mae Weems |
| title_sort | carrie mae weems |
| topic | Weems, Carrie Mae 1953- (DE-588)119362848 gnd Fotografie (DE-588)4045895-7 gnd Person of Color Motiv (DE-588)4440429-3 gnd Frau Motiv (DE-588)4113617-2 gnd |
| topic_facet | Weems, Carrie Mae 1953- Fotografie Person of Color Motiv Frau Motiv Aufsatzsammlung Interview Gespräch |
| url | https://www.gbv.de/dms/bowker/toc/9780262538596.pdf http://swbplus.bsz-bw.de/bsz1668274868inh.htm |
| volume_link | (DE-604)BV013592867 |
| work_keys_str_mv | AT lewissarahelizabeth carriemaeweems AT garnierchristine carriemaeweems AT weemscarriemae carriemaeweems |
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