Early cinema, modernity and visual culture: the imaginary of the Balkans
The end of the nineteenth century saw the Balkans animated with cultural movements and socio-political turmoil. Alongside these developments, the proliferation of print media and the arrival of moving images was transforming urban life and played a significant role in the creation of national cultur...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2022]
|
| Schriftenreihe: | Eastern European screen cultures
3 |
| Schlagworte: | |
| Zusammenfassung: | The end of the nineteenth century saw the Balkans animated with cultural movements and socio-political turmoil. Alongside these developments, the proliferation of print media and the arrival of moving images was transforming urban life and played a significant role in the creation of national culture. Based on archival research and previously overlooked footage and early press materials, <cite>Imaginary of the Balkans: Visual Culture, Modernity and Early Cinema</cite> is the first study on early cinema in the region from a transnational and cross-cultural perspective. This work investigates how the unique geopolitical positioning of the Balkan space and the multi-cultural identity of its communities influenced and shaped visual culture and early cinema development. Moreover, it examines the relationship between the new medium and visual culture through the notion of the haptic, and explores the role early cinema and foreign productions played in the construction of Balkanist and semi-colonial discourses. Reframing hierarchical relations between ?centres? and ?peripheries?, this book departs from approaches such as ?new cinema history? and ?vernacular modernity? to counter modernity discourses of ?lacks and absences?, and instead, establishes new connections between moving image and print artefacts, early film practitioners and intellectuals, the socio-cultural context and cultural responses to the new visual medium.00Ana Grgi? is Assoc. Professor at Babes-Bolyai University. Her research on Balkan and transnational cinema, archives and memory appeared in Early Popular Visual Culture, Studies in Eastern European Cinema, Film Quarterly, and KinoKultura. She is co-editor of Contemporary Balkan Cinema: Transnational Exchanges and Global Circuits (2020), and is Associate Editor of Studies in World Cinema. |
| Beschreibung: | 277 Seiten Illustrationen, Karten (schwarz-weiß) 25 cm |
| ISBN: | 9789463728300 |
Internformat
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| 520 | 3 | |a The end of the nineteenth century saw the Balkans animated with cultural movements and socio-political turmoil. Alongside these developments, the proliferation of print media and the arrival of moving images was transforming urban life and played a significant role in the creation of national culture. Based on archival research and previously overlooked footage and early press materials, <cite>Imaginary of the Balkans: Visual Culture, Modernity and Early Cinema</cite> is the first study on early cinema in the region from a transnational and cross-cultural perspective. This work investigates how the unique geopolitical positioning of the Balkan space and the multi-cultural identity of its communities influenced and shaped visual culture and early cinema development. Moreover, it examines the relationship between the new medium and visual culture through the notion of the haptic, and explores the role early cinema and foreign productions played in the construction of Balkanist and semi-colonial discourses. Reframing hierarchical relations between ?centres? and ?peripheries?, this book departs from approaches such as ?new cinema history? and ?vernacular modernity? to counter modernity discourses of ?lacks and absences?, and instead, establishes new connections between moving image and print artefacts, early film practitioners and intellectuals, the socio-cultural context and cultural responses to the new visual medium.00Ana Grgi? is Assoc. Professor at Babes-Bolyai University. Her research on Balkan and transnational cinema, archives and memory appeared in Early Popular Visual Culture, Studies in Eastern European Cinema, Film Quarterly, and KinoKultura. She is co-editor of Contemporary Balkan Cinema: Transnational Exchanges and Global Circuits (2020), and is Associate Editor of Studies in World Cinema. | |
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Datensatz im Suchindex
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| series | Eastern European screen cultures |
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| spelling | Grgic, Ana 1981- Verfasser (DE-588)1246012081 aut Early cinema, modernity and visual culture the imaginary of the Balkans Ana Grgić Amsterdam Amsterdam University Press [2022] © 2022 277 Seiten Illustrationen, Karten (schwarz-weiß) 25 cm txt rdacontent n rdamedia nc rdacarrier Eastern European screen cultures 3 The end of the nineteenth century saw the Balkans animated with cultural movements and socio-political turmoil. Alongside these developments, the proliferation of print media and the arrival of moving images was transforming urban life and played a significant role in the creation of national culture. Based on archival research and previously overlooked footage and early press materials, <cite>Imaginary of the Balkans: Visual Culture, Modernity and Early Cinema</cite> is the first study on early cinema in the region from a transnational and cross-cultural perspective. This work investigates how the unique geopolitical positioning of the Balkan space and the multi-cultural identity of its communities influenced and shaped visual culture and early cinema development. Moreover, it examines the relationship between the new medium and visual culture through the notion of the haptic, and explores the role early cinema and foreign productions played in the construction of Balkanist and semi-colonial discourses. Reframing hierarchical relations between ?centres? and ?peripheries?, this book departs from approaches such as ?new cinema history? and ?vernacular modernity? to counter modernity discourses of ?lacks and absences?, and instead, establishes new connections between moving image and print artefacts, early film practitioners and intellectuals, the socio-cultural context and cultural responses to the new visual medium.00Ana Grgi? is Assoc. Professor at Babes-Bolyai University. Her research on Balkan and transnational cinema, archives and memory appeared in Early Popular Visual Culture, Studies in Eastern European Cinema, Film Quarterly, and KinoKultura. She is co-editor of Contemporary Balkan Cinema: Transnational Exchanges and Global Circuits (2020), and is Associate Editor of Studies in World Cinema. Geschichte 1896-1914 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Südosteuropa (DE-588)4058449-5 gnd rswk-swf Motion pictures / Europe, Eastern / History / 20th century Cinéma / Europe de l'Est / Histoire / 20e siècle Motion pictures Eastern Europe 1900-1999 History Balkan films Südosteuropa (DE-588)4058449-5 g Film (DE-588)4017102-4 s Geschichte 1896-1914 z DE-604 Erscheint auch als Online-Ausgabe 978-90-485-4388-5 Eastern European screen cultures 3 (DE-604)BV044602313 3 |
| spellingShingle | Grgic, Ana 1981- Early cinema, modernity and visual culture the imaginary of the Balkans Eastern European screen cultures Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4058449-5 |
| title | Early cinema, modernity and visual culture the imaginary of the Balkans |
| title_auth | Early cinema, modernity and visual culture the imaginary of the Balkans |
| title_exact_search | Early cinema, modernity and visual culture the imaginary of the Balkans |
| title_exact_search_txtP | Early cinema, modernity and visual culture the imaginary of the Balkans |
| title_full | Early cinema, modernity and visual culture the imaginary of the Balkans Ana Grgić |
| title_fullStr | Early cinema, modernity and visual culture the imaginary of the Balkans Ana Grgić |
| title_full_unstemmed | Early cinema, modernity and visual culture the imaginary of the Balkans Ana Grgić |
| title_short | Early cinema, modernity and visual culture |
| title_sort | early cinema modernity and visual culture the imaginary of the balkans |
| title_sub | the imaginary of the Balkans |
| topic | Film (DE-588)4017102-4 gnd |
| topic_facet | Film Südosteuropa |
| volume_link | (DE-604)BV044602313 |
| work_keys_str_mv | AT grgicana earlycinemamodernityandvisualculturetheimaginaryofthebalkans |