Authorizing early modern European women: from biography to biofiction
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2022]
|
| Schriftenreihe: | Gendering the late medieval and early modern world
17 |
| Schlagworte: | |
| Online-Zugang: | Volltext Volltext Volltext Inhaltsverzeichnis Klappentext |
| Beschreibung: | 287 Seiten Illustrationen |
| ISBN: | 9789463727143 |
| DOI: | 10.5117/9789463727143 |
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Datensatz im Suchindex
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Table of Contents List of Figures 9 Acknowledgments n 1. James Fitzmaurice, Naomi J. Miller, and Sara Jayne Steen: “Introduction: Biography, Biofiction, and Gender in the Modern Age" 13 Section I: Fictionalizing Biography 2. Bárbara Mujica: “Sister Teresa: Fictionalizing a Saint” [Teresa of Ávila (1515-1582); practitioner: nun; author] 23 3. Catherine Padmore: “Portrait of an Unknown Woman: Fictional Representations of Levina Teerlinc,Tudor Paintrix” [Levina Teerlinc (1510/20-1576); visual artist] 33 4. Frima Fox Hofrichter: “An Interview with Dominic Smith, Author of The Last Painting ofSara de Vos: Capturing the Seventeenth Century” [Judith Leyster (1609-1660) and Sara van Baalbergen (fl, 1631-1634); visual artists] 49 5. Susanne Woods: “Lanyer: The Dark Lady and the Shades of Fiction” [Aemilia Lanyer (1569-1645); author] 57 6. Marina Leslie: “Archival Bodies, Novel Interpretations, and the Burden of Margaret Cavendish” [Margaret Cavendish (1623-1673); author] 71 Section II: Materializing Authorship 7. Susan Frye: “Bess of Hardwick: Materializing Autobiography” [Elizabeth Talbot (i527?-i6o8); creator of textiles] 87
8. Sarah Gristwood: “The Queen as Artist: Elizabeth Tudor and Mary Stuart” [Mary Queen of Scots (1542-1587) and Elizabeth I (1533-1603); practitioners: queens; embroiderer; authors] 9. Marion Wynne-Davies: “‘Very Secret Kept': Facts and ReCreation in Margaret Hannay’s Biographies of Mary Sidney Herbert and Mary Wroth” [Mary Sidney Herbert (1561-1621) and Mary Wroth (1586-1652); authors] 10. Naomi J. Miller: “Imagining Shakespeare’s Sisters: Fictionalizing Mary Sidney Herbert and Mary Sidney Wroth” [Mary Sidney Herbert (1561-1621) and Mary Wroth (1586-1652); authors] 11. Linda Phyllis Austern: “Anne Boleyn, Musician: A Romance Across Centuries and Media” [Anne Boleyn (c. 1500-1536); musician] 101 115 129 141 Section III: Performing Gender 12. Sheila T. Cavanagh: “Reclaiming Her Time: Artemisia Gentileschi Speaks to the Twenty-First Century” [Artemisia Gentileschi (1593-1656); visual artist] 157 13. Hailey Bachrach: “Beyond the Record: Emilia and Feminist Historical Recovery” [Aemilia Lanyer (1569-1645); author] 165 14. James Fitzmaurice: “Writing, Acting, and the Notion of Truth in Bioftction About Early Modern Women Authors” [Aphra Behn (1640-1689) and Margaret Cavendish (1623-1673); authors] 15. Emilie L. Bergmann: “Jesusa Rodriguez’s Sor Juana Inés de la Cruz: Reflections on an Opaque Body” [Sor Juana Inés de la Cruz (1648-1695); practitioner: nun; author] 179 187
Section IV: Authoring Identity 16. Margaret F. Rosenthal: “From Hollywood Film to Musical Theater: Veronica Franco in American Popular Culture” [Veronica Franco (1546-1591); author] 203 17. Julia Dabbs: “The Role of Art in Recent Biofiction on Sofonisba Anguissola” [Sofonisba Anguissola (1532--1625); visual artist] 219 18. Stephanie Russo: “Ί Am Artemisia’: Art and Trauma in Joy McCullough’s Blood. Water Paint” [Artemisia Gentileschi (1593-1656); visual artist] 235 19. Sara Jayne Steen: “The Lady Arbella Stuart, a ‘Rare Phoenix': Her Re-Creation in Biography and Biofiction” [Arbella Stuart (1575-1615); letter writer] 249 20. Sara Read: “The Gossips’ Choice: Extending the Possibilities for Biofiction with Creative Uses of Sources” [Jane Sharp (active 1671) and Sarah Stone (active 1701-1737); practi tioners: midwives] 263 21. Michael Lackey: Afterword 271 Index 275
The essays in this volume analyze strategies adopted by contemporary novelists, playwrights, screenwriters, and biographers interested in bringing the stories of early modem women to modern audiences. It also pays attention to the historical women creators themselves, who, be they saints or midwives, visual artists or poets and playwrights, stand out for their roles as active practitioners of their own arts and for their accomplishments as creators. Whether they delivered infants or governed as monarchs, or produced embroideries, letters, paintings or poems, their visions, the authors argue, have endured across the centuries. As the title of the volume suggests, the essays gathered here participate in a wider conversation about the relation between biography, historical fiction, and the growing field of biofiction (that is, contemporary fictionalizations of historical figures), and explore the complicated interconnections between celebrating early modern women and perpetuating popular stereotypes about them. |
| adam_txt |
Table of Contents List of Figures 9 Acknowledgments n 1. James Fitzmaurice, Naomi J. Miller, and Sara Jayne Steen: “Introduction: Biography, Biofiction, and Gender in the Modern Age" 13 Section I: Fictionalizing Biography 2. Bárbara Mujica: “Sister Teresa: Fictionalizing a Saint” [Teresa of Ávila (1515-1582); practitioner: nun; author] 23 3. Catherine Padmore: “Portrait of an Unknown Woman: Fictional Representations of Levina Teerlinc,Tudor Paintrix” [Levina Teerlinc (1510/20-1576); visual artist] 33 4. Frima Fox Hofrichter: “An Interview with Dominic Smith, Author of The Last Painting ofSara de Vos: Capturing the Seventeenth Century” [Judith Leyster (1609-1660) and Sara van Baalbergen (fl, 1631-1634); visual artists] 49 5. Susanne Woods: “Lanyer: The Dark Lady and the Shades of Fiction” [Aemilia Lanyer (1569-1645); author] 57 6. Marina Leslie: “Archival Bodies, Novel Interpretations, and the Burden of Margaret Cavendish” [Margaret Cavendish (1623-1673); author] 71 Section II: Materializing Authorship 7. Susan Frye: “Bess of Hardwick: Materializing Autobiography” [Elizabeth Talbot (i527?-i6o8); creator of textiles] 87
8. Sarah Gristwood: “The Queen as Artist: Elizabeth Tudor and Mary Stuart” [Mary Queen of Scots (1542-1587) and Elizabeth I (1533-1603); practitioners: queens; embroiderer; authors] 9. Marion Wynne-Davies: “‘Very Secret Kept': Facts and ReCreation in Margaret Hannay’s Biographies of Mary Sidney Herbert and Mary Wroth” [Mary Sidney Herbert (1561-1621) and Mary Wroth (1586-1652); authors] 10. Naomi J. Miller: “Imagining Shakespeare’s Sisters: Fictionalizing Mary Sidney Herbert and Mary Sidney Wroth” [Mary Sidney Herbert (1561-1621) and Mary Wroth (1586-1652); authors] 11. Linda Phyllis Austern: “Anne Boleyn, Musician: A Romance Across Centuries and Media” [Anne Boleyn (c. 1500-1536); musician] 101 115 129 141 Section III: Performing Gender 12. Sheila T. Cavanagh: “Reclaiming Her Time: Artemisia Gentileschi Speaks to the Twenty-First Century” [Artemisia Gentileschi (1593-1656); visual artist] 157 13. Hailey Bachrach: “Beyond the Record: Emilia and Feminist Historical Recovery” [Aemilia Lanyer (1569-1645); author] 165 14. James Fitzmaurice: “Writing, Acting, and the Notion of Truth in Bioftction About Early Modern Women Authors” [Aphra Behn (1640-1689) and Margaret Cavendish (1623-1673); authors] 15. Emilie L. Bergmann: “Jesusa Rodriguez’s Sor Juana Inés de la Cruz: Reflections on an Opaque Body” [Sor Juana Inés de la Cruz (1648-1695); practitioner: nun; author] 179 187
Section IV: Authoring Identity 16. Margaret F. Rosenthal: “From Hollywood Film to Musical Theater: Veronica Franco in American Popular Culture” [Veronica Franco (1546-1591); author] 203 17. Julia Dabbs: “The Role of Art in Recent Biofiction on Sofonisba Anguissola” [Sofonisba Anguissola (1532--1625); visual artist] 219 18. Stephanie Russo: “Ί Am Artemisia’: Art and Trauma in Joy McCullough’s Blood. Water Paint” [Artemisia Gentileschi (1593-1656); visual artist] 235 19. Sara Jayne Steen: “The Lady Arbella Stuart, a ‘Rare Phoenix': Her Re-Creation in Biography and Biofiction” [Arbella Stuart (1575-1615); letter writer] 249 20. Sara Read: “The Gossips’ Choice: Extending the Possibilities for Biofiction with Creative Uses of Sources” [Jane Sharp (active 1671) and Sarah Stone (active 1701-1737); practi tioners: midwives] 263 21. Michael Lackey: Afterword 271 Index 275
The essays in this volume analyze strategies adopted by contemporary novelists, playwrights, screenwriters, and biographers interested in bringing the stories of early modem women to modern audiences. It also pays attention to the historical women creators themselves, who, be they saints or midwives, visual artists or poets and playwrights, stand out for their roles as active practitioners of their own arts and for their accomplishments as creators. Whether they delivered infants or governed as monarchs, or produced embroideries, letters, paintings or poems, their visions, the authors argue, have endured across the centuries. As the title of the volume suggests, the essays gathered here participate in a wider conversation about the relation between biography, historical fiction, and the growing field of biofiction (that is, contemporary fictionalizations of historical figures), and explore the complicated interconnections between celebrating early modern women and perpetuating popular stereotypes about them. |
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| owner_facet | DE-12 DE-210 DE-521 DE-1102 DE-1046 DE-1028 DE-1050 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-1049 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-Re13 DE-BY-UBR DE-Y3 DE-255 DE-Y7 DE-Y2 DE-70 DE-2174 DE-127 DE-22 DE-BY-UBG DE-155 DE-BY-UBR DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
| physical | 287 Seiten Illustrationen |
| psigel | ZDB-94-OAB |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Amsterdam University Press |
| record_format | marc |
| series | Gendering the late medieval and early modern world |
| series2 | Gendering the late medieval and early modern world |
| spellingShingle | Authorizing early modern European women from biography to biofiction Gendering the late medieval and early modern world Biografische Literatur (DE-588)4312083-0 gnd Frau Motiv (DE-588)4113617-2 gnd Frauenliteratur (DE-588)4113622-6 gnd |
| subject_GND | (DE-588)4312083-0 (DE-588)4113617-2 (DE-588)4113622-6 (DE-588)4143413-4 |
| title | Authorizing early modern European women from biography to biofiction |
| title_auth | Authorizing early modern European women from biography to biofiction |
| title_exact_search | Authorizing early modern European women from biography to biofiction |
| title_exact_search_txtP | Authorizing early modern European women from biography to biofiction |
| title_full | Authorizing early modern European women from biography to biofiction edited by James Fitzmaurice, Naomi J. Miller, and Sara Jayne Steen |
| title_fullStr | Authorizing early modern European women from biography to biofiction edited by James Fitzmaurice, Naomi J. Miller, and Sara Jayne Steen |
| title_full_unstemmed | Authorizing early modern European women from biography to biofiction edited by James Fitzmaurice, Naomi J. Miller, and Sara Jayne Steen |
| title_short | Authorizing early modern European women |
| title_sort | authorizing early modern european women from biography to biofiction |
| title_sub | from biography to biofiction |
| topic | Biografische Literatur (DE-588)4312083-0 gnd Frau Motiv (DE-588)4113617-2 gnd Frauenliteratur (DE-588)4113622-6 gnd |
| topic_facet | Biografische Literatur Frau Motiv Frauenliteratur Aufsatzsammlung |
| url | https://directory.doabooks.org/handle/20.500.12854/79256 https://doi.org/10.5117/9789463727143 https://doi.org/10.1515/9789048552900 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033029303&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033029303&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV045426161 |
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