A storm is coming: Georges Michel in the wind
"An archetypal petit-maître, landscape artist Georges Michel was little known in his lifetime but achieved some renown later in the nineteenth century as a source for the Barbizon School, thanks to his biographer Alfred Sensier. Michel specialized in the representation of windswept heaths, ofte...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2021
|
Schlagworte: | |
Zusammenfassung: | "An archetypal petit-maître, landscape artist Georges Michel was little known in his lifetime but achieved some renown later in the nineteenth century as a source for the Barbizon School, thanks to his biographer Alfred Sensier. Michel specialized in the representation of windswept heaths, often beneath an incoming storm. Many paintings represent the hills of Montmartre, then an austere escarpment dotted with windmills and topped by the rotating arms of the optical telegraph. This essay examines the implications of Michel’s uneasy atmospherics. Michel’s fretful skies and abandoned, marginal plains employ the movement of the wind as a cipher for broader historical changes. Spanning the period covered by this book, Michel’s work is considered in terms of its complex engagement with the aftereffects of radical politics. Indeed, Michel’s paintings were brought to light by Sensier in a later post-revolutionary climate, in 1873, two years after the traumatic repression of the Paris Commune." |
Beschreibung: | Illustrationen |
ISBN: | 978-1-5013-4839-6 |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
---|---|---|---|
001 | BV047642981 | ||
003 | DE-604 | ||
005 | 20220202 | ||
007 | t | ||
008 | 211215s2021 a||| |||| 00||| eng d | ||
035 | |a (OCoLC)1289780412 | ||
035 | |a (DE-599)BVBBV047642981 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-255 | ||
100 | 1 | |a Taws, Richard |d 1977- |e Verfasser |0 (DE-588)1065897839 |4 aut | |
245 | 1 | 0 | |a A storm is coming |b Georges Michel in the wind |c Richard Taws |
264 | 1 | |c 2021 | |
300 | |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | |a "An archetypal petit-maître, landscape artist Georges Michel was little known in his lifetime but achieved some renown later in the nineteenth century as a source for the Barbizon School, thanks to his biographer Alfred Sensier. Michel specialized in the representation of windswept heaths, often beneath an incoming storm. Many paintings represent the hills of Montmartre, then an austere escarpment dotted with windmills and topped by the rotating arms of the optical telegraph. This essay examines the implications of Michel’s uneasy atmospherics. Michel’s fretful skies and abandoned, marginal plains employ the movement of the wind as a cipher for broader historical changes. Spanning the period covered by this book, Michel’s work is considered in terms of its complex engagement with the aftereffects of radical politics. Indeed, Michel’s paintings were brought to light by Sensier in a later post-revolutionary climate, in 1873, two years after the traumatic repression of the Paris Commune." | ||
600 | 1 | 7 | |a Michel, Georges |d 1763-1843 |0 (DE-588)138318182 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Windmühle |g Motiv |0 (DE-588)4726440-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Sturm |g Motiv |0 (DE-588)4227899-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Schule von Barbizon |0 (DE-588)1217604480 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Landschaftsmalerei |0 (DE-588)4114355-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Ikonographie |0 (DE-588)4026535-3 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Michel, Georges |d 1763-1843 |0 (DE-588)138318182 |D p |
689 | 0 | 1 | |a Landschaftsmalerei |0 (DE-588)4114355-3 |D s |
689 | 0 | 2 | |a Sturm |g Motiv |0 (DE-588)4227899-5 |D s |
689 | 0 | 3 | |a Windmühle |g Motiv |0 (DE-588)4726440-8 |D s |
689 | 0 | 4 | |a Ikonographie |0 (DE-588)4026535-3 |D s |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Schule von Barbizon |0 (DE-588)1217604480 |D s |
689 | 1 | |5 DE-604 | |
773 | 1 | 8 | |g pages:221-246 |
773 | 0 | 8 | |t Time, media, and visuality in post-revolutionary France / edited by Iris Moon and Richard Taws |d London ; New York ; Oxford ; New Delhi ; Sydney, 2021 |g Seite 221-246 |w (DE-604)BV047484882 |z 978-1-5013-4839-6 |
999 | |a oai:aleph.bib-bvb.de:BVB01-033027175 | ||
941 | |s 221-246 |
Datensatz im Suchindex
_version_ | 1804183101770825728 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
article_link | (DE-604)BV047484882 |
author | Taws, Richard 1977- |
author_GND | (DE-588)1065897839 |
author_facet | Taws, Richard 1977- |
author_role | aut |
author_sort | Taws, Richard 1977- |
author_variant | r t rt |
building | Verbundindex |
bvnumber | BV047642981 |
ctrlnum | (OCoLC)1289780412 (DE-599)BVBBV047642981 |
format | Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02760naa a2200457 c 4500</leader><controlfield tag="001">BV047642981</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220202 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">211215s2021 a||| |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1289780412</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047642981</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Taws, Richard</subfield><subfield code="d">1977-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1065897839</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A storm is coming</subfield><subfield code="b">Georges Michel in the wind</subfield><subfield code="c">Richard Taws</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"An archetypal petit-maître, landscape artist Georges Michel was little known in his lifetime but achieved some renown later in the nineteenth century as a source for the Barbizon School, thanks to his biographer Alfred Sensier. Michel specialized in the representation of windswept heaths, often beneath an incoming storm. Many paintings represent the hills of Montmartre, then an austere escarpment dotted with windmills and topped by the rotating arms of the optical telegraph. This essay examines the implications of Michel’s uneasy atmospherics. Michel’s fretful skies and abandoned, marginal plains employ the movement of the wind as a cipher for broader historical changes. Spanning the period covered by this book, Michel’s work is considered in terms of its complex engagement with the aftereffects of radical politics. Indeed, Michel’s paintings were brought to light by Sensier in a later post-revolutionary climate, in 1873, two years after the traumatic repression of the Paris Commune."</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Michel, Georges</subfield><subfield code="d">1763-1843</subfield><subfield code="0">(DE-588)138318182</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Windmühle</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4726440-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sturm</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4227899-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schule von Barbizon</subfield><subfield code="0">(DE-588)1217604480</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Landschaftsmalerei</subfield><subfield code="0">(DE-588)4114355-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ikonographie</subfield><subfield code="0">(DE-588)4026535-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Michel, Georges</subfield><subfield code="d">1763-1843</subfield><subfield code="0">(DE-588)138318182</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Landschaftsmalerei</subfield><subfield code="0">(DE-588)4114355-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Sturm</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4227899-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Windmühle</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4726440-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Ikonographie</subfield><subfield code="0">(DE-588)4026535-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Schule von Barbizon</subfield><subfield code="0">(DE-588)1217604480</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:221-246</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Time, media, and visuality in post-revolutionary France / edited by Iris Moon and Richard Taws</subfield><subfield code="d">London ; New York ; Oxford ; New Delhi ; Sydney, 2021</subfield><subfield code="g">Seite 221-246</subfield><subfield code="w">(DE-604)BV047484882</subfield><subfield code="z">978-1-5013-4839-6</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033027175</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">221-246</subfield></datafield></record></collection> |
id | DE-604.BV047642981 |
illustrated | Illustrated |
index_date | 2024-07-03T18:48:03Z |
indexdate | 2024-07-10T09:18:06Z |
institution | BVB |
isbn | 978-1-5013-4839-6 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033027175 |
oclc_num | 1289780412 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | Illustrationen |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
record_format | marc |
spelling | Taws, Richard 1977- Verfasser (DE-588)1065897839 aut A storm is coming Georges Michel in the wind Richard Taws 2021 Illustrationen txt rdacontent n rdamedia nc rdacarrier "An archetypal petit-maître, landscape artist Georges Michel was little known in his lifetime but achieved some renown later in the nineteenth century as a source for the Barbizon School, thanks to his biographer Alfred Sensier. Michel specialized in the representation of windswept heaths, often beneath an incoming storm. Many paintings represent the hills of Montmartre, then an austere escarpment dotted with windmills and topped by the rotating arms of the optical telegraph. This essay examines the implications of Michel’s uneasy atmospherics. Michel’s fretful skies and abandoned, marginal plains employ the movement of the wind as a cipher for broader historical changes. Spanning the period covered by this book, Michel’s work is considered in terms of its complex engagement with the aftereffects of radical politics. Indeed, Michel’s paintings were brought to light by Sensier in a later post-revolutionary climate, in 1873, two years after the traumatic repression of the Paris Commune." Michel, Georges 1763-1843 (DE-588)138318182 gnd rswk-swf Windmühle Motiv (DE-588)4726440-8 gnd rswk-swf Sturm Motiv (DE-588)4227899-5 gnd rswk-swf Schule von Barbizon (DE-588)1217604480 gnd rswk-swf Landschaftsmalerei (DE-588)4114355-3 gnd rswk-swf Ikonographie (DE-588)4026535-3 gnd rswk-swf Michel, Georges 1763-1843 (DE-588)138318182 p Landschaftsmalerei (DE-588)4114355-3 s Sturm Motiv (DE-588)4227899-5 s Windmühle Motiv (DE-588)4726440-8 s Ikonographie (DE-588)4026535-3 s DE-604 Schule von Barbizon (DE-588)1217604480 s pages:221-246 Time, media, and visuality in post-revolutionary France / edited by Iris Moon and Richard Taws London ; New York ; Oxford ; New Delhi ; Sydney, 2021 Seite 221-246 (DE-604)BV047484882 978-1-5013-4839-6 |
spellingShingle | Taws, Richard 1977- A storm is coming Georges Michel in the wind Michel, Georges 1763-1843 (DE-588)138318182 gnd Windmühle Motiv (DE-588)4726440-8 gnd Sturm Motiv (DE-588)4227899-5 gnd Schule von Barbizon (DE-588)1217604480 gnd Landschaftsmalerei (DE-588)4114355-3 gnd Ikonographie (DE-588)4026535-3 gnd |
subject_GND | (DE-588)138318182 (DE-588)4726440-8 (DE-588)4227899-5 (DE-588)1217604480 (DE-588)4114355-3 (DE-588)4026535-3 |
title | A storm is coming Georges Michel in the wind |
title_auth | A storm is coming Georges Michel in the wind |
title_exact_search | A storm is coming Georges Michel in the wind |
title_exact_search_txtP | A storm is coming Georges Michel in the wind |
title_full | A storm is coming Georges Michel in the wind Richard Taws |
title_fullStr | A storm is coming Georges Michel in the wind Richard Taws |
title_full_unstemmed | A storm is coming Georges Michel in the wind Richard Taws |
title_short | A storm is coming |
title_sort | a storm is coming georges michel in the wind |
title_sub | Georges Michel in the wind |
topic | Michel, Georges 1763-1843 (DE-588)138318182 gnd Windmühle Motiv (DE-588)4726440-8 gnd Sturm Motiv (DE-588)4227899-5 gnd Schule von Barbizon (DE-588)1217604480 gnd Landschaftsmalerei (DE-588)4114355-3 gnd Ikonographie (DE-588)4026535-3 gnd |
topic_facet | Michel, Georges 1763-1843 Windmühle Motiv Sturm Motiv Schule von Barbizon Landschaftsmalerei Ikonographie |
work_keys_str_mv | AT tawsrichard astormiscominggeorgesmichelinthewind |